| HAMLET |
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| DRAMATIS PERSONAE |
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| CLAUDIUS king of Denmark. (KING CLAUDIUS:) |
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| HAMLET son to the late, and nephew to the present king. |
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| POLONIUS lord chamberlain. (LORD POLONIUS:) |
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| HORATIO friend to Hamlet. |
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| LAERTES son to Polonius. |
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| LUCIANUS nephew to the king. |
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| VOLTIMAND | |
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| CORNELIUS | |
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| ROSENCRANTZ | courtiers. |
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| GUILDENSTERN | |
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| OSRIC | |
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| A Gentleman, (Gentlemen:) |
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| A Priest. (First Priest:) |
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| MARCELLUS | |
| | officers. |
| BERNARDO | |
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| FRANCISCO a soldier. |
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| REYNALDO servant to Polonius. |
| Players. |
| (First Player:) |
| (Player King:) |
| (Player Queen:) |
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| Two Clowns, grave-diggers. |
| (First Clown:) |
| (Second Clown:) |
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| FORTINBRAS prince of Norway. (PRINCE FORTINBRAS:) |
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| A Captain. |
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| English Ambassadors. (First Ambassador:) |
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| GERTRUDE queen of Denmark, and mother to Hamlet. |
| (QUEEN GERTRUDE:) |
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| OPHELIA daughter to Polonius. |
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| Lords, Ladies, Officers, Soldiers, Sailors, Messengers, |
| and other Attendants. (Lord:) |
| (First Sailor:) |
| (Messenger:) |
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| Ghost of Hamlet's Father. (Ghost:) |
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| SCENE Denmark. |
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| HAMLET |
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| ACT I |
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| SCENE I Elsinore. A platform before the castle. |
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| [FRANCISCO at his post. Enter to him BERNARDO] |
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| BERNARDO Who's there? |
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| FRANCISCO Nay, answer me: stand, and unfold yourself. |
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| BERNARDO Long live the king! |
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| FRANCISCO Bernardo? |
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| BERNARDO He. |
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| FRANCISCO You come most carefully upon your hour. |
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| BERNARDO 'Tis now struck twelve; get thee to bed, Francisco. |
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| FRANCISCO For this relief much thanks: 'tis bitter cold, |
| And I am sick at heart. |
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| BERNARDO Have you had quiet guard? |
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| FRANCISCO Not a mouse stirring. |
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| BERNARDO Well, good night. |
| If you do meet Horatio and Marcellus, |
| The rivals of my watch, bid them make haste. |
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| FRANCISCO I think I hear them. Stand, ho! Who's there? |
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| [Enter HORATIO and MARCELLUS] |
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| HORATIO Friends to this ground. |
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| MARCELLUS And liegemen to the Dane. |
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| FRANCISCO Give you good night. |
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| MARCELLUS O, farewell, honest soldier: |
| Who hath relieved you? |
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| FRANCISCO Bernardo has my place. |
| Give you good night. |
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| [Exit] |
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| MARCELLUS Holla! Bernardo! |
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| BERNARDO Say, |
| What, is Horatio there? |
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| HORATIO A piece of him. |
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| BERNARDO Welcome, Horatio: welcome, good Marcellus. |
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| MARCELLUS What, has this thing appear'd again to-night? |
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| BERNARDO I have seen nothing. |
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| MARCELLUS Horatio says 'tis but our fantasy, |
| And will not let belief take hold of him |
| Touching this dreaded sight, twice seen of us: |
| Therefore I have entreated him along |
| With us to watch the minutes of this night; |
| That if again this apparition come, |
| He may approve our eyes and speak to it. |
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| HORATIO Tush, tush, 'twill not appear. |
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| BERNARDO Sit down awhile; |
| And let us once again assail your ears, |
| That are so fortified against our story |
| What we have two nights seen. |
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| HORATIO Well, sit we down, |
| And let us hear Bernardo speak of this. |
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| BERNARDO Last night of all, |
| When yond same star that's westward from the pole |
| Had made his course to illume that part of heaven |
| Where now it burns, Marcellus and myself, |
| The bell then beating one,-- |
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| [Enter Ghost] |
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| MARCELLUS Peace, break thee off; look, where it comes again! |
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| BERNARDO In the same figure, like the king that's dead. |
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| MARCELLUS Thou art a scholar; speak to it, Horatio. |
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| BERNARDO Looks it not like the king? mark it, Horatio. |
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| HORATIO Most like: it harrows me with fear and wonder. |
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| BERNARDO It would be spoke to. |
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| MARCELLUS Question it, Horatio. |
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| HORATIO What art thou that usurp'st this time of night, |
| Together with that fair and warlike form |
| In which the majesty of buried Denmark |
| Did sometimes march? by heaven I charge thee, speak! |
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| MARCELLUS It is offended. |
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| BERNARDO See, it stalks away! |
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| HORATIO Stay! speak, speak! I charge thee, speak! |
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| [Exit Ghost] |
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| MARCELLUS 'Tis gone, and will not answer. |
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| BERNARDO How now, Horatio! you tremble and look pale: |
| Is not this something more than fantasy? |
| What think you on't? |
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| HORATIO Before my God, I might not this believe |
| Without the sensible and true avouch |
| Of mine own eyes. |
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| MARCELLUS Is it not like the king? |
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| HORATIO As thou art to thyself: |
| Such was the very armour he had on |
| When he the ambitious Norway combated; |
| So frown'd he once, when, in an angry parle, |
| He smote the sledded Polacks on the ice. |
| 'Tis strange. |
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| MARCELLUS Thus twice before, and jump at this dead hour, |
| With martial stalk hath he gone by our watch. |
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| HORATIO In what particular thought to work I know not; |
| But in the gross and scope of my opinion, |
| This bodes some strange eruption to our state. |
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| MARCELLUS Good now, sit down, and tell me, he that knows, |
| Why this same strict and most observant watch |
| So nightly toils the subject of the land, |
| And why such daily cast of brazen cannon, |
| And foreign mart for implements of war; |
| Why such impress of shipwrights, whose sore task |
| Does not divide the Sunday from the week; |
| What might be toward, that this sweaty haste |
| Doth make the night joint-labourer with the day: |
| Who is't that can inform me? |
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| HORATIO That can I; |
| At least, the whisper goes so. Our last king, |
| Whose image even but now appear'd to us, |
| Was, as you know, by Fortinbras of Norway, |
| Thereto prick'd on by a most emulate pride, |
| Dared to the combat; in which our valiant Hamlet-- |
| For so this side of our known world esteem'd him-- |
| Did slay this Fortinbras; who by a seal'd compact, |
| Well ratified by law and heraldry, |
| Did forfeit, with his life, all those his lands |
| Which he stood seized of, to the conqueror: |
| Against the which, a moiety competent |
| Was gaged by our king; which had return'd |
| To the inheritance of Fortinbras, |
| Had he been vanquisher; as, by the same covenant, |
| And carriage of the article design'd, |
| His fell to Hamlet. Now, sir, young Fortinbras, |
| Of unimproved mettle hot and full, |
| Hath in the skirts of Norway here and there |
| Shark'd up a list of lawless resolutes, |
| For food and diet, to some enterprise |
| That hath a stomach in't; which is no other-- |
| As it doth well appear unto our state-- |
| But to recover of us, by strong hand |
| And terms compulsatory, those foresaid lands |
| So by his father lost: and this, I take it, |
| Is the main motive of our preparations, |
| The source of this our watch and the chief head |
| Of this post-haste and romage in the land. |
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| BERNARDO I think it be no other but e'en so: |
| Well may it sort that this portentous figure |
| Comes armed through our watch; so like the king |
| That was and is the question of these wars. |
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| HORATIO A mote it is to trouble the mind's eye. |
| In the most high and palmy state of Rome, |
| A little ere the mightiest Julius fell, |
| The graves stood tenantless and the sheeted dead |
| Did squeak and gibber in the Roman streets: |
| As stars with trains of fire and dews of blood, |
| Disasters in the sun; and the moist star |
| Upon whose influence Neptune's empire stands |
| Was sick almost to doomsday with eclipse: |
| And even the like precurse of fierce events, |
| As harbingers preceding still the fates |
| And prologue to the omen coming on, |
| Have heaven and earth together demonstrated |
| Unto our climatures and countrymen.-- |
| But soft, behold! lo, where it comes again! |
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| [Re-enter Ghost] |
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| I'll cross it, though it blast me. Stay, illusion! |
| If thou hast any sound, or use of voice, |
| Speak to me: |
| If there be any good thing to be done, |
| That may to thee do ease and grace to me, |
| Speak to me: |
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| [Cock crows] |
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| If thou art privy to thy country's fate, |
| Which, happily, foreknowing may avoid, O, speak! |
| Or if thou hast uphoarded in thy life |
| Extorted treasure in the womb of earth, |
| For which, they say, you spirits oft walk in death, |
| Speak of it: stay, and speak! Stop it, Marcellus. |
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| MARCELLUS Shall I strike at it with my partisan? |
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| HORATIO Do, if it will not stand. |
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| BERNARDO 'Tis here! |
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| HORATIO 'Tis here! |
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| MARCELLUS 'Tis gone! |
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| [Exit Ghost] |
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| We do it wrong, being so majestical, |
| To offer it the show of violence; |
| For it is, as the air, invulnerable, |
| And our vain blows malicious mockery. |
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| BERNARDO It was about to speak, when the cock crew. |
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| HORATIO And then it started like a guilty thing |
| Upon a fearful summons. I have heard, |
| The cock, that is the trumpet to the morn, |
| Doth with his lofty and shrill-sounding throat |
| Awake the god of day; and, at his warning, |
| Whether in sea or fire, in earth or air, |
| The extravagant and erring spirit hies |
| To his confine: and of the truth herein |
| This present object made probation. |
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| MARCELLUS It faded on the crowing of the cock. |
| Some say that ever 'gainst that season comes |
| Wherein our Saviour's birth is celebrated, |
| The bird of dawning singeth all night long: |
| And then, they say, no spirit dares stir abroad; |
| The nights are wholesome; then no planets strike, |
| No fairy takes, nor witch hath power to charm, |
| So hallow'd and so gracious is the time. |
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| HORATIO So have I heard and do in part believe it. |
| But, look, the morn, in russet mantle clad, |
| Walks o'er the dew of yon high eastward hill: |
| Break we our watch up; and by my advice, |
| Let us impart what we have seen to-night |
| Unto young Hamlet; for, upon my life, |
| This spirit, dumb to us, will speak to him. |
| Do you consent we shall acquaint him with it, |
| As needful in our loves, fitting our duty? |
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| MARCELLUS Let's do't, I pray; and I this morning know |
| Where we shall find him most conveniently. |
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| [Exeunt] |
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| HAMLET |
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| ACT I |
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| SCENE II A room of state in the castle. |
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| [Enter KING CLAUDIUS, QUEEN GERTRUDE, HAMLET, |
| POLONIUS, LAERTES, VOLTIMAND, CORNELIUS, Lords, |
| and Attendants] |
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| KING CLAUDIUS Though yet of Hamlet our dear brother's death |
| The memory be green, and that it us befitted |
| To bear our hearts in grief and our whole kingdom |
| To be contracted in one brow of woe, |
| Yet so far hath discretion fought with nature |
| That we with wisest sorrow think on him, |
| Together with remembrance of ourselves. |
| Therefore our sometime sister, now our queen, |
| The imperial jointress to this warlike state, |
| Have we, as 'twere with a defeated joy,-- |
| With an auspicious and a dropping eye, |
| With mirth in funeral and with dirge in marriage, |
| In equal scale weighing delight and dole,-- |
| Taken to wife: nor have we herein barr'd |
| Your better wisdoms, which have freely gone |
| With this affair along. For all, our thanks. |
| Now follows, that you know, young Fortinbras, |
| Holding a weak supposal of our worth, |
| Or thinking by our late dear brother's death |
| Our state to be disjoint and out of frame, |
| Colleagued with the dream of his advantage, |
| He hath not fail'd to pester us with message, |
| Importing the surrender of those lands |
| Lost by his father, with all bonds of law, |
| To our most valiant brother. So much for him. |
| Now for ourself and for this time of meeting: |
| Thus much the business is: we have here writ |
| To Norway, uncle of young Fortinbras,-- |
| Who, impotent and bed-rid, scarcely hears |
| Of this his nephew's purpose,--to suppress |
| His further gait herein; in that the levies, |
| The lists and full proportions, are all made |
| Out of his subject: and we here dispatch |
| You, good Cornelius, and you, Voltimand, |
| For bearers of this greeting to old Norway; |
| Giving to you no further personal power |
| To business with the king, more than the scope |
| Of these delated articles allow. |
| Farewell, and let your haste commend your duty. |
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| CORNELIUS | |
| | In that and all things will we show our duty. |
| VOLTIMAND | |
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| KING CLAUDIUS We doubt it nothing: heartily farewell. |
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| [Exeunt VOLTIMAND and CORNELIUS] |
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| And now, Laertes, what's the news with you? |
| You told us of some suit; what is't, Laertes? |
| You cannot speak of reason to the Dane, |
| And loose your voice: what wouldst thou beg, Laertes, |
| That shall not be my offer, not thy asking? |
| The head is not more native to the heart, |
| The hand more instrumental to the mouth, |
| Than is the throne of Denmark to thy father. |
| What wouldst thou have, Laertes? |
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| LAERTES My dread lord, |
| Your leave and favour to return to France; |
| From whence though willingly I came to Denmark, |
| To show my duty in your coronation, |
| Yet now, I must confess, that duty done, |
| My thoughts and wishes bend again toward France |
| And bow them to your gracious leave and pardon. |
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| KING CLAUDIUS Have you your father's leave? What says Polonius? |
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| LORD POLONIUS He hath, my lord, wrung from me my slow leave |
| By laboursome petition, and at last |
| Upon his will I seal'd my hard consent: |
| I do beseech you, give him leave to go. |
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| KING CLAUDIUS Take thy fair hour, Laertes; time be thine, |
| And thy best graces spend it at thy will! |
| But now, my cousin Hamlet, and my son,-- |
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| HAMLET [Aside] A little more than kin, and less than kind. |
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| KING CLAUDIUS How is it that the clouds still hang on you? |
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| HAMLET Not so, my lord; I am too much i' the sun. |
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| QUEEN GERTRUDE Good Hamlet, cast thy nighted colour off, |
| And let thine eye look like a friend on Denmark. |
| Do not for ever with thy vailed lids |
| Seek for thy noble father in the dust: |
| Thou know'st 'tis common; all that lives must die, |
| Passing through nature to eternity. |
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| HAMLET Ay, madam, it is common. |
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| QUEEN GERTRUDE If it be, |
| Why seems it so particular with thee? |
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| HAMLET Seems, madam! nay it is; I know not 'seems.' |
| 'Tis not alone my inky cloak, good mother, |
| Nor customary suits of solemn black, |
| Nor windy suspiration of forced breath, |
| No, nor the fruitful river in the eye, |
| Nor the dejected 'havior of the visage, |
| Together with all forms, moods, shapes of grief, |
| That can denote me truly: these indeed seem, |
| For they are actions that a man might play: |
| But I have that within which passeth show; |
| These but the trappings and the suits of woe. |
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| KING CLAUDIUS 'Tis sweet and commendable in your nature, Hamlet, |
| To give these mourning duties to your father: |
| But, you must know, your father lost a father; |
| That father lost, lost his, and the survivor bound |
| In filial obligation for some term |
| To do obsequious sorrow: but to persever |
| In obstinate condolement is a course |
| Of impious stubbornness; 'tis unmanly grief; |
| It shows a will most incorrect to heaven, |
| A heart unfortified, a mind impatient, |
| An understanding simple and unschool'd: |
| For what we know must be and is as common |
| As any the most vulgar thing to sense, |
| Why should we in our peevish opposition |
| Take it to heart? Fie! 'tis a fault to heaven, |
| A fault against the dead, a fault to nature, |
| To reason most absurd: whose common theme |
| Is death of fathers, and who still hath cried, |
| From the first corse till he that died to-day, |
| 'This must be so.' We pray you, throw to earth |
| This unprevailing woe, and think of us |
| As of a father: for let the world take note, |
| You are the most immediate to our throne; |
| And with no less nobility of love |
| Than that which dearest father bears his son, |
| Do I impart toward you. For your intent |
| In going back to school in Wittenberg, |
| It is most retrograde to our desire: |
| And we beseech you, bend you to remain |
| Here, in the cheer and comfort of our eye, |
| Our chiefest courtier, cousin, and our son. |
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| QUEEN GERTRUDE Let not thy mother lose her prayers, Hamlet: |
| I pray thee, stay with us; go not to Wittenberg. |
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| HAMLET I shall in all my best obey you, madam. |
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| KING CLAUDIUS Why, 'tis a loving and a fair reply: |
| Be as ourself in Denmark. Madam, come; |
| This gentle and unforced accord of Hamlet |
| Sits smiling to my heart: in grace whereof, |
| No jocund health that Denmark drinks to-day, |
| But the great cannon to the clouds shall tell, |
| And the king's rouse the heavens all bruit again, |
| Re-speaking earthly thunder. Come away. |
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| [Exeunt all but HAMLET] |
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| HAMLET O, that this too too solid flesh would melt |
| Thaw and resolve itself into a dew! |
| Or that the Everlasting had not fix'd |
| His canon 'gainst self-slaughter! O God! God! |
| How weary, stale, flat and unprofitable, |
| Seem to me all the uses of this world! |
| Fie on't! ah fie! 'tis an unweeded garden, |
| That grows to seed; things rank and gross in nature |
| Possess it merely. That it should come to this! |
| But two months dead: nay, not so much, not two: |
| So excellent a king; that was, to this, |
| Hyperion to a satyr; so loving to my mother |
| That he might not beteem the winds of heaven |
| Visit her face too roughly. Heaven and earth! |
| Must I remember? why, she would hang on him, |
| As if increase of appetite had grown |
| By what it fed on: and yet, within a month-- |
| Let me not think on't--Frailty, thy name is woman!-- |
| A little month, or ere those shoes were old |
| With which she follow'd my poor father's body, |
| Like Niobe, all tears:--why she, even she-- |
| O, God! a beast, that wants discourse of reason, |
| Would have mourn'd longer--married with my uncle, |
| My father's brother, but no more like my father |
| Than I to Hercules: within a month: |
| Ere yet the salt of most unrighteous tears |
| Had left the flushing in her galled eyes, |
| She married. O, most wicked speed, to post |
| With such dexterity to incestuous sheets! |
| It is not nor it cannot come to good: |
| But break, my heart; for I must hold my tongue. |
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| [Enter HORATIO, MARCELLUS, and BERNARDO] |
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| HORATIO Hail to your lordship! |
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| HAMLET I am glad to see you well: |
| Horatio,--or I do forget myself. |
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| HORATIO The same, my lord, and your poor servant ever. |
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| HAMLET Sir, my good friend; I'll change that name with you: |
| And what make you from Wittenberg, Horatio? Marcellus? |
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| MARCELLUS My good lord-- |
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| HAMLET I am very glad to see you. Good even, sir. |
| But what, in faith, make you from Wittenberg? |
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| HORATIO A truant disposition, good my lord. |
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| HAMLET I would not hear your enemy say so, |
| Nor shall you do mine ear that violence, |
| To make it truster of your own report |
| Against yourself: I know you are no truant. |
| But what is your affair in Elsinore? |
| We'll teach you to drink deep ere you depart. |
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| HORATIO My lord, I came to see your father's funeral. |
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| HAMLET I pray thee, do not mock me, fellow-student; |
| I think it was to see my mother's wedding. |
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| HORATIO Indeed, my lord, it follow'd hard upon. |
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| HAMLET Thrift, thrift, Horatio! the funeral baked meats |
| Did coldly furnish forth the marriage tables. |
| Would I had met my dearest foe in heaven |
| Or ever I had seen that day, Horatio! |
| My father!--methinks I see my father. |
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| HORATIO Where, my lord? |
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| HAMLET In my mind's eye, Horatio. |
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| HORATIO I saw him once; he was a goodly king. |
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| HAMLET He was a man, take him for all in all, |
| I shall not look upon his like again. |
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| HORATIO My lord, I think I saw him yesternight. |
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| HAMLET Saw? who? |
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| HORATIO My lord, the king your father. |
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| HAMLET The king my father! |
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| HORATIO Season your admiration for awhile |
| With an attent ear, till I may deliver, |
| Upon the witness of these gentlemen, |
| This marvel to you. |
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| HAMLET For God's love, let me hear. |
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| HORATIO Two nights together had these gentlemen, |
| Marcellus and Bernardo, on their watch, |
| In the dead vast and middle of the night, |
| Been thus encounter'd. A figure like your father, |
| Armed at point exactly, cap-a-pe, |
| Appears before them, and with solemn march |
| Goes slow and stately by them: thrice he walk'd |
| By their oppress'd and fear-surprised eyes, |
| Within his truncheon's length; whilst they, distilled |
| Almost to jelly with the act of fear, |
| Stand dumb and speak not to him. This to me |
| In dreadful secrecy impart they did; |
| And I with them the third night kept the watch; |
| Where, as they had deliver'd, both in time, |
| Form of the thing, each word made true and good, |
| The apparition comes: I knew your father; |
| These hands are not more like. |
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| HAMLET But where was this? |
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| MARCELLUS My lord, upon the platform where we watch'd. |
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| HAMLET Did you not speak to it? |
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| HORATIO My lord, I did; |
| But answer made it none: yet once methought |
| It lifted up its head and did address |
| Itself to motion, like as it would speak; |
| But even then the morning cock crew loud, |
| And at the sound it shrunk in haste away, |
| And vanish'd from our sight. |
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| HAMLET 'Tis very strange. |
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| HORATIO As I do live, my honour'd lord, 'tis true; |
| And we did think it writ down in our duty |
| To let you know of it. |
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| HAMLET Indeed, indeed, sirs, but this troubles me. |
| Hold you the watch to-night? |
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| MARCELLUS | |
| | We do, my lord. |
| BERNARDO | |
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| HAMLET Arm'd, say you? |
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| MARCELLUS | |
| | Arm'd, my lord. |
| BERNARDO | |
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| HAMLET From top to toe? |
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| MARCELLUS | |
| | My lord, from head to foot. |
| BERNARDO | |
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| HAMLET Then saw you not his face? |
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| HORATIO O, yes, my lord; he wore his beaver up. |
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| HAMLET What, look'd he frowningly? |
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| HORATIO A countenance more in sorrow than in anger. |
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| HAMLET Pale or red? |
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| HORATIO Nay, very pale. |
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| HAMLET And fix'd his eyes upon you? |
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| HORATIO Most constantly. |
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| HAMLET I would I had been there. |
| |
| HORATIO It would have much amazed you. |
| |
| HAMLET Very like, very like. Stay'd it long? |
| |
| HORATIO While one with moderate haste might tell a hundred. |
| |
| |
| MARCELLUS | |
| | Longer, longer. |
| BERNARDO | |
| |
| |
| HORATIO Not when I saw't. |
| |
| HAMLET His beard was grizzled--no? |
| |
| HORATIO It was, as I have seen it in his life, |
| A sable silver'd. |
| |
| HAMLET I will watch to-night; |
| Perchance 'twill walk again. |
| |
| HORATIO I warrant it will. |
| |
| HAMLET If it assume my noble father's person, |
| I'll speak to it, though hell itself should gape |
| And bid me hold my peace. I pray you all, |
| If you have hitherto conceal'd this sight, |
| Let it be tenable in your silence still; |
| And whatsoever else shall hap to-night, |
| Give it an understanding, but no tongue: |
| I will requite your loves. So, fare you well: |
| Upon the platform, 'twixt eleven and twelve, |
| I'll visit you. |
| |
| All Our duty to your honour. |
| |
| HAMLET Your loves, as mine to you: farewell. |
| |
| [Exeunt all but HAMLET] |
| |
| My father's spirit in arms! all is not well; |
| I doubt some foul play: would the night were come! |
| Till then sit still, my soul: foul deeds will rise, |
| Though all the earth o'erwhelm them, to men's eyes. |
| |
| [Exit] |
| |
| |
| |
| |
| HAMLET |
| |
| |
| ACT I |
| |
| |
| |
| SCENE III A room in Polonius' house. |
| |
| |
| [Enter LAERTES and OPHELIA] |
| |
| LAERTES My necessaries are embark'd: farewell: |
| And, sister, as the winds give benefit |
| And convoy is assistant, do not sleep, |
| But let me hear from you. |
| |
| OPHELIA Do you doubt that? |
| |
| LAERTES For Hamlet and the trifling of his favour, |
| Hold it a fashion and a toy in blood, |
| A violet in the youth of primy nature, |
| Forward, not permanent, sweet, not lasting, |
| The perfume and suppliance of a minute; No more. |
| |
| OPHELIA No more but so? |
| |
| LAERTES Think it no more; |
| For nature, crescent, does not grow alone |
| In thews and bulk, but, as this temple waxes, |
| The inward service of the mind and soul |
| Grows wide withal. Perhaps he loves you now, |
| And now no soil nor cautel doth besmirch |
| The virtue of his will: but you must fear, |
| His greatness weigh'd, his will is not his own; |
| For he himself is subject to his birth: |
| He may not, as unvalued persons do, |
| Carve for himself; for on his choice depends |
| The safety and health of this whole state; |
| And therefore must his choice be circumscribed |
| Unto the voice and yielding of that body |
| Whereof he is the head. Then if he says he loves you, |
| It fits your wisdom so far to believe it |
| As he in his particular act and place |
| May give his saying deed; which is no further |
| Than the main voice of Denmark goes withal. |
| Then weigh what loss your honour may sustain, |
| If with too credent ear you list his songs, |
| Or lose your heart, or your chaste treasure open |
| To his unmaster'd importunity. |
| Fear it, Ophelia, fear it, my dear sister, |
| And keep you in the rear of your affection, |
| Out of the shot and danger of desire. |
| The chariest maid is prodigal enough, |
| If she unmask her beauty to the moon: |
| Virtue itself 'scapes not calumnious strokes: |
| The canker galls the infants of the spring, |
| Too oft before their buttons be disclosed, |
| And in the morn and liquid dew of youth |
| Contagious blastments are most imminent. |
| Be wary then; best safety lies in fear: |
| Youth to itself rebels, though none else near. |
| |
| OPHELIA I shall the effect of this good lesson keep, |
| As watchman to my heart. But, good my brother, |
| Do not, as some ungracious pastors do, |
| Show me the steep and thorny way to heaven; |
| Whiles, like a puff'd and reckless libertine, |
| Himself the primrose path of dalliance treads, |
| And recks not his own rede. |
| |
| LAERTES O, fear me not. |
| I stay too long: but here my father comes. |
| |
| [Enter POLONIUS] |
| |
| A double blessing is a double grace, |
| Occasion smiles upon a second leave. |
| |
| LORD POLONIUS Yet here, Laertes! aboard, aboard, for shame! |
| The wind sits in the shoulder of your sail, |
| And you are stay'd for. There; my blessing with thee! |
| And these few precepts in thy memory |
| See thou character. Give thy thoughts no tongue, |
| Nor any unproportioned thought his act. |
| Be thou familiar, but by no means vulgar. |
| Those friends thou hast, and their adoption tried, |
| Grapple them to thy soul with hoops of steel; |
| But do not dull thy palm with entertainment |
| Of each new-hatch'd, unfledged comrade. Beware |
| Of entrance to a quarrel, but being in, |
| Bear't that the opposed may beware of thee. |
| Give every man thy ear, but few thy voice; |
| Take each man's censure, but reserve thy judgment. |
| Costly thy habit as thy purse can buy, |
| But not express'd in fancy; rich, not gaudy; |
| For the apparel oft proclaims the man, |
| And they in France of the best rank and station |
| Are of a most select and generous chief in that. |
| Neither a borrower nor a lender be; |
| For loan oft loses both itself and friend, |
| And borrowing dulls the edge of husbandry. |
| This above all: to thine ownself be true, |
| And it must follow, as the night the day, |
| Thou canst not then be false to any man. |
| Farewell: my blessing season this in thee! |
| |
| LAERTES Most humbly do I take my leave, my lord. |
| |
| LORD POLONIUS The time invites you; go; your servants tend. |
| |
| LAERTES Farewell, Ophelia; and remember well |
| What I have said to you. |
| |
| OPHELIA 'Tis in my memory lock'd, |
| And you yourself shall keep the key of it. |
| |
| LAERTES Farewell. |
| |
| [Exit] |
| |
| LORD POLONIUS What is't, Ophelia, be hath said to you? |
| |
| OPHELIA So please you, something touching the Lord Hamlet. |
| |
| LORD POLONIUS Marry, well bethought: |
| 'Tis told me, he hath very oft of late |
| Given private time to you; and you yourself |
| Have of your audience been most free and bounteous: |
| If it be so, as so 'tis put on me, |
| And that in way of caution, I must tell you, |
| You do not understand yourself so clearly |
| As it behoves my daughter and your honour. |
| What is between you? give me up the truth. |
| |
| OPHELIA He hath, my lord, of late made many tenders |
| Of his affection to me. |
| |
| LORD POLONIUS Affection! pooh! you speak like a green girl, |
| Unsifted in such perilous circumstance. |
| Do you believe his tenders, as you call them? |
| |
| OPHELIA I do not know, my lord, what I should think. |
| |
| LORD POLONIUS Marry, I'll teach you: think yourself a baby; |
| That you have ta'en these tenders for true pay, |
| Which are not sterling. Tender yourself more dearly; |
| Or--not to crack the wind of the poor phrase, |
| Running it thus--you'll tender me a fool. |
| |
| OPHELIA My lord, he hath importuned me with love |
| In honourable fashion. |
| |
| LORD POLONIUS Ay, fashion you may call it; go to, go to. |
| |
| OPHELIA And hath given countenance to his speech, my lord, |
| With almost all the holy vows of heaven. |
| |
| LORD POLONIUS Ay, springes to catch woodcocks. I do know, |
| When the blood burns, how prodigal the soul |
| Lends the tongue vows: these blazes, daughter, |
| Giving more light than heat, extinct in both, |
| Even in their promise, as it is a-making, |
| You must not take for fire. From this time |
| Be somewhat scanter of your maiden presence; |
| Set your entreatments at a higher rate |
| Than a command to parley. For Lord Hamlet, |
| Believe so much in him, that he is young |
| And with a larger tether may he walk |
| Than may be given you: in few, Ophelia, |
| Do not believe his vows; for they are brokers, |
| Not of that dye which their investments show, |
| But mere implorators of unholy suits, |
| Breathing like sanctified and pious bawds, |
| The better to beguile. This is for all: |
| I would not, in plain terms, from this time forth, |
| Have you so slander any moment leisure, |
| As to give words or talk with the Lord Hamlet. |
| Look to't, I charge you: come your ways. |
| |
| OPHELIA I shall obey, my lord. |
| |
| [Exeunt] |
| |
| |
| |
| |
| HAMLET |
| |
| |
| ACT I |
| |
| |
| |
| SCENE IV The platform. |
| |
| |
| [Enter HAMLET, HORATIO, and MARCELLUS] |
| |
| HAMLET The air bites shrewdly; it is very cold. |
| |
| HORATIO It is a nipping and an eager air. |
| |
| HAMLET What hour now? |
| |
| HORATIO I think it lacks of twelve. |
| |
| HAMLET No, it is struck. |
| |
| HORATIO Indeed? I heard it not: then it draws near the season |
| Wherein the spirit held his wont to walk. |
| |
| [A flourish of trumpets, and ordnance shot off, within] |
| |
| What does this mean, my lord? |
| |
| HAMLET The king doth wake to-night and takes his rouse, |
| Keeps wassail, and the swaggering up-spring reels; |
| And, as he drains his draughts of Rhenish down, |
| The kettle-drum and trumpet thus bray out |
| The triumph of his pledge. |
| |
| HORATIO Is it a custom? |
| |
| HAMLET Ay, marry, is't: |
| But to my mind, though I am native here |
| And to the manner born, it is a custom |
| More honour'd in the breach than the observance. |
| This heavy-headed revel east and west |
| Makes us traduced and tax'd of other nations: |
| They clepe us drunkards, and with swinish phrase |
| Soil our addition; and indeed it takes |
| From our achievements, though perform'd at height, |
| The pith and marrow of our attribute. |
| So, oft it chances in particular men, |
| That for some vicious mole of nature in them, |
| As, in their birth--wherein they are not guilty, |
| Since nature cannot choose his origin-- |
| By the o'ergrowth of some complexion, |
| Oft breaking down the pales and forts of reason, |
| Or by some habit that too much o'er-leavens |
| The form of plausive manners, that these men, |
| Carrying, I say, the stamp of one defect, |
| Being nature's livery, or fortune's star,-- |
| Their virtues else--be they as pure as grace, |
| As infinite as man may undergo-- |
| Shall in the general censure take corruption |
| From that particular fault: the dram of eale |
| Doth all the noble substance of a doubt |
| To his own scandal. |
| |
| HORATIO Look, my lord, it comes! |
| |
| [Enter Ghost] |
| |
| HAMLET Angels and ministers of grace defend us! |
| Be thou a spirit of health or goblin damn'd, |
| Bring with thee airs from heaven or blasts from hell, |
| Be thy intents wicked or charitable, |
| Thou comest in such a questionable shape |
| That I will speak to thee: I'll call thee Hamlet, |
| King, father, royal Dane: O, answer me! |
| Let me not burst in ignorance; but tell |
| Why thy canonized bones, hearsed in death, |
| Have burst their cerements; why the sepulchre, |
| Wherein we saw thee quietly inurn'd, |
| Hath oped his ponderous and marble jaws, |
| To cast thee up again. What may this mean, |
| That thou, dead corse, again in complete steel |
| Revisit'st thus the glimpses of the moon, |
| Making night hideous; and we fools of nature |
| So horridly to shake our disposition |
| With thoughts beyond the reaches of our souls? |
| Say, why is this? wherefore? what should we do? |
| |
| [Ghost beckons HAMLET] |
| |
| HORATIO It beckons you to go away with it, |
| As if it some impartment did desire |
| To you alone. |
| |
| MARCELLUS Look, with what courteous action |
| It waves you to a more removed ground: |
| But do not go with it. |
| |
| HORATIO No, by no means. |
| |
| HAMLET It will not speak; then I will follow it. |
| |
| HORATIO Do not, my lord. |
| |
| HAMLET Why, what should be the fear? |
| I do not set my life in a pin's fee; |
| And for my soul, what can it do to that, |
| Being a thing immortal as itself? |
| It waves me forth again: I'll follow it. |
| |
| HORATIO What if it tempt you toward the flood, my lord, |
| Or to the dreadful summit of the cliff |
| That beetles o'er his base into the sea, |
| And there assume some other horrible form, |
| Which might deprive your sovereignty of reason |
| And draw you into madness? think of it: |
| The very place puts toys of desperation, |
| Without more motive, into every brain |
| That looks so many fathoms to the sea |
| And hears it roar beneath. |
| |
| HAMLET It waves me still. |
| Go on; I'll follow thee. |
| |
| MARCELLUS You shall not go, my lord. |
| |
| HAMLET Hold off your hands. |
| |
| HORATIO Be ruled; you shall not go. |
| |
| HAMLET My fate cries out, |
| And makes each petty artery in this body |
| As hardy as the Nemean lion's nerve. |
| Still am I call'd. Unhand me, gentlemen. |
| By heaven, I'll make a ghost of him that lets me! |
| I say, away! Go on; I'll follow thee. |
| |
| [Exeunt Ghost and HAMLET] |
| |
| HORATIO He waxes desperate with imagination. |
| |
| MARCELLUS Let's follow; 'tis not fit thus to obey him. |
| |
| HORATIO Have after. To what issue will this come? |
| |
| MARCELLUS Something is rotten in the state of Denmark. |
| |
| HORATIO Heaven will direct it. |
| |
| MARCELLUS Nay, let's follow him. |
| |
| [Exeunt] |
| |
| |
| |
| |
| HAMLET |
| |
| |
| ACT I |
| |
| |
| |
| SCENE V Another part of the platform. |
| |
| |
| [Enter GHOST and HAMLET] |
| |
| HAMLET Where wilt thou lead me? speak; I'll go no further. |
| |
| Ghost Mark me. |
| |
| HAMLET I will. |
| |
| Ghost My hour is almost come, |
| When I to sulphurous and tormenting flames |
| Must render up myself. |
| |
| HAMLET Alas, poor ghost! |
| |
| Ghost Pity me not, but lend thy serious hearing |
| To what I shall unfold. |
| |
| HAMLET Speak; I am bound to hear. |
| |
| Ghost So art thou to revenge, when thou shalt hear. |
| |
| HAMLET What? |
| |
| Ghost I am thy father's spirit, |
| Doom'd for a certain term to walk the night, |
| And for the day confined to fast in fires, |
| Till the foul crimes done in my days of nature |
| Are burnt and purged away. But that I am forbid |
| To tell the secrets of my prison-house, |
| I could a tale unfold whose lightest word |
| Would harrow up thy soul, freeze thy young blood, |
| Make thy two eyes, like stars, start from their spheres, |
| Thy knotted and combined locks to part |
| And each particular hair to stand on end, |
| Like quills upon the fretful porpentine: |
| But this eternal blazon must not be |
| To ears of flesh and blood. List, list, O, list! |
| If thou didst ever thy dear father love-- |
| |
| HAMLET O God! |
| |
| Ghost Revenge his foul and most unnatural murder. |
| |
| HAMLET Murder! |
| |
| Ghost Murder most foul, as in the best it is; |
| But this most foul, strange and unnatural. |
| |
| HAMLET Haste me to know't, that I, with wings as swift |
| As meditation or the thoughts of love, |
| May sweep to my revenge. |
| |
| Ghost I find thee apt; |
| And duller shouldst thou be than the fat weed |
| That roots itself in ease on Lethe wharf, |
| Wouldst thou not stir in this. Now, Hamlet, hear: |
| 'Tis given out that, sleeping in my orchard, |
| A serpent stung me; so the whole ear of Denmark |
| Is by a forged process of my death |
| Rankly abused: but know, thou noble youth, |
| The serpent that did sting thy father's life |
| Now wears his crown. |
| |
| HAMLET O my prophetic soul! My uncle! |
| |
| Ghost Ay, that incestuous, that adulterate beast, |
| With witchcraft of his wit, with traitorous gifts,-- |
| O wicked wit and gifts, that have the power |
| So to seduce!--won to his shameful lust |
| The will of my most seeming-virtuous queen: |
| O Hamlet, what a falling-off was there! |
| From me, whose love was of that dignity |
| That it went hand in hand even with the vow |
| I made to her in marriage, and to decline |
| Upon a wretch whose natural gifts were poor |
| To those of mine! |
| But virtue, as it never will be moved, |
| Though lewdness court it in a shape of heaven, |
| So lust, though to a radiant angel link'd, |
| Will sate itself in a celestial bed, |
| And prey on garbage. |
| But, soft! methinks I scent the morning air; |
| Brief let me be. Sleeping within my orchard, |
| My custom always of the afternoon, |
| Upon my secure hour thy uncle stole, |
| With juice of cursed hebenon in a vial, |
| And in the porches of my ears did pour |
| The leperous distilment; whose effect |
| Holds such an enmity with blood of man |
| That swift as quicksilver it courses through |
| The natural gates and alleys of the body, |
| And with a sudden vigour doth posset |
| And curd, like eager droppings into milk, |
| The thin and wholesome blood: so did it mine; |
| And a most instant tetter bark'd about, |
| Most lazar-like, with vile and loathsome crust, |
| All my smooth body. |
| Thus was I, sleeping, by a brother's hand |
| Of life, of crown, of queen, at once dispatch'd: |
| Cut off even in the blossoms of my sin, |
| Unhousel'd, disappointed, unanel'd, |
| No reckoning made, but sent to my account |
| With all my imperfections on my head: |
| O, horrible! O, horrible! most horrible! |
| If thou hast nature in thee, bear it not; |
| Let not the royal bed of Denmark be |
| A couch for luxury and damned incest. |
| But, howsoever thou pursuest this act, |
| Taint not thy mind, nor let thy soul contrive |
| Against thy mother aught: leave her to heaven |
| And to those thorns that in her bosom lodge, |
| To prick and sting her. Fare thee well at once! |
| The glow-worm shows the matin to be near, |
| And 'gins to pale his uneffectual fire: |
| Adieu, adieu! Hamlet, remember me. |
| |
| [Exit] |
| |
| HAMLET O all you host of heaven! O earth! what else? |
| And shall I couple hell? O, fie! Hold, hold, my heart; |
| And you, my sinews, grow not instant old, |
| But bear me stiffly up. Remember thee! |
| Ay, thou poor ghost, while memory holds a seat |
| In this distracted globe. Remember thee! |
| Yea, from the table of my memory |
| I'll wipe away all trivial fond records, |
| All saws of books, all forms, all pressures past, |
| That youth and observation copied there; |
| And thy commandment all alone shall live |
| Within the book and volume of my brain, |
| Unmix'd with baser matter: yes, by heaven! |
| O most pernicious woman! |
| O villain, villain, smiling, damned villain! |
| My tables,--meet it is I set it down, |
| That one may smile, and smile, and be a villain; |
| At least I'm sure it may be so in Denmark: |
| |
| [Writing] |
| |
| So, uncle, there you are. Now to my word; |
| It is 'Adieu, adieu! remember me.' |
| I have sworn 't. |
| |
| |
| MARCELLUS | |
| | [Within] My lord, my lord,-- |
| HORATIO | |
| |
| |
| MARCELLUS [Within] Lord Hamlet,-- |
| |
| HORATIO [Within] Heaven secure him! |
| |
| HAMLET So be it! |
| |
| HORATIO [Within] Hillo, ho, ho, my lord! |
| |
| HAMLET Hillo, ho, ho, boy! come, bird, come. |
| |
| [Enter HORATIO and MARCELLUS] |
| |
| MARCELLUS How is't, my noble lord? |
| |
| HORATIO What news, my lord? |
| |
| HAMLET O, wonderful! |
| |
| HORATIO Good my lord, tell it. |
| |
| HAMLET No; you'll reveal it. |
| |
| HORATIO Not I, my lord, by heaven. |
| |
| MARCELLUS Nor I, my lord. |
| |
| HAMLET How say you, then; would heart of man once think it? |
| But you'll be secret? |
| |
| |
| HORATIO | |
| | Ay, by heaven, my lord. |
| MARCELLUS | |
| |
| |
| HAMLET There's ne'er a villain dwelling in all Denmark |
| But he's an arrant knave. |
| |
| HORATIO There needs no ghost, my lord, come from the grave |
| To tell us this. |
| |
| HAMLET Why, right; you are i' the right; |
| And so, without more circumstance at all, |
| I hold it fit that we shake hands and part: |
| You, as your business and desire shall point you; |
| For every man has business and desire, |
| Such as it is; and for mine own poor part, |
| Look you, I'll go pray. |
| |
| HORATIO These are but wild and whirling words, my lord. |
| |
| HAMLET I'm sorry they offend you, heartily; |
| Yes, 'faith heartily. |
| |
| HORATIO There's no offence, my lord. |
| |
| HAMLET Yes, by Saint Patrick, but there is, Horatio, |
| And much offence too. Touching this vision here, |
| It is an honest ghost, that let me tell you: |
| For your desire to know what is between us, |
| O'ermaster 't as you may. And now, good friends, |
| As you are friends, scholars and soldiers, |
| Give me one poor request. |
| |
| HORATIO What is't, my lord? we will. |
| |
| HAMLET Never make known what you have seen to-night. |
| |
| |
| HORATIO | |
| | My lord, we will not. |
| MARCELLUS | |
| |
| |
| HAMLET Nay, but swear't. |
| |
| HORATIO In faith, |
| My lord, not I. |
| |
| MARCELLUS Nor I, my lord, in faith. |
| |
| HAMLET Upon my sword. |
| |
| MARCELLUS We have sworn, my lord, already. |
| |
| HAMLET Indeed, upon my sword, indeed. |
| |
| Ghost [Beneath] Swear. |
| |
| HAMLET Ah, ha, boy! say'st thou so? art thou there, |
| truepenny? |
| Come on--you hear this fellow in the cellarage-- |
| Consent to swear. |
| |
| HORATIO Propose the oath, my lord. |
| |
| HAMLET Never to speak of this that you have seen, |
| Swear by my sword. |
| |
| Ghost [Beneath] Swear. |
| |
| HAMLET Hic et ubique? then we'll shift our ground. |
| Come hither, gentlemen, |
| And lay your hands again upon my sword: |
| Never to speak of this that you have heard, |
| Swear by my sword. |
| |
| Ghost [Beneath] Swear. |
| |
| HAMLET Well said, old mole! canst work i' the earth so fast? |
| A worthy pioner! Once more remove, good friends. |
| |
| HORATIO O day and night, but this is wondrous strange! |
| |
| HAMLET And therefore as a stranger give it welcome. |
| There are more things in heaven and earth, Horatio, |
| Than are dreamt of in your philosophy. But come; |
| Here, as before, never, so help you mercy, |
| How strange or odd soe'er I bear myself, |
| As I perchance hereafter shall think meet |
| To put an antic disposition on, |
| That you, at such times seeing me, never shall, |
| With arms encumber'd thus, or this headshake, |
| Or by pronouncing of some doubtful phrase, |
| As 'Well, well, we know,' or 'We could, an if we would,' |
| Or 'If we list to speak,' or 'There be, an if they might,' |
| Or such ambiguous giving out, to note |
| That you know aught of me: this not to do, |
| So grace and mercy at your most need help you, Swear. |
| |
| Ghost [Beneath] Swear. |
| |
| HAMLET Rest, rest, perturbed spirit! |
| |
| [They swear] |
| |
| So, gentlemen, |
| With all my love I do commend me to you: |
| And what so poor a man as Hamlet is |
| May do, to express his love and friending to you, |
| God willing, shall not lack. Let us go in together; |
| And still your fingers on your lips, I pray. |
| The time is out of joint: O cursed spite, |
| That ever I was born to set it right! |
| Nay, come, let's go together. |
| |
| [Exeunt] |
| |
| |
| |
| |
| HAMLET |
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| ACT II |
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| SCENE I A room in POLONIUS' house. |
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| [Enter POLONIUS and REYNALDO] |
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| LORD POLONIUS Give him this money and these notes, Reynaldo. |
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| REYNALDO I will, my lord. |
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| LORD POLONIUS You shall do marvellous wisely, good Reynaldo, |
| Before you visit him, to make inquire |
| Of his behavior. |
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| REYNALDO My lord, I did intend it. |
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| LORD POLONIUS Marry, well said; very well said. Look you, sir, |
| Inquire me first what Danskers are in Paris; |
| And how, and who, what means, and where they keep, |
| What company, at what expense; and finding |
| By this encompassment and drift of question |
| That they do know my son, come you more nearer |
| Than your particular demands will touch it: |
| Take you, as 'twere, some distant knowledge of him; |
| As thus, 'I know his father and his friends, |
| And in part him: ' do you mark this, Reynaldo? |
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| REYNALDO Ay, very well, my lord. |
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| LORD POLONIUS 'And in part him; but' you may say 'not well: |
| But, if't be he I mean, he's very wild; |
| Addicted so and so:' and there put on him |
| What forgeries you please; marry, none so rank |
| As may dishonour him; take heed of that; |
| But, sir, such wanton, wild and usual slips |
| As are companions noted and most known |
| To youth and liberty. |
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| REYNALDO As gaming, my lord. |
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| LORD POLONIUS Ay, or drinking, fencing, swearing, quarrelling, |
| Drabbing: you may go so far. |
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| REYNALDO My lord, that would dishonour him. |
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| LORD POLONIUS 'Faith, no; as you may season it in the charge |
| You must not put another scandal on him, |
| That he is open to incontinency; |
| That's not my meaning: but breathe his faults so quaintly |
| That they may seem the taints of liberty, |
| The flash and outbreak of a fiery mind, |
| A savageness in unreclaimed blood, |
| Of general assault. |
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| REYNALDO But, my good lord,-- |
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| LORD POLONIUS Wherefore should you do this? |
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| REYNALDO Ay, my lord, |
| I would know that. |
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| LORD POLONIUS Marry, sir, here's my drift; |
| And I believe, it is a fetch of wit: |
| You laying these slight sullies on my son, |
| As 'twere a thing a little soil'd i' the working, Mark you, |
| Your party in converse, him you would sound, |
| Having ever seen in the prenominate crimes |
| The youth you breathe of guilty, be assured |
| He closes with you in this consequence; |
| 'Good sir,' or so, or 'friend,' or 'gentleman,' |
| According to the phrase or the addition |
| Of man and country. |
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| REYNALDO Very good, my lord. |
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| LORD POLONIUS And then, sir, does he this--he does--what was I |
| about to say? By the mass, I was about to say |
| something: where did I leave? |
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| REYNALDO At 'closes in the consequence,' at 'friend or so,' |
| and 'gentleman.' |
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| LORD POLONIUS At 'closes in the consequence,' ay, marry; |
| He closes thus: 'I know the gentleman; |
| I saw him yesterday, or t' other day, |
| Or then, or then; with such, or such; and, as you say, |
| There was a' gaming; there o'ertook in's rouse; |
| There falling out at tennis:' or perchance, |
| 'I saw him enter such a house of sale,' |
| Videlicet, a brothel, or so forth. |
| See you now; |
| Your bait of falsehood takes this carp of truth: |
| And thus do we of wisdom and of reach, |
| With windlasses and with assays of bias, |
| By indirections find directions out: |
| So by my former lecture and advice, |
| Shall you my son. You have me, have you not? |
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| REYNALDO My lord, I have. |
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| LORD POLONIUS God be wi' you; fare you well. |
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| REYNALDO Good my lord! |
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| LORD POLONIUS Observe his inclination in yourself. |
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| REYNALDO I shall, my lord. |
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| LORD POLONIUS And let him ply his music. |
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| REYNALDO Well, my lord. |
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| LORD POLONIUS Farewell! |
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| [Exit REYNALDO] |
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| [Enter OPHELIA] |
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| How now, Ophelia! what's the matter? |
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| OPHELIA O, my lord, my lord, I have been so affrighted! |
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| LORD POLONIUS With what, i' the name of God? |
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| OPHELIA My lord, as I was sewing in my closet, |
| Lord Hamlet, with his doublet all unbraced; |
| No hat upon his head; his stockings foul'd, |
| Ungarter'd, and down-gyved to his ancle; |
| Pale as his shirt; his knees knocking each other; |
| And with a look so piteous in purport |
| As if he had been loosed out of hell |
| To speak of horrors,--he comes before me. |
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| LORD POLONIUS Mad for thy love? |
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| OPHELIA My lord, I do not know; |
| But truly, I do fear it. |
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| LORD POLONIUS What said he? |
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| OPHELIA He took me by the wrist and held me hard; |
| Then goes he to the length of all his arm; |
| And, with his other hand thus o'er his brow, |
| He falls to such perusal of my face |
| As he would draw it. Long stay'd he so; |
| At last, a little shaking of mine arm |
| And thrice his head thus waving up and down, |
| He raised a sigh so piteous and profound |
| As it did seem to shatter all his bulk |
| And end his being: that done, he lets me go: |
| And, with his head over his shoulder turn'd, |
| He seem'd to find his way without his eyes; |
| For out o' doors he went without their helps, |
| And, to the last, bended their light on me. |
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| LORD POLONIUS Come, go with me: I will go seek the king. |
| This is the very ecstasy of love, |
| Whose violent property fordoes itself |
| And leads the will to desperate undertakings |
| As oft as any passion under heaven |
| That does afflict our natures. I am sorry. |
| What, have you given him any hard words of late? |
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| OPHELIA No, my good lord, but, as you did command, |
| I did repel his fetters and denied |
| His access to me. |
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| LORD POLONIUS That hath made him mad. |
| I am sorry that with better heed and judgment |
| I had not quoted him: I fear'd he did but trifle, |
| And meant to wreck thee; but, beshrew my jealousy! |
| By heaven, it is as proper to our age |
| To cast beyond ourselves in our opinions |
| As it is common for the younger sort |
| To lack discretion. Come, go we to the king: |
| This must be known; which, being kept close, might |
| move |
| More grief to hide than hate to utter love. |
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| [Exeunt] |
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| HAMLET |
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| ACT II |
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| SCENE II A room in the castle. |
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| [Enter KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ, |
| GUILDENSTERN, and Attendants] |
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| KING CLAUDIUS Welcome, dear Rosencrantz and Guildenstern! |
| Moreover that we much did long to see you, |
| The need we have to use you did provoke |
| Our hasty sending. Something have you heard |
| Of Hamlet's transformation; so call it, |
| Sith nor the exterior nor the inward man |
| Resembles that it was. What it should be, |
| More than his father's death, that thus hath put him |
| So much from the understanding of himself, |
| I cannot dream of: I entreat you both, |
| That, being of so young days brought up with him, |
| And sith so neighbour'd to his youth and havior, |
| That you vouchsafe your rest here in our court |
| Some little time: so by your companies |
| To draw him on to pleasures, and to gather, |
| So much as from occasion you may glean, |
| Whether aught, to us unknown, afflicts him thus, |
| That, open'd, lies within our remedy. |
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| QUEEN GERTRUDE Good gentlemen, he hath much talk'd of you; |
| And sure I am two men there are not living |
| To whom he more adheres. If it will please you |
| To show us so much gentry and good will |
| As to expend your time with us awhile, |
| For the supply and profit of our hope, |
| Your visitation shall receive such thanks |
| As fits a king's remembrance. |
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| ROSENCRANTZ Both your majesties |
| Might, by the sovereign power you have of us, |
| Put your dread pleasures more into command |
| Than to entreaty. |
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| GUILDENSTERN But we both obey, |
| And here give up ourselves, in the full bent |
| To lay our service freely at your feet, |
| To be commanded. |
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| KING CLAUDIUS Thanks, Rosencrantz and gentle Guildenstern. |
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| QUEEN GERTRUDE Thanks, Guildenstern and gentle Rosencrantz: |
| And I beseech you instantly to visit |
| My too much changed son. Go, some of you, |
| And bring these gentlemen where Hamlet is. |
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| GUILDENSTERN Heavens make our presence and our practises |
| Pleasant and helpful to him! |
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| QUEEN GERTRUDE Ay, amen! |
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| [Exeunt ROSENCRANTZ, GUILDENSTERN, and some |
| Attendants] |
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| [Enter POLONIUS] |
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| LORD POLONIUS The ambassadors from Norway, my good lord, |
| Are joyfully return'd. |
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| KING CLAUDIUS Thou still hast been the father of good news. |
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| LORD POLONIUS Have I, my lord? I assure my good liege, |
| I hold my duty, as I hold my soul, |
| Both to my God and to my gracious king: |
| And I do think, or else this brain of mine |
| Hunts not the trail of policy so sure |
| As it hath used to do, that I have found |
| The very cause of Hamlet's lunacy. |
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| KING CLAUDIUS O, speak of that; that do I long to hear. |
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| LORD POLONIUS Give first admittance to the ambassadors; |
| My news shall be the fruit to that great feast. |
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| KING CLAUDIUS Thyself do grace to them, and bring them in. |
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| [Exit POLONIUS] |
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| He tells me, my dear Gertrude, he hath found |
| The head and source of all your son's distemper. |
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| QUEEN GERTRUDE I doubt it is no other but the main; |
| His father's death, and our o'erhasty marriage. |
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| KING CLAUDIUS Well, we shall sift him. |
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| [Re-enter POLONIUS, with VOLTIMAND and CORNELIUS] |
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| Welcome, my good friends! |
| Say, Voltimand, what from our brother Norway? |
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| VOLTIMAND Most fair return of greetings and desires. |
| Upon our first, he sent out to suppress |
| His nephew's levies; which to him appear'd |
| To be a preparation 'gainst the Polack; |
| But, better look'd into, he truly found |
| It was against your highness: whereat grieved, |
| That so his sickness, age and impotence |
| Was falsely borne in hand, sends out arrests |
| On Fortinbras; which he, in brief, obeys; |
| Receives rebuke from Norway, and in fine |
| Makes vow before his uncle never more |
| To give the assay of arms against your majesty. |
| Whereon old Norway, overcome with joy, |
| Gives him three thousand crowns in annual fee, |
| And his commission to employ those soldiers, |
| So levied as before, against the Polack: |
| With an entreaty, herein further shown, |
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| [Giving a paper] |
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| That it might please you to give quiet pass |
| Through your dominions for this enterprise, |
| On such regards of safety and allowance |
| As therein are set down. |
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| KING CLAUDIUS It likes us well; |
| And at our more consider'd time well read, |
| Answer, and think upon this business. |
| Meantime we thank you for your well-took labour: |
| Go to your rest; at night we'll feast together: |
| Most welcome home! |
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| [Exeunt VOLTIMAND and CORNELIUS] |
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| LORD POLONIUS This business is well ended. |
| My liege, and madam, to expostulate |
| What majesty should be, what duty is, |
| Why day is day, night night, and time is time, |
| Were nothing but to waste night, day and time. |
| Therefore, since brevity is the soul of wit, |
| And tediousness the limbs and outward flourishes, |
| I will be brief: your noble son is mad: |
| Mad call I it; for, to define true madness, |
| What is't but to be nothing else but mad? |
| But let that go. |
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| QUEEN GERTRUDE More matter, with less art. |
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| LORD POLONIUS Madam, I swear I use no art at all. |
| That he is mad, 'tis true: 'tis true 'tis pity; |
| And pity 'tis 'tis true: a foolish figure; |
| But farewell it, for I will use no art. |
| Mad let us grant him, then: and now remains |
| That we find out the cause of this effect, |
| Or rather say, the cause of this defect, |
| For this effect defective comes by cause: |
| Thus it remains, and the remainder thus. Perpend. |
| I have a daughter--have while she is mine-- |
| Who, in her duty and obedience, mark, |
| Hath given me this: now gather, and surmise. |
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| [Reads] |
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| 'To the celestial and my soul's idol, the most |
| beautified Ophelia,'-- |
| That's an ill phrase, a vile phrase; 'beautified' is |
| a vile phrase: but you shall hear. Thus: |
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| [Reads] |
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| 'In her excellent white bosom, these, &c.' |
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| QUEEN GERTRUDE Came this from Hamlet to her? |
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| LORD POLONIUS Good madam, stay awhile; I will be faithful. |
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| [Reads] |
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| 'Doubt thou the stars are fire; |
| Doubt that the sun doth move; |
| Doubt truth to be a liar; |
| But never doubt I love. |
| 'O dear Ophelia, I am ill at these numbers; |
| I have not art to reckon my groans: but that |
| I love thee best, O most best, believe it. Adieu. |
| 'Thine evermore most dear lady, whilst |
| this machine is to him, HAMLET.' |
| This, in obedience, hath my daughter shown me, |
| And more above, hath his solicitings, |
| As they fell out by time, by means and place, |
| All given to mine ear. |
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| KING CLAUDIUS But how hath she |
| Received his love? |
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| LORD POLONIUS What do you think of me? |
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| KING CLAUDIUS As of a man faithful and honourable. |
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| LORD POLONIUS I would fain prove so. But what might you think, |
| When I had seen this hot love on the wing-- |
| As I perceived it, I must tell you that, |
| Before my daughter told me--what might you, |
| Or my dear majesty your queen here, think, |
| If I had play'd the desk or table-book, |
| Or given my heart a winking, mute and dumb, |
| Or look'd upon this love with idle sight; |
| What might you think? No, I went round to work, |
| And my young mistress thus I did bespeak: |
| 'Lord Hamlet is a prince, out of thy star; |
| This must not be:' and then I precepts gave her, |
| That she should lock herself from his resort, |
| Admit no messengers, receive no tokens. |
| Which done, she took the fruits of my advice; |
| And he, repulsed--a short tale to make-- |
| Fell into a sadness, then into a fast, |
| Thence to a watch, thence into a weakness, |
| Thence to a lightness, and, by this declension, |
| Into the madness wherein now he raves, |
| And all we mourn for. |
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| KING CLAUDIUS Do you think 'tis this? |
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| QUEEN GERTRUDE It may be, very likely. |
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| LORD POLONIUS Hath there been such a time--I'd fain know that-- |
| That I have positively said 'Tis so,' |
| When it proved otherwise? |
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| KING CLAUDIUS Not that I know. |
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| LORD POLONIUS [Pointing to his head and shoulder] |
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| Take this from this, if this be otherwise: |
| If circumstances lead me, I will find |
| Where truth is hid, though it were hid indeed |
| Within the centre. |
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| KING CLAUDIUS How may we try it further? |
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| LORD POLONIUS You know, sometimes he walks four hours together |
| Here in the lobby. |
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| QUEEN GERTRUDE So he does indeed. |
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| LORD POLONIUS At such a time I'll loose my daughter to him: |
| Be you and I behind an arras then; |
| Mark the encounter: if he love her not |
| And be not from his reason fall'n thereon, |
| Let me be no assistant for a state, |
| But keep a farm and carters. |
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| KING CLAUDIUS We will try it. |
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| QUEEN GERTRUDE But, look, where sadly the poor wretch comes reading. |
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| LORD POLONIUS Away, I do beseech you, both away: |
| I'll board him presently. |
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| [Exeunt KING CLAUDIUS, QUEEN GERTRUDE, and |
| Attendants] |
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| [Enter HAMLET, reading] |
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| O, give me leave: |
| How does my good Lord Hamlet? |
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| HAMLET Well, God-a-mercy. |
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| LORD POLONIUS Do you know me, my lord? |
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| HAMLET Excellent well; you are a fishmonger. |
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| LORD POLONIUS Not I, my lord. |
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| HAMLET Then I would you were so honest a man. |
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| LORD POLONIUS Honest, my lord! |
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| HAMLET Ay, sir; to be honest, as this world goes, is to be |
| one man picked out of ten thousand. |
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| LORD POLONIUS That's very true, my lord. |
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| HAMLET For if the sun breed maggots in a dead dog, being a |
| god kissing carrion,--Have you a daughter? |
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| LORD POLONIUS I have, my lord. |
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| HAMLET Let her not walk i' the sun: conception is a |
| blessing: but not as your daughter may conceive. |
| Friend, look to 't. |
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| LORD POLONIUS [Aside] How say you by that? Still harping on my |
| daughter: yet he knew me not at first; he said I |
| was a fishmonger: he is far gone, far gone: and |
| truly in my youth I suffered much extremity for |
| love; very near this. I'll speak to him again. |
| What do you read, my lord? |
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| HAMLET Words, words, words. |
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| LORD POLONIUS What is the matter, my lord? |
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| HAMLET Between who? |
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| LORD POLONIUS I mean, the matter that you read, my lord. |
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| HAMLET Slanders, sir: for the satirical rogue says here |
| that old men have grey beards, that their faces are |
| wrinkled, their eyes purging thick amber and |
| plum-tree gum and that they have a plentiful lack of |
| wit, together with most weak hams: all which, sir, |
| though I most powerfully and potently believe, yet |
| I hold it not honesty to have it thus set down, for |
| yourself, sir, should be old as I am, if like a crab |
| you could go backward. |
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| LORD POLONIUS [Aside] Though this be madness, yet there is method |
| in 't. Will you walk out of the air, my lord? |
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| HAMLET Into my grave. |
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| LORD POLONIUS Indeed, that is out o' the air. |
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| [Aside] |
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| How pregnant sometimes his replies are! a happiness |
| that often madness hits on, which reason and sanity |
| could not so prosperously be delivered of. I will |
| leave him, and suddenly contrive the means of |
| meeting between him and my daughter.--My honourable |
| lord, I will most humbly take my leave of you. |
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| HAMLET You cannot, sir, take from me any thing that I will |
| more willingly part withal: except my life, except |
| my life, except my life. |
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| LORD POLONIUS Fare you well, my lord. |
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| HAMLET These tedious old fools! |
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| [Enter ROSENCRANTZ and GUILDENSTERN] |
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| LORD POLONIUS You go to seek the Lord Hamlet; there he is. |
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| ROSENCRANTZ [To POLONIUS] God save you, sir! |
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| [Exit POLONIUS] |
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| GUILDENSTERN My honoured lord! |
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| ROSENCRANTZ My most dear lord! |
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| HAMLET My excellent good friends! How dost thou, |
| Guildenstern? Ah, Rosencrantz! Good lads, how do ye both? |
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| ROSENCRANTZ As the indifferent children of the earth. |
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| GUILDENSTERN Happy, in that we are not over-happy; |
| On fortune's cap we are not the very button. |
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| HAMLET Nor the soles of her shoe? |
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| ROSENCRANTZ Neither, my lord. |
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| HAMLET Then you live about her waist, or in the middle of |
| her favours? |
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| GUILDENSTERN 'Faith, her privates we. |
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| HAMLET In the secret parts of fortune? O, most true; she |
| is a strumpet. What's the news? |
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| ROSENCRANTZ None, my lord, but that the world's grown honest. |
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| HAMLET Then is doomsday near: but your news is not true. |
| Let me question more in particular: what have you, |
| my good friends, deserved at the hands of fortune, |
| that she sends you to prison hither? |
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| GUILDENSTERN Prison, my lord! |
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| HAMLET Denmark's a prison. |
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| ROSENCRANTZ Then is the world one. |
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| HAMLET A goodly one; in which there are many confines, |
| wards and dungeons, Denmark being one o' the worst. |
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| ROSENCRANTZ We think not so, my lord. |
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| HAMLET Why, then, 'tis none to you; for there is nothing |
| either good or bad, but thinking makes it so: to me |
| it is a prison. |
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| ROSENCRANTZ Why then, your ambition makes it one; 'tis too |
| narrow for your mind. |
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| HAMLET O God, I could be bounded in a nut shell and count |
| myself a king of infinite space, were it not that I |
| have bad dreams. |
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| GUILDENSTERN Which dreams indeed are ambition, for the very |
| substance of the ambitious is merely the shadow of a dream. |
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| HAMLET A dream itself is but a shadow. |
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| ROSENCRANTZ Truly, and I hold ambition of so airy and light a |
| quality that it is but a shadow's shadow. |
| |
| HAMLET Then are our beggars bodies, and our monarchs and |
| outstretched heroes the beggars' shadows. Shall we |
| to the court? for, by my fay, I cannot reason. |
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| ROSENCRANTZ | |
| | We'll wait upon you. |
| GUILDENSTERN | |
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| HAMLET No such matter: I will not sort you with the rest |
| of my servants, for, to speak to you like an honest |
| man, I am most dreadfully attended. But, in the |
| beaten way of friendship, what make you at Elsinore? |
| |
| ROSENCRANTZ To visit you, my lord; no other occasion. |
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| HAMLET Beggar that I am, I am even poor in thanks; but I |
| thank you: and sure, dear friends, my thanks are |
| too dear a halfpenny. Were you not sent for? Is it |
| your own inclining? Is it a free visitation? Come, |
| deal justly with me: come, come; nay, speak. |
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| GUILDENSTERN What should we say, my lord? |
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| HAMLET Why, any thing, but to the purpose. You were sent |
| for; and there is a kind of confession in your looks |
| which your modesties have not craft enough to colour: |
| I know the good king and queen have sent for you. |
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| ROSENCRANTZ To what end, my lord? |
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| HAMLET That you must teach me. But let me conjure you, by |
| the rights of our fellowship, by the consonancy of |
| our youth, by the obligation of our ever-preserved |
| love, and by what more dear a better proposer could |
| charge you withal, be even and direct with me, |
| whether you were sent for, or no? |
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| ROSENCRANTZ [Aside to GUILDENSTERN] What say you? |
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| HAMLET [Aside] Nay, then, I have an eye of you.--If you |
| love me, hold not off. |
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| GUILDENSTERN My lord, we were sent for. |
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| HAMLET I will tell you why; so shall my anticipation |
| prevent your discovery, and your secrecy to the king |
| and queen moult no feather. I have of late--but |
| wherefore I know not--lost all my mirth, forgone all |
| custom of exercises; and indeed it goes so heavily |
| with my disposition that this goodly frame, the |
| earth, seems to me a sterile promontory, this most |
| excellent canopy, the air, look you, this brave |
| o'erhanging firmament, this majestical roof fretted |
| with golden fire, why, it appears no other thing to |
| me than a foul and pestilent congregation of vapours. |
| What a piece of work is a man! how noble in reason! |
| how infinite in faculty! in form and moving how |
| express and admirable! in action how like an angel! |
| in apprehension how like a god! the beauty of the |
| world! the paragon of animals! And yet, to me, |
| what is this quintessence of dust? man delights not |
| me: no, nor woman neither, though by your smiling |
| you seem to say so. |
| |
| ROSENCRANTZ My lord, there was no such stuff in my thoughts. |
| |
| HAMLET Why did you laugh then, when I said 'man delights not me'? |
| |
| ROSENCRANTZ To think, my lord, if you delight not in man, what |
| lenten entertainment the players shall receive from |
| you: we coted them on the way; and hither are they |
| coming, to offer you service. |
| |
| HAMLET He that plays the king shall be welcome; his majesty |
| shall have tribute of me; the adventurous knight |
| shall use his foil and target; the lover shall not |
| sigh gratis; the humourous man shall end his part |
| in peace; the clown shall make those laugh whose |
| lungs are tickled o' the sere; and the lady shall |
| say her mind freely, or the blank verse shall halt |
| for't. What players are they? |
| |
| ROSENCRANTZ Even those you were wont to take delight in, the |
| tragedians of the city. |
| |
| HAMLET How chances it they travel? their residence, both |
| in reputation and profit, was better both ways. |
| |
| ROSENCRANTZ I think their inhibition comes by the means of the |
| late innovation. |
| |
| HAMLET Do they hold the same estimation they did when I was |
| in the city? are they so followed? |
| |
| ROSENCRANTZ No, indeed, are they not. |
| |
| HAMLET How comes it? do they grow rusty? |
| |
| ROSENCRANTZ Nay, their endeavour keeps in the wonted pace: but |
| there is, sir, an aery of children, little eyases, |
| that cry out on the top of question, and are most |
| tyrannically clapped for't: these are now the |
| fashion, and so berattle the common stages--so they |
| call them--that many wearing rapiers are afraid of |
| goose-quills and dare scarce come thither. |
| |
| HAMLET What, are they children? who maintains 'em? how are |
| they escoted? Will they pursue the quality no |
| longer than they can sing? will they not say |
| afterwards, if they should grow themselves to common |
| players--as it is most like, if their means are no |
| better--their writers do them wrong, to make them |
| exclaim against their own succession? |
| |
| ROSENCRANTZ 'Faith, there has been much to do on both sides; and |
| the nation holds it no sin to tarre them to |
| controversy: there was, for a while, no money bid |
| for argument, unless the poet and the player went to |
| cuffs in the question. |
| |
| HAMLET Is't possible? |
| |
| GUILDENSTERN O, there has been much throwing about of brains. |
| |
| HAMLET Do the boys carry it away? |
| |
| ROSENCRANTZ Ay, that they do, my lord; Hercules and his load too. |
| |
| HAMLET It is not very strange; for mine uncle is king of |
| Denmark, and those that would make mows at him while |
| my father lived, give twenty, forty, fifty, an |
| hundred ducats a-piece for his picture in little. |
| 'Sblood, there is something in this more than |
| natural, if philosophy could find it out. |
| |
| [Flourish of trumpets within] |
| |
| GUILDENSTERN There are the players. |
| |
| HAMLET Gentlemen, you are welcome to Elsinore. Your hands, |
| come then: the appurtenance of welcome is fashion |
| and ceremony: let me comply with you in this garb, |
| lest my extent to the players, which, I tell you, |
| must show fairly outward, should more appear like |
| entertainment than yours. You are welcome: but my |
| uncle-father and aunt-mother are deceived. |
| |
| GUILDENSTERN In what, my dear lord? |
| |
| HAMLET I am but mad north-north-west: when the wind is |
| southerly I know a hawk from a handsaw. |
| |
| [Enter POLONIUS] |
| |
| LORD POLONIUS Well be with you, gentlemen! |
| |
| HAMLET Hark you, Guildenstern; and you too: at each ear a |
| hearer: that great baby you see there is not yet |
| out of his swaddling-clouts. |
| |
| ROSENCRANTZ Happily he's the second time come to them; for they |
| say an old man is twice a child. |
| |
| HAMLET I will prophesy he comes to tell me of the players; |
| mark it. You say right, sir: o' Monday morning; |
| 'twas so indeed. |
| |
| LORD POLONIUS My lord, I have news to tell you. |
| |
| HAMLET My lord, I have news to tell you. |
| When Roscius was an actor in Rome,-- |
| |
| LORD POLONIUS The actors are come hither, my lord. |
| |
| HAMLET Buz, buz! |
| |
| LORD POLONIUS Upon mine honour,-- |
| |
| HAMLET Then came each actor on his ass,-- |
| |
| LORD POLONIUS The best actors in the world, either for tragedy, |
| comedy, history, pastoral, pastoral-comical, |
| historical-pastoral, tragical-historical, tragical- |
| comical-historical-pastoral, scene individable, or |
| poem unlimited: Seneca cannot be too heavy, nor |
| Plautus too light. For the law of writ and the |
| liberty, these are the only men. |
| |
| HAMLET O Jephthah, judge of Israel, what a treasure hadst thou! |
| |
| LORD POLONIUS What a treasure had he, my lord? |
| |
| HAMLET Why, |
| 'One fair daughter and no more, |
| The which he loved passing well.' |
| |
| LORD POLONIUS [Aside] Still on my daughter. |
| |
| HAMLET Am I not i' the right, old Jephthah? |
| |
| LORD POLONIUS If you call me Jephthah, my lord, I have a daughter |
| that I love passing well. |
| |
| HAMLET Nay, that follows not. |
| |
| LORD POLONIUS What follows, then, my lord? |
| |
| HAMLET Why, |
| 'As by lot, God wot,' |
| and then, you know, |
| 'It came to pass, as most like it was,'-- |
| the first row of the pious chanson will show you |
| more; for look, where my abridgement comes. |
| |
| [Enter four or five Players] |
| |
| You are welcome, masters; welcome, all. I am glad |
| to see thee well. Welcome, good friends. O, my old |
| friend! thy face is valenced since I saw thee last: |
| comest thou to beard me in Denmark? What, my young |
| lady and mistress! By'r lady, your ladyship is |
| nearer to heaven than when I saw you last, by the |
| altitude of a chopine. Pray God, your voice, like |
| apiece of uncurrent gold, be not cracked within the |
| ring. Masters, you are all welcome. We'll e'en |
| to't like French falconers, fly at any thing we see: |
| we'll have a speech straight: come, give us a taste |
| of your quality; come, a passionate speech. |
| |
| First Player What speech, my lord? |
| |
| HAMLET I heard thee speak me a speech once, but it was |
| never acted; or, if it was, not above once; for the |
| play, I remember, pleased not the million; 'twas |
| caviare to the general: but it was--as I received |
| it, and others, whose judgments in such matters |
| cried in the top of mine--an excellent play, well |
| digested in the scenes, set down with as much |
| modesty as cunning. I remember, one said there |
| were no sallets in the lines to make the matter |
| savoury, nor no matter in the phrase that might |
| indict the author of affectation; but called it an |
| honest method, as wholesome as sweet, and by very |
| much more handsome than fine. One speech in it I |
| chiefly loved: 'twas Aeneas' tale to Dido; and |
| thereabout of it especially, where he speaks of |
| Priam's slaughter: if it live in your memory, begin |
| at this line: let me see, let me see-- |
| 'The rugged Pyrrhus, like the Hyrcanian beast,'-- |
| it is not so:--it begins with Pyrrhus:-- |
| 'The rugged Pyrrhus, he whose sable arms, |
| Black as his purpose, did the night resemble |
| When he lay couched in the ominous horse, |
| Hath now this dread and black complexion smear'd |
| With heraldry more dismal; head to foot |
| Now is he total gules; horridly trick'd |
| With blood of fathers, mothers, daughters, sons, |
| Baked and impasted with the parching streets, |
| That lend a tyrannous and damned light |
| To their lord's murder: roasted in wrath and fire, |
| And thus o'er-sized with coagulate gore, |
| With eyes like carbuncles, the hellish Pyrrhus |
| Old grandsire Priam seeks.' |
| So, proceed you. |
| |
| LORD POLONIUS 'Fore God, my lord, well spoken, with good accent and |
| good discretion. |
| |
| First Player 'Anon he finds him |
| Striking too short at Greeks; his antique sword, |
| Rebellious to his arm, lies where it falls, |
| Repugnant to command: unequal match'd, |
| Pyrrhus at Priam drives; in rage strikes wide; |
| But with the whiff and wind of his fell sword |
| The unnerved father falls. Then senseless Ilium, |
| Seeming to feel this blow, with flaming top |
| Stoops to his base, and with a hideous crash |
| Takes prisoner Pyrrhus' ear: for, lo! his sword, |
| Which was declining on the milky head |
| Of reverend Priam, seem'd i' the air to stick: |
| So, as a painted tyrant, Pyrrhus stood, |
| And like a neutral to his will and matter, |
| Did nothing. |
| But, as we often see, against some storm, |
| A silence in the heavens, the rack stand still, |
| The bold winds speechless and the orb below |
| As hush as death, anon the dreadful thunder |
| Doth rend the region, so, after Pyrrhus' pause, |
| Aroused vengeance sets him new a-work; |
| And never did the Cyclops' hammers fall |
| On Mars's armour forged for proof eterne |
| With less remorse than Pyrrhus' bleeding sword |
| Now falls on Priam. |
| Out, out, thou strumpet, Fortune! All you gods, |
| In general synod 'take away her power; |
| Break all the spokes and fellies from her wheel, |
| And bowl the round nave down the hill of heaven, |
| As low as to the fiends!' |
| |
| LORD POLONIUS This is too long. |
| |
| HAMLET It shall to the barber's, with your beard. Prithee, |
| say on: he's for a jig or a tale of bawdry, or he |
| sleeps: say on: come to Hecuba. |
| |
| First Player 'But who, O, who had seen the mobled queen--' |
| |
| HAMLET 'The mobled queen?' |
| |
| LORD POLONIUS That's good; 'mobled queen' is good. |
| |
| First Player 'Run barefoot up and down, threatening the flames |
| With bisson rheum; a clout upon that head |
| Where late the diadem stood, and for a robe, |
| About her lank and all o'er-teemed loins, |
| A blanket, in the alarm of fear caught up; |
| Who this had seen, with tongue in venom steep'd, |
| 'Gainst Fortune's state would treason have |
| pronounced: |
| But if the gods themselves did see her then |
| When she saw Pyrrhus make malicious sport |
| In mincing with his sword her husband's limbs, |
| The instant burst of clamour that she made, |
| Unless things mortal move them not at all, |
| Would have made milch the burning eyes of heaven, |
| And passion in the gods.' |
| |
| LORD POLONIUS Look, whether he has not turned his colour and has |
| tears in's eyes. Pray you, no more. |
| |
| HAMLET 'Tis well: I'll have thee speak out the rest soon. |
| Good my lord, will you see the players well |
| bestowed? Do you hear, let them be well used; for |
| they are the abstract and brief chronicles of the |
| time: after your death you were better have a bad |
| epitaph than their ill report while you live. |
| |
| LORD POLONIUS My lord, I will use them according to their desert. |
| |
| HAMLET God's bodykins, man, much better: use every man |
| after his desert, and who should 'scape whipping? |
| Use them after your own honour and dignity: the less |
| they deserve, the more merit is in your bounty. |
| Take them in. |
| |
| LORD POLONIUS Come, sirs. |
| |
| HAMLET Follow him, friends: we'll hear a play to-morrow. |
| |
| [Exit POLONIUS with all the Players but the First] |
| |
| Dost thou hear me, old friend; can you play the |
| Murder of Gonzago? |
| |
| First Player Ay, my lord. |
| |
| HAMLET We'll ha't to-morrow night. You could, for a need, |
| study a speech of some dozen or sixteen lines, which |
| I would set down and insert in't, could you not? |
| |
| First Player Ay, my lord. |
| |
| HAMLET Very well. Follow that lord; and look you mock him |
| not. |
| |
| [Exit First Player] |
| |
| My good friends, I'll leave you till night: you are |
| welcome to Elsinore. |
| |
| ROSENCRANTZ Good my lord! |
| |
| HAMLET Ay, so, God be wi' ye; |
| |
| [Exeunt ROSENCRANTZ and GUILDENSTERN] |
| |
| Now I am alone. |
| O, what a rogue and peasant slave am I! |
| Is it not monstrous that this player here, |
| But in a fiction, in a dream of passion, |
| Could force his soul so to his own conceit |
| That from her working all his visage wann'd, |
| Tears in his eyes, distraction in's aspect, |
| A broken voice, and his whole function suiting |
| With forms to his conceit? and all for nothing! |
| For Hecuba! |
| What's Hecuba to him, or he to Hecuba, |
| That he should weep for her? What would he do, |
| Had he the motive and the cue for passion |
| That I have? He would drown the stage with tears |
| And cleave the general ear with horrid speech, |
| Make mad the guilty and appal the free, |
| Confound the ignorant, and amaze indeed |
| The very faculties of eyes and ears. Yet I, |
| A dull and muddy-mettled rascal, peak, |
| Like John-a-dreams, unpregnant of my cause, |
| And can say nothing; no, not for a king, |
| Upon whose property and most dear life |
| A damn'd defeat was made. Am I a coward? |
| Who calls me villain? breaks my pate across? |
| Plucks off my beard, and blows it in my face? |
| Tweaks me by the nose? gives me the lie i' the throat, |
| As deep as to the lungs? who does me this? |
| Ha! |
| 'Swounds, I should take it: for it cannot be |
| But I am pigeon-liver'd and lack gall |
| To make oppression bitter, or ere this |
| I should have fatted all the region kites |
| With this slave's offal: bloody, bawdy villain! |
| Remorseless, treacherous, lecherous, kindless villain! |
| O, vengeance! |
| Why, what an ass am I! This is most brave, |
| That I, the son of a dear father murder'd, |
| Prompted to my revenge by heaven and hell, |
| Must, like a whore, unpack my heart with words, |
| And fall a-cursing, like a very drab, |
| A scullion! |
| Fie upon't! foh! About, my brain! I have heard |
| That guilty creatures sitting at a play |
| Have by the very cunning of the scene |
| Been struck so to the soul that presently |
| They have proclaim'd their malefactions; |
| For murder, though it have no tongue, will speak |
| With most miraculous organ. I'll have these players |
| Play something like the murder of my father |
| Before mine uncle: I'll observe his looks; |
| I'll tent him to the quick: if he but blench, |
| I know my course. The spirit that I have seen |
| May be the devil: and the devil hath power |
| To assume a pleasing shape; yea, and perhaps |
| Out of my weakness and my melancholy, |
| As he is very potent with such spirits, |
| Abuses me to damn me: I'll have grounds |
| More relative than this: the play 's the thing |
| Wherein I'll catch the conscience of the king. |
| |
| [Exit] |
| |
| |
| |
| |
| HAMLET |
| |
| |
| ACT III |
| |
| |
| |
| SCENE I A room in the castle. |
| |
| |
| [Enter KING CLAUDIUS, QUEEN GERTRUDE, POLONIUS, |
| OPHELIA, ROSENCRANTZ, and GUILDENSTERN] |
| |
| KING CLAUDIUS And can you, by no drift of circumstance, |
| Get from him why he puts on this confusion, |
| Grating so harshly all his days of quiet |
| With turbulent and dangerous lunacy? |
| |
| ROSENCRANTZ He does confess he feels himself distracted; |
| But from what cause he will by no means speak. |
| |
| GUILDENSTERN Nor do we find him forward to be sounded, |
| But, with a crafty madness, keeps aloof, |
| When we would bring him on to some confession |
| Of his true state. |
| |
| QUEEN GERTRUDE Did he receive you well? |
| |
| ROSENCRANTZ Most like a gentleman. |
| |
| GUILDENSTERN But with much forcing of his disposition. |
| |
| ROSENCRANTZ Niggard of question; but, of our demands, |
| Most free in his reply. |
| |
| QUEEN GERTRUDE Did you assay him? |
| To any pastime? |
| |
| ROSENCRANTZ Madam, it so fell out, that certain players |
| We o'er-raught on the way: of these we told him; |
| And there did seem in him a kind of joy |
| To hear of it: they are about the court, |
| And, as I think, they have already order |
| This night to play before him. |
| |
| LORD POLONIUS 'Tis most true: |
| And he beseech'd me to entreat your majesties |
| To hear and see the matter. |
| |
| KING CLAUDIUS With all my heart; and it doth much content me |
| To hear him so inclined. |
| Good gentlemen, give him a further edge, |
| And drive his purpose on to these delights. |
| |
| ROSENCRANTZ We shall, my lord. |
| |
| [Exeunt ROSENCRANTZ and GUILDENSTERN] |
| |
| KING CLAUDIUS Sweet Gertrude, leave us too; |
| For we have closely sent for Hamlet hither, |
| That he, as 'twere by accident, may here |
| Affront Ophelia: |
| Her father and myself, lawful espials, |
| Will so bestow ourselves that, seeing, unseen, |
| We may of their encounter frankly judge, |
| And gather by him, as he is behaved, |
| If 't be the affliction of his love or no |
| That thus he suffers for. |
| |
| QUEEN GERTRUDE I shall obey you. |
| And for your part, Ophelia, I do wish |
| That your good beauties be the happy cause |
| Of Hamlet's wildness: so shall I hope your virtues |
| Will bring him to his wonted way again, |
| To both your honours. |
| |
| OPHELIA Madam, I wish it may. |
| |
| [Exit QUEEN GERTRUDE] |
| |
| LORD POLONIUS Ophelia, walk you here. Gracious, so please you, |
| We will bestow ourselves. |
| |
| [To OPHELIA] |
| |
| Read on this book; |
| That show of such an exercise may colour |
| Your loneliness. We are oft to blame in this,-- |
| 'Tis too much proved--that with devotion's visage |
| And pious action we do sugar o'er |
| The devil himself. |
| |
| KING CLAUDIUS [Aside] O, 'tis too true! |
| How smart a lash that speech doth give my conscience! |
| The harlot's cheek, beautied with plastering art, |
| Is not more ugly to the thing that helps it |
| Than is my deed to my most painted word: |
| O heavy burthen! |
| |
| LORD POLONIUS I hear him coming: let's withdraw, my lord. |
| |
| [Exeunt KING CLAUDIUS and POLONIUS] |
| |
| [Enter HAMLET] |
| |
| HAMLET To be, or not to be: that is the question: |
| Whether 'tis nobler in the mind to suffer |
| The slings and arrows of outrageous fortune, |
| Or to take arms against a sea of troubles, |
| And by opposing end them? To die: to sleep; |
| No more; and by a sleep to say we end |
| The heart-ache and the thousand natural shocks |
| That flesh is heir to, 'tis a consummation |
| Devoutly to be wish'd. To die, to sleep; |
| To sleep: perchance to dream: ay, there's the rub; |
| For in that sleep of death what dreams may come |
| When we have shuffled off this mortal coil, |
| Must give us pause: there's the respect |
| That makes calamity of so long life; |
| For who would bear the whips and scorns of time, |
| The oppressor's wrong, the proud man's contumely, |
| The pangs of despised love, the law's delay, |
| The insolence of office and the spurns |
| That patient merit of the unworthy takes, |
| When he himself might his quietus make |
| With a bare bodkin? who would fardels bear, |
| To grunt and sweat under a weary life, |
| But that the dread of something after death, |
| The undiscover'd country from whose bourn |
| No traveller returns, puzzles the will |
| And makes us rather bear those ills we have |
| Than fly to others that we know not of? |
| Thus conscience does make cowards of us all; |
| And thus the native hue of resolution |
| Is sicklied o'er with the pale cast of thought, |
| And enterprises of great pith and moment |
| With this regard their currents turn awry, |
| And lose the name of action.--Soft you now! |
| The fair Ophelia! Nymph, in thy orisons |
| Be all my sins remember'd. |
| |
| OPHELIA Good my lord, |
| How does your honour for this many a day? |
| |
| HAMLET I humbly thank you; well, well, well. |
| |
| OPHELIA My lord, I have remembrances of yours, |
| That I have longed long to re-deliver; |
| I pray you, now receive them. |
| |
| HAMLET No, not I; |
| I never gave you aught. |
| |
| OPHELIA My honour'd lord, you know right well you did; |
| And, with them, words of so sweet breath composed |
| As made the things more rich: their perfume lost, |
| Take these again; for to the noble mind |
| Rich gifts wax poor when givers prove unkind. |
| There, my lord. |
| |
| HAMLET Ha, ha! are you honest? |
| |
| OPHELIA My lord? |
| |
| HAMLET Are you fair? |
| |
| OPHELIA What means your lordship? |
| |
| HAMLET That if you be honest and fair, your honesty should |
| admit no discourse to your beauty. |
| |
| OPHELIA Could beauty, my lord, have better commerce than |
| with honesty? |
| |
| HAMLET Ay, truly; for the power of beauty will sooner |
| transform honesty from what it is to a bawd than the |
| force of honesty can translate beauty into his |
| likeness: this was sometime a paradox, but now the |
| time gives it proof. I did love you once. |
| |
| OPHELIA Indeed, my lord, you made me believe so. |
| |
| HAMLET You should not have believed me; for virtue cannot |
| so inoculate our old stock but we shall relish of |
| it: I loved you not. |
| |
| OPHELIA I was the more deceived. |
| |
| HAMLET Get thee to a nunnery: why wouldst thou be a |
| breeder of sinners? I am myself indifferent honest; |
| but yet I could accuse me of such things that it |
| were better my mother had not borne me: I am very |
| proud, revengeful, ambitious, with more offences at |
| my beck than I have thoughts to put them in, |
| imagination to give them shape, or time to act them |
| in. What should such fellows as I do crawling |
| between earth and heaven? We are arrant knaves, |
| all; believe none of us. Go thy ways to a nunnery. |
| Where's your father? |
| |
| OPHELIA At home, my lord. |
| |
| HAMLET Let the doors be shut upon him, that he may play the |
| fool no where but in's own house. Farewell. |
| |
| OPHELIA O, help him, you sweet heavens! |
| |
| HAMLET If thou dost marry, I'll give thee this plague for |
| thy dowry: be thou as chaste as ice, as pure as |
| snow, thou shalt not escape calumny. Get thee to a |
| nunnery, go: farewell. Or, if thou wilt needs |
| marry, marry a fool; for wise men know well enough |
| what monsters you make of them. To a nunnery, go, |
| and quickly too. Farewell. |
| |
| OPHELIA O heavenly powers, restore him! |
| |
| HAMLET I have heard of your paintings too, well enough; God |
| has given you one face, and you make yourselves |
| another: you jig, you amble, and you lisp, and |
| nick-name God's creatures, and make your wantonness |
| your ignorance. Go to, I'll no more on't; it hath |
| made me mad. I say, we will have no more marriages: |
| those that are married already, all but one, shall |
| live; the rest shall keep as they are. To a |
| nunnery, go. |
| |
| [Exit] |
| |
| OPHELIA O, what a noble mind is here o'erthrown! |
| The courtier's, soldier's, scholar's, eye, tongue, sword; |
| The expectancy and rose of the fair state, |
| The glass of fashion and the mould of form, |
| The observed of all observers, quite, quite down! |
| And I, of ladies most deject and wretched, |
| That suck'd the honey of his music vows, |
| Now see that noble and most sovereign reason, |
| Like sweet bells jangled, out of tune and harsh; |
| That unmatch'd form and feature of blown youth |
| Blasted with ecstasy: O, woe is me, |
| To have seen what I have seen, see what I see! |
| |
| [Re-enter KING CLAUDIUS and POLONIUS] |
| |
| KING CLAUDIUS Love! his affections do not that way tend; |
| Nor what he spake, though it lack'd form a little, |
| Was not like madness. There's something in his soul, |
| O'er which his melancholy sits on brood; |
| And I do doubt the hatch and the disclose |
| Will be some danger: which for to prevent, |
| I have in quick determination |
| Thus set it down: he shall with speed to England, |
| For the demand of our neglected tribute |
| Haply the seas and countries different |
| With variable objects shall expel |
| This something-settled matter in his heart, |
| Whereon his brains still beating puts him thus |
| From fashion of himself. What think you on't? |
| |
| LORD POLONIUS It shall do well: but yet do I believe |
| The origin and commencement of his grief |
| Sprung from neglected love. How now, Ophelia! |
| You need not tell us what Lord Hamlet said; |
| We heard it all. My lord, do as you please; |
| But, if you hold it fit, after the play |
| Let his queen mother all alone entreat him |
| To show his grief: let her be round with him; |
| And I'll be placed, so please you, in the ear |
| Of all their conference. If she find him not, |
| To England send him, or confine him where |
| Your wisdom best shall think. |
| |
| KING CLAUDIUS It shall be so: |
| Madness in great ones must not unwatch'd go. |
| |
| [Exeunt] |
| |
| |
| |
| |
| HAMLET |
| |
| |
| ACT III |
| |
| |
| |
| SCENE II A hall in the castle. |
| |
| |
| [Enter HAMLET and Players] |
| |
| HAMLET Speak the speech, I pray you, as I pronounced it to |
| you, trippingly on the tongue: but if you mouth it, |
| as many of your players do, I had as lief the |
| town-crier spoke my lines. Nor do not saw the air |
| too much with your hand, thus, but use all gently; |
| for in the very torrent, tempest, and, as I may say, |
| the whirlwind of passion, you must acquire and beget |
| a temperance that may give it smoothness. O, it |
| offends me to the soul to hear a robustious |
| periwig-pated fellow tear a passion to tatters, to |
| very rags, to split the ears of the groundlings, who |
| for the most part are capable of nothing but |
| inexplicable dumbshows and noise: I would have such |
| a fellow whipped for o'erdoing Termagant; it |
| out-herods Herod: pray you, avoid it. |
| |
| First Player I warrant your honour. |
| |
| HAMLET Be not too tame neither, but let your own discretion |
| be your tutor: suit the action to the word, the |
| word to the action; with this special o'erstep not |
| the modesty of nature: for any thing so overdone is |
| from the purpose of playing, whose end, both at the |
| first and now, was and is, to hold, as 'twere, the |
| mirror up to nature; to show virtue her own feature, |
| scorn her own image, and the very age and body of |
| the time his form and pressure. Now this overdone, |
| or come tardy off, though it make the unskilful |
| laugh, cannot but make the judicious grieve; the |
| censure of the which one must in your allowance |
| o'erweigh a whole theatre of others. O, there be |
| players that I have seen play, and heard others |
| praise, and that highly, not to speak it profanely, |
| that, neither having the accent of Christians nor |
| the gait of Christian, pagan, nor man, have so |
| strutted and bellowed that I have thought some of |
| nature's journeymen had made men and not made them |
| well, they imitated humanity so abominably. |
| |
| First Player I hope we have reformed that indifferently with us, |
| sir. |
| |
| HAMLET O, reform it altogether. And let those that play |
| your clowns speak no more than is set down for them; |
| for there be of them that will themselves laugh, to |
| set on some quantity of barren spectators to laugh |
| too; though, in the mean time, some necessary |
| question of the play be then to be considered: |
| that's villanous, and shows a most pitiful ambition |
| in the fool that uses it. Go, make you ready. |
| |
| [Exeunt Players] |
| |
| [Enter POLONIUS, ROSENCRANTZ, and GUILDENSTERN] |
| |
| How now, my lord! I will the king hear this piece of work? |
| |
| LORD POLONIUS And the queen too, and that presently. |
| |
| HAMLET Bid the players make haste. |
| |
| [Exit POLONIUS] |
| |
| Will you two help to hasten them? |
| |
| |
| ROSENCRANTZ | |
| | We will, my lord. |
| GUILDENSTERN | |
| |
| |
| [Exeunt ROSENCRANTZ and GUILDENSTERN] |
| |
| HAMLET What ho! Horatio! |
| |
| [Enter HORATIO] |
| |
| HORATIO Here, sweet lord, at your service. |
| |
| HAMLET Horatio, thou art e'en as just a man |
| As e'er my conversation coped withal. |
| |
| HORATIO O, my dear lord,-- |
| |
| HAMLET Nay, do not think I flatter; |
| For what advancement may I hope from thee |
| That no revenue hast but thy good spirits, |
| To feed and clothe thee? Why should the poor be flatter'd? |
| No, let the candied tongue lick absurd pomp, |
| And crook the pregnant hinges of the knee |
| Where thrift may follow fawning. Dost thou hear? |
| Since my dear soul was mistress of her choice |
| And could of men distinguish, her election |
| Hath seal'd thee for herself; for thou hast been |
| As one, in suffering all, that suffers nothing, |
| A man that fortune's buffets and rewards |
| Hast ta'en with equal thanks: and blest are those |
| Whose blood and judgment are so well commingled, |
| That they are not a pipe for fortune's finger |
| To sound what stop she please. Give me that man |
| That is not passion's slave, and I will wear him |
| In my heart's core, ay, in my heart of heart, |
| As I do thee.--Something too much of this.-- |
| There is a play to-night before the king; |
| One scene of it comes near the circumstance |
| Which I have told thee of my father's death: |
| I prithee, when thou seest that act afoot, |
| Even with the very comment of thy soul |
| Observe mine uncle: if his occulted guilt |
| Do not itself unkennel in one speech, |
| It is a damned ghost that we have seen, |
| And my imaginations are as foul |
| As Vulcan's stithy. Give him heedful note; |
| For I mine eyes will rivet to his face, |
| And after we will both our judgments join |
| In censure of his seeming. |
| |
| HORATIO Well, my lord: |
| If he steal aught the whilst this play is playing, |
| And 'scape detecting, I will pay the theft. |
| |
| HAMLET They are coming to the play; I must be idle: |
| Get you a place. |
| |
| [Danish march. A flourish. Enter KING CLAUDIUS, |
| QUEEN GERTRUDE, POLONIUS, OPHELIA, ROSENCRANTZ, |
| GUILDENSTERN, and others] |
| |
| KING CLAUDIUS How fares our cousin Hamlet? |
| |
| HAMLET Excellent, i' faith; of the chameleon's dish: I eat |
| the air, promise-crammed: you cannot feed capons so. |
| |
| KING CLAUDIUS I have nothing with this answer, Hamlet; these words |
| are not mine. |
| |
| HAMLET No, nor mine now. |
| |
| [To POLONIUS] |
| |
| My lord, you played once i' the university, you say? |
| |
| LORD POLONIUS That did I, my lord; and was accounted a good actor. |
| |
| HAMLET What did you enact? |
| |
| LORD POLONIUS I did enact Julius Caesar: I was killed i' the |
| Capitol; Brutus killed me. |
| |
| HAMLET It was a brute part of him to kill so capital a calf |
| there. Be the players ready? |
| |
| ROSENCRANTZ Ay, my lord; they stay upon your patience. |
| |
| QUEEN GERTRUDE Come hither, my dear Hamlet, sit by me. |
| |
| HAMLET No, good mother, here's metal more attractive. |
| |
| LORD POLONIUS [To KING CLAUDIUS] O, ho! do you mark that? |
| |
| HAMLET Lady, shall I lie in your lap? |
| |
| [Lying down at OPHELIA's feet] |
| |
| OPHELIA No, my lord. |
| |
| HAMLET I mean, my head upon your lap? |
| |
| OPHELIA Ay, my lord. |
| |
| HAMLET Do you think I meant country matters? |
| |
| OPHELIA I think nothing, my lord. |
| |
| HAMLET That's a fair thought to lie between maids' legs. |
| |
| OPHELIA What is, my lord? |
| |
| HAMLET Nothing. |
| |
| OPHELIA You are merry, my lord. |
| |
| HAMLET Who, I? |
| |
| OPHELIA Ay, my lord. |
| |
| HAMLET O God, your only jig-maker. What should a man do |
| but be merry? for, look you, how cheerfully my |
| mother looks, and my father died within these two hours. |
| |
| OPHELIA Nay, 'tis twice two months, my lord. |
| |
| HAMLET So long? Nay then, let the devil wear black, for |
| I'll have a suit of sables. O heavens! die two |
| months ago, and not forgotten yet? Then there's |
| hope a great man's memory may outlive his life half |
| a year: but, by'r lady, he must build churches, |
| then; or else shall he suffer not thinking on, with |
| the hobby-horse, whose epitaph is 'For, O, for, O, |
| the hobby-horse is forgot.' |
| |
| [Hautboys play. The dumb-show enters] |
| |
| [Enter a King and a Queen very lovingly; the Queen |
| embracing him, and he her. She kneels, and makes |
| show of protestation unto him. He takes her up, |
| and declines his head upon her neck: lays him down |
| upon a bank of flowers: she, seeing him asleep, |
| leaves him. Anon comes in a fellow, takes off his |
| crown, kisses it, and pours poison in the King's |
| ears, and exit. The Queen returns; finds the King |
| dead, and makes passionate action. The Poisoner, |
| with some two or three Mutes, comes in again, |
| seeming to lament with her. The dead body is |
| carried away. The Poisoner wooes the Queen with |
| gifts: she seems loath and unwilling awhile, but |
| in the end accepts his love] |
| |
| [Exeunt] |
| |
| OPHELIA What means this, my lord? |
| |
| HAMLET Marry, this is miching mallecho; it means mischief. |
| |
| OPHELIA Belike this show imports the argument of the play. |
| |
| [Enter Prologue] |
| |
| HAMLET We shall know by this fellow: the players cannot |
| keep counsel; they'll tell all. |
| |
| OPHELIA Will he tell us what this show meant? |
| |
| HAMLET Ay, or any show that you'll show him: be not you |
| ashamed to show, he'll not shame to tell you what it means. |
| |
| OPHELIA You are naught, you are naught: I'll mark the play. |
| |
| Prologue For us, and for our tragedy, |
| Here stooping to your clemency, |
| We beg your hearing patiently. |
| |
| [Exit] |
| |
| HAMLET Is this a prologue, or the posy of a ring? |
| |
| OPHELIA 'Tis brief, my lord. |
| |
| HAMLET As woman's love. |
| |
| [Enter two Players, King and Queen] |
| |
| Player King Full thirty times hath Phoebus' cart gone round |
| Neptune's salt wash and Tellus' orbed ground, |
| And thirty dozen moons with borrow'd sheen |
| About the world have times twelve thirties been, |
| Since love our hearts and Hymen did our hands |
| Unite commutual in most sacred bands. |
| |
| Player Queen So many journeys may the sun and moon |
| Make us again count o'er ere love be done! |
| But, woe is me, you are so sick of late, |
| So far from cheer and from your former state, |
| That I distrust you. Yet, though I distrust, |
| Discomfort you, my lord, it nothing must: |
| For women's fear and love holds quantity; |
| In neither aught, or in extremity. |
| Now, what my love is, proof hath made you know; |
| And as my love is sized, my fear is so: |
| Where love is great, the littlest doubts are fear; |
| Where little fears grow great, great love grows there. |
| |
| Player King 'Faith, I must leave thee, love, and shortly too; |
| My operant powers their functions leave to do: |
| And thou shalt live in this fair world behind, |
| Honour'd, beloved; and haply one as kind |
| For husband shalt thou-- |
| |
| Player Queen O, confound the rest! |
| Such love must needs be treason in my breast: |
| In second husband let me be accurst! |
| None wed the second but who kill'd the first. |
| |
| HAMLET [Aside] Wormwood, wormwood. |
| |
| Player Queen The instances that second marriage move |
| Are base respects of thrift, but none of love: |
| A second time I kill my husband dead, |
| When second husband kisses me in bed. |
| |
| Player King I do believe you think what now you speak; |
| But what we do determine oft we break. |
| Purpose is but the slave to memory, |
| Of violent birth, but poor validity; |
| Which now, like fruit unripe, sticks on the tree; |
| But fall, unshaken, when they mellow be. |
| Most necessary 'tis that we forget |
| To pay ourselves what to ourselves is debt: |
| What to ourselves in passion we propose, |
| The passion ending, doth the purpose lose. |
| The violence of either grief or joy |
| Their own enactures with themselves destroy: |
| Where joy most revels, grief doth most lament; |
| Grief joys, joy grieves, on slender accident. |
| This world is not for aye, nor 'tis not strange |
| That even our loves should with our fortunes change; |
| For 'tis a question left us yet to prove, |
| Whether love lead fortune, or else fortune love. |
| The great man down, you mark his favourite flies; |
| The poor advanced makes friends of enemies. |
| And hitherto doth love on fortune tend; |
| For who not needs shall never lack a friend, |
| And who in want a hollow friend doth try, |
| Directly seasons him his enemy. |
| But, orderly to end where I begun, |
| Our wills and fates do so contrary run |
| That our devices still are overthrown; |
| Our thoughts are ours, their ends none of our own: |
| So think thou wilt no second husband wed; |
| But die thy thoughts when thy first lord is dead. |
| |
| Player Queen Nor earth to me give food, nor heaven light! |
| Sport and repose lock from me day and night! |
| To desperation turn my trust and hope! |
| An anchor's cheer in prison be my scope! |
| Each opposite that blanks the face of joy |
| Meet what I would have well and it destroy! |
| Both here and hence pursue me lasting strife, |
| If, once a widow, ever I be wife! |
| |
| HAMLET If she should break it now! |
| |
| Player King 'Tis deeply sworn. Sweet, leave me here awhile; |
| My spirits grow dull, and fain I would beguile |
| The tedious day with sleep. |
| |
| [Sleeps] |
| |
| Player Queen Sleep rock thy brain, |
| And never come mischance between us twain! |
| |
| [Exit] |
| |
| HAMLET Madam, how like you this play? |
| |
| QUEEN GERTRUDE The lady protests too much, methinks. |
| |
| HAMLET O, but she'll keep her word. |
| |
| KING CLAUDIUS Have you heard the argument? Is there no offence in 't? |
| |
| HAMLET No, no, they do but jest, poison in jest; no offence |
| i' the world. |
| |
| KING CLAUDIUS What do you call the play? |
| |
| HAMLET The Mouse-trap. Marry, how? Tropically. This play |
| is the image of a murder done in Vienna: Gonzago is |
| the duke's name; his wife, Baptista: you shall see |
| anon; 'tis a knavish piece of work: but what o' |
| that? your majesty and we that have free souls, it |
| touches us not: let the galled jade wince, our |
| withers are unwrung. |
| |
| [Enter LUCIANUS] |
| |
| This is one Lucianus, nephew to the king. |
| |
| OPHELIA You are as good as a chorus, my lord. |
| |
| HAMLET I could interpret between you and your love, if I |
| could see the puppets dallying. |
| |
| OPHELIA You are keen, my lord, you are keen. |
| |
| HAMLET It would cost you a groaning to take off my edge. |
| |
| OPHELIA Still better, and worse. |
| |
| HAMLET So you must take your husbands. Begin, murderer; |
| pox, leave thy damnable faces, and begin. Come: |
| 'the croaking raven doth bellow for revenge.' |
| |
| LUCIANUS Thoughts black, hands apt, drugs fit, and time agreeing; |
| Confederate season, else no creature seeing; |
| Thou mixture rank, of midnight weeds collected, |
| With Hecate's ban thrice blasted, thrice infected, |
| Thy natural magic and dire property, |
| On wholesome life usurp immediately. |
| |
| [Pours the poison into the sleeper's ears] |
| |
| HAMLET He poisons him i' the garden for's estate. His |
| name's Gonzago: the story is extant, and writ in |
| choice Italian: you shall see anon how the murderer |
| gets the love of Gonzago's wife. |
| |
| OPHELIA The king rises. |
| |
| HAMLET What, frighted with false fire! |
| |
| QUEEN GERTRUDE How fares my lord? |
| |
| LORD POLONIUS Give o'er the play. |
| |
| KING CLAUDIUS Give me some light: away! |
| |
| All Lights, lights, lights! |
| |
| [Exeunt all but HAMLET and HORATIO] |
| |
| HAMLET Why, let the stricken deer go weep, |
| The hart ungalled play; |
| For some must watch, while some must sleep: |
| So runs the world away. |
| Would not this, sir, and a forest of feathers-- if |
| the rest of my fortunes turn Turk with me--with two |
| Provincial roses on my razed shoes, get me a |
| fellowship in a cry of players, sir? |
| |
| HORATIO Half a share. |
| |
| HAMLET A whole one, I. |
| For thou dost know, O Damon dear, |
| This realm dismantled was |
| Of Jove himself; and now reigns here |
| A very, very--pajock. |
| |
| HORATIO You might have rhymed. |
| |
| HAMLET O good Horatio, I'll take the ghost's word for a |
| thousand pound. Didst perceive? |
| |
| HORATIO Very well, my lord. |
| |
| HAMLET Upon the talk of the poisoning? |
| |
| HORATIO I did very well note him. |
| |
| HAMLET Ah, ha! Come, some music! come, the recorders! |
| For if the king like not the comedy, |
| Why then, belike, he likes it not, perdy. |
| Come, some music! |
| |
| [Re-enter ROSENCRANTZ and GUILDENSTERN] |
| |
| GUILDENSTERN Good my lord, vouchsafe me a word with you. |
| |
| HAMLET Sir, a whole history. |
| |
| GUILDENSTERN The king, sir,-- |
| |
| HAMLET Ay, sir, what of him? |
| |
| GUILDENSTERN Is in his retirement marvellous distempered. |
| |
| HAMLET With drink, sir? |
| |
| GUILDENSTERN No, my lord, rather with choler. |
| |
| HAMLET Your wisdom should show itself more richer to |
| signify this to his doctor; for, for me to put him |
| to his purgation would perhaps plunge him into far |
| more choler. |
| |
| GUILDENSTERN Good my lord, put your discourse into some frame and |
| start not so wildly from my affair. |
| |
| HAMLET I am tame, sir: pronounce. |
| |
| GUILDENSTERN The queen, your mother, in most great affliction of |
| spirit, hath sent me to you. |
| |
| HAMLET You are welcome. |
| |
| GUILDENSTERN Nay, good my lord, this courtesy is not of the right |
| breed. If it shall please you to make me a |
| wholesome answer, I will do your mother's |
| commandment: if not, your pardon and my return |
| shall be the end of my business. |
| |
| HAMLET Sir, I cannot. |
| |
| GUILDENSTERN What, my lord? |
| |
| HAMLET Make you a wholesome answer; my wit's diseased: but, |
| sir, such answer as I can make, you shall command; |
| or, rather, as you say, my mother: therefore no |
| more, but to the matter: my mother, you say,-- |
| |
| ROSENCRANTZ Then thus she says; your behavior hath struck her |
| into amazement and admiration. |
| |
| HAMLET O wonderful son, that can so astonish a mother! But |
| is there no sequel at the heels of this mother's |
| admiration? Impart. |
| |
| ROSENCRANTZ She desires to speak with you in her closet, ere you |
| go to bed. |
| |
| HAMLET We shall obey, were she ten times our mother. Have |
| you any further trade with us? |
| |
| ROSENCRANTZ My lord, you once did love me. |
| |
| HAMLET So I do still, by these pickers and stealers. |
| |
| ROSENCRANTZ Good my lord, what is your cause of distemper? you |
| do, surely, bar the door upon your own liberty, if |
| you deny your griefs to your friend. |
| |
| HAMLET Sir, I lack advancement. |
| |
| ROSENCRANTZ How can that be, when you have the voice of the king |
| himself for your succession in Denmark? |
| |
| HAMLET Ay, but sir, 'While the grass grows,'--the proverb |
| is something musty. |
| |
| [Re-enter Players with recorders] |
| |
| O, the recorders! let me see one. To withdraw with |
| you:--why do you go about to recover the wind of me, |
| as if you would drive me into a toil? |
| |
| GUILDENSTERN O, my lord, if my duty be too bold, my love is too |
| unmannerly. |
| |
| HAMLET I do not well understand that. Will you play upon |
| this pipe? |
| |
| GUILDENSTERN My lord, I cannot. |
| |
| HAMLET I pray you. |
| |
| GUILDENSTERN Believe me, I cannot. |
| |
| HAMLET I do beseech you. |
| |
| GUILDENSTERN I know no touch of it, my lord. |
| |
| HAMLET 'Tis as easy as lying: govern these ventages with |
| your lingers and thumb, give it breath with your |
| mouth, and it will discourse most eloquent music. |
| Look you, these are the stops. |
| |
| GUILDENSTERN But these cannot I command to any utterance of |
| harmony; I have not the skill. |
| |
| HAMLET Why, look you now, how unworthy a thing you make of |
| me! You would play upon me; you would seem to know |
| my stops; you would pluck out the heart of my |
| mystery; you would sound me from my lowest note to |
| the top of my compass: and there is much music, |
| excellent voice, in this little organ; yet cannot |
| you make it speak. 'Sblood, do you think I am |
| easier to be played on than a pipe? Call me what |
| instrument you will, though you can fret me, yet you |
| cannot play upon me. |
| |
| [Enter POLONIUS] |
| |
| God bless you, sir! |
| |
| LORD POLONIUS My lord, the queen would speak with you, and |
| presently. |
| |
| HAMLET Do you see yonder cloud that's almost in shape of a camel? |
| |
| LORD POLONIUS By the mass, and 'tis like a camel, indeed. |
| |
| HAMLET Methinks it is like a weasel. |
| |
| LORD POLONIUS It is backed like a weasel. |
| |
| HAMLET Or like a whale? |
| |
| LORD POLONIUS Very like a whale. |
| |
| HAMLET Then I will come to my mother by and by. They fool |
| me to the top of my bent. I will come by and by. |
| |
| LORD POLONIUS I will say so. |
| |
| HAMLET By and by is easily said. |
| |
| [Exit POLONIUS] |
| |
| Leave me, friends. |
| |
| [Exeunt all but HAMLET] |
| |
| Tis now the very witching time of night, |
| When churchyards yawn and hell itself breathes out |
| Contagion to this world: now could I drink hot blood, |
| And do such bitter business as the day |
| Would quake to look on. Soft! now to my mother. |
| O heart, lose not thy nature; let not ever |
| The soul of Nero enter this firm bosom: |
| Let me be cruel, not unnatural: |
| I will speak daggers to her, but use none; |
| My tongue and soul in this be hypocrites; |
| How in my words soever she be shent, |
| To give them seals never, my soul, consent! |
| |
| [Exit] |
| |
| |
| |
| HAMLET |
| |
| |
| ACT III |
| |
| |
| |
| SCENE III A room in the castle. |
| |
| |
| [Enter KING CLAUDIUS, ROSENCRANTZ, and GUILDENSTERN] |
| |
| KING CLAUDIUS I like him not, nor stands it safe with us |
| To let his madness range. Therefore prepare you; |
| I your commission will forthwith dispatch, |
| And he to England shall along with you: |
| The terms of our estate may not endure |
| Hazard so dangerous as doth hourly grow |
| Out of his lunacies. |
| |
| GUILDENSTERN We will ourselves provide: |
| Most holy and religious fear it is |
| To keep those many many bodies safe |
| That live and feed upon your majesty. |
| |
| ROSENCRANTZ The single and peculiar life is bound, |
| With all the strength and armour of the mind, |
| To keep itself from noyance; but much more |
| That spirit upon whose weal depend and rest |
| The lives of many. The cease of majesty |
| Dies not alone; but, like a gulf, doth draw |
| What's near it with it: it is a massy wheel, |
| Fix'd on the summit of the highest mount, |
| To whose huge spokes ten thousand lesser things |
| Are mortised and adjoin'd; which, when it falls, |
| Each small annexment, petty consequence, |
| Attends the boisterous ruin. Never alone |
| Did the king sigh, but with a general groan. |
| |
| KING CLAUDIUS Arm you, I pray you, to this speedy voyage; |
| For we will fetters put upon this fear, |
| Which now goes too free-footed. |
| |
| |
| ROSENCRANTZ | |
| | We will haste us. |
| GUILDENSTERN | |
| |
| |
| [Exeunt ROSENCRANTZ and GUILDENSTERN] |
| |
| [Enter POLONIUS] |
| |
| LORD POLONIUS My lord, he's going to his mother's closet: |
| Behind the arras I'll convey myself, |
| To hear the process; and warrant she'll tax him home: |
| And, as you said, and wisely was it said, |
| 'Tis meet that some more audience than a mother, |
| Since nature makes them partial, should o'erhear |
| The speech, of vantage. Fare you well, my liege: |
| I'll call upon you ere you go to bed, |
| And tell you what I know. |
| |
| KING CLAUDIUS Thanks, dear my lord. |
| |
| [Exit POLONIUS] |
| |
| O, my offence is rank it smells to heaven; |
| It hath the primal eldest curse upon't, |
| A brother's murder. Pray can I not, |
| Though inclination be as sharp as will: |
| My stronger guilt defeats my strong intent; |
| And, like a man to double business bound, |
| I stand in pause where I shall first begin, |
| And both neglect. What if this cursed hand |
| Were thicker than itself with brother's blood, |
| Is there not rain enough in the sweet heavens |
| To wash it white as snow? Whereto serves mercy |
| But to confront the visage of offence? |
| And what's in prayer but this two-fold force, |
| To be forestalled ere we come to fall, |
| Or pardon'd being down? Then I'll look up; |
| My fault is past. But, O, what form of prayer |
| Can serve my turn? 'Forgive me my foul murder'? |
| That cannot be; since I am still possess'd |
| Of those effects for which I did the murder, |
| My crown, mine own ambition and my queen. |
| May one be pardon'd and retain the offence? |
| In the corrupted currents of this world |
| Offence's gilded hand may shove by justice, |
| And oft 'tis seen the wicked prize itself |
| Buys out the law: but 'tis not so above; |
| There is no shuffling, there the action lies |
| In his true nature; and we ourselves compell'd, |
| Even to the teeth and forehead of our faults, |
| To give in evidence. What then? what rests? |
| Try what repentance can: what can it not? |
| Yet what can it when one can not repent? |
| O wretched state! O bosom black as death! |
| O limed soul, that, struggling to be free, |
| Art more engaged! Help, angels! Make assay! |
| Bow, stubborn knees; and, heart with strings of steel, |
| Be soft as sinews of the newborn babe! |
| All may be well. |
| |
| [Retires and kneels] |
| |
| [Enter HAMLET] |
| |
| HAMLET Now might I do it pat, now he is praying; |
| And now I'll do't. And so he goes to heaven; |
| And so am I revenged. That would be scann'd: |
| A villain kills my father; and for that, |
| I, his sole son, do this same villain send |
| To heaven. |
| O, this is hire and salary, not revenge. |
| He took my father grossly, full of bread; |
| With all his crimes broad blown, as flush as May; |
| And how his audit stands who knows save heaven? |
| But in our circumstance and course of thought, |
| 'Tis heavy with him: and am I then revenged, |
| To take him in the purging of his soul, |
| When he is fit and season'd for his passage? |
| No! |
| Up, sword; and know thou a more horrid hent: |
| When he is drunk asleep, or in his rage, |
| Or in the incestuous pleasure of his bed; |
| At gaming, swearing, or about some act |
| That has no relish of salvation in't; |
| Then trip him, that his heels may kick at heaven, |
| And that his soul may be as damn'd and black |
| As hell, whereto it goes. My mother stays: |
| This physic but prolongs thy sickly days. |
| |
| [Exit] |
| |
| KING CLAUDIUS [Rising] My words fly up, my thoughts remain below: |
| Words without thoughts never to heaven go. |
| |
| [Exit] |
| |
| |
| |
| |
| HAMLET |
| |
| |
| ACT III |
| |
| |
| |
| SCENE IV The Queen's closet. |
| |
| |
| [Enter QUEEN MARGARET and POLONIUS] |
| |
| LORD POLONIUS He will come straight. Look you lay home to him: |
| Tell him his pranks have been too broad to bear with, |
| And that your grace hath screen'd and stood between |
| Much heat and him. I'll sconce me even here. |
| Pray you, be round with him. |
| |
| HAMLET [Within] Mother, mother, mother! |
| |
| QUEEN GERTRUDE I'll warrant you, |
| Fear me not: withdraw, I hear him coming. |
| |
| [POLONIUS hides behind the arras] |
| |
| [Enter HAMLET] |
| |
| HAMLET Now, mother, what's the matter? |
| |
| QUEEN GERTRUDE Hamlet, thou hast thy father much offended. |
| |
| HAMLET Mother, you have my father much offended. |
| |
| QUEEN GERTRUDE Come, come, you answer with an idle tongue. |
| |
| HAMLET Go, go, you question with a wicked tongue. |
| |
| QUEEN GERTRUDE Why, how now, Hamlet! |
| |
| HAMLET What's the matter now? |
| |
| QUEEN GERTRUDE Have you forgot me? |
| |
| HAMLET No, by the rood, not so: |
| You are the queen, your husband's brother's wife; |
| And--would it were not so!--you are my mother. |
| |
| QUEEN GERTRUDE Nay, then, I'll set those to you that can speak. |
| |
| HAMLET Come, come, and sit you down; you shall not budge; |
| You go not till I set you up a glass |
| Where you may see the inmost part of you. |
| |
| QUEEN GERTRUDE What wilt thou do? thou wilt not murder me? |
| Help, help, ho! |
| |
| LORD POLONIUS [Behind] What, ho! help, help, help! |
| |
| HAMLET [Drawing] How now! a rat? Dead, for a ducat, dead! |
| |
| [Makes a pass through the arras] |
| |
| LORD POLONIUS [Behind] O, I am slain! |
| |
| [Falls and dies] |
| |
| QUEEN GERTRUDE O me, what hast thou done? |
| |
| HAMLET Nay, I know not: |
| Is it the king? |
| |
| QUEEN GERTRUDE O, what a rash and bloody deed is this! |
| |
| HAMLET A bloody deed! almost as bad, good mother, |
| As kill a king, and marry with his brother. |
| |
| QUEEN GERTRUDE As kill a king! |
| |
| HAMLET Ay, lady, 'twas my word. |
| |
| [Lifts up the array and discovers POLONIUS] |
| |
| Thou wretched, rash, intruding fool, farewell! |
| I took thee for thy better: take thy fortune; |
| Thou find'st to be too busy is some danger. |
| Leave wringing of your hands: peace! sit you down, |
| And let me wring your heart; for so I shall, |
| If it be made of penetrable stuff, |
| If damned custom have not brass'd it so |
| That it is proof and bulwark against sense. |
| |
| QUEEN GERTRUDE What have I done, that thou darest wag thy tongue |
| In noise so rude against me? |
| |
| HAMLET Such an act |
| That blurs the grace and blush of modesty, |
| Calls virtue hypocrite, takes off the rose |
| From the fair forehead of an innocent love |
| And sets a blister there, makes marriage-vows |
| As false as dicers' oaths: O, such a deed |
| As from the body of contraction plucks |
| The very soul, and sweet religion makes |
| A rhapsody of words: heaven's face doth glow: |
| Yea, this solidity and compound mass, |
| With tristful visage, as against the doom, |
| Is thought-sick at the act. |
| |
| QUEEN GERTRUDE Ay me, what act, |
| That roars so loud, and thunders in the index? |
| |
| HAMLET Look here, upon this picture, and on this, |
| The counterfeit presentment of two brothers. |
| See, what a grace was seated on this brow; |
| Hyperion's curls; the front of Jove himself; |
| An eye like Mars, to threaten and command; |
| A station like the herald Mercury |
| New-lighted on a heaven-kissing hill; |
| A combination and a form indeed, |
| Where every god did seem to set his seal, |
| To give the world assurance of a man: |
| This was your husband. Look you now, what follows: |
| Here is your husband; like a mildew'd ear, |
| Blasting his wholesome brother. Have you eyes? |
| Could you on this fair mountain leave to feed, |
| And batten on this moor? Ha! have you eyes? |
| You cannot call it love; for at your age |
| The hey-day in the blood is tame, it's humble, |
| And waits upon the judgment: and what judgment |
| Would step from this to this? Sense, sure, you have, |
| Else could you not have motion; but sure, that sense |
| Is apoplex'd; for madness would not err, |
| Nor sense to ecstasy was ne'er so thrall'd |
| But it reserved some quantity of choice, |
| To serve in such a difference. What devil was't |
| That thus hath cozen'd you at hoodman-blind? |
| Eyes without feeling, feeling without sight, |
| Ears without hands or eyes, smelling sans all, |
| Or but a sickly part of one true sense |
| Could not so mope. |
| O shame! where is thy blush? Rebellious hell, |
| If thou canst mutine in a matron's bones, |
| To flaming youth let virtue be as wax, |
| And melt in her own fire: proclaim no shame |
| When the compulsive ardour gives the charge, |
| Since frost itself as actively doth burn |
| And reason panders will. |
| |
| QUEEN GERTRUDE O Hamlet, speak no more: |
| Thou turn'st mine eyes into my very soul; |
| And there I see such black and grained spots |
| As will not leave their tinct. |
| |
| HAMLET Nay, but to live |
| In the rank sweat of an enseamed bed, |
| Stew'd in corruption, honeying and making love |
| Over the nasty sty,-- |
| |
| QUEEN GERTRUDE O, speak to me no more; |
| These words, like daggers, enter in mine ears; |
| No more, sweet Hamlet! |
| |
| HAMLET A murderer and a villain; |
| A slave that is not twentieth part the tithe |
| Of your precedent lord; a vice of kings; |
| A cutpurse of the empire and the rule, |
| That from a shelf the precious diadem stole, |
| And put it in his pocket! |
| |
| QUEEN GERTRUDE No more! |
| |
| HAMLET A king of shreds and patches,-- |
| |
| [Enter Ghost] |
| |
| Save me, and hover o'er me with your wings, |
| You heavenly guards! What would your gracious figure? |
| |
| QUEEN GERTRUDE Alas, he's mad! |
| |
| HAMLET Do you not come your tardy son to chide, |
| That, lapsed in time and passion, lets go by |
| The important acting of your dread command? O, say! |
| |
| Ghost Do not forget: this visitation |
| Is but to whet thy almost blunted purpose. |
| But, look, amazement on thy mother sits: |
| O, step between her and her fighting soul: |
| Conceit in weakest bodies strongest works: |
| Speak to her, Hamlet. |
| |
| HAMLET How is it with you, lady? |
| |
| QUEEN GERTRUDE Alas, how is't with you, |
| That you do bend your eye on vacancy |
| And with the incorporal air do hold discourse? |
| Forth at your eyes your spirits wildly peep; |
| And, as the sleeping soldiers in the alarm, |
| Your bedded hair, like life in excrements, |
| Starts up, and stands on end. O gentle son, |
| Upon the heat and flame of thy distemper |
| Sprinkle cool patience. Whereon do you look? |
| |
| HAMLET On him, on him! Look you, how pale he glares! |
| His form and cause conjoin'd, preaching to stones, |
| Would make them capable. Do not look upon me; |
| Lest with this piteous action you convert |
| My stern effects: then what I have to do |
| Will want true colour; tears perchance for blood. |
| |
| QUEEN GERTRUDE To whom do you speak this? |
| |
| HAMLET Do you see nothing there? |
| |
| QUEEN GERTRUDE Nothing at all; yet all that is I see. |
| |
| HAMLET Nor did you nothing hear? |
| |
| QUEEN GERTRUDE No, nothing but ourselves. |
| |
| HAMLET Why, look you there! look, how it steals away! |
| My father, in his habit as he lived! |
| Look, where he goes, even now, out at the portal! |
| |
| [Exit Ghost] |
| |
| QUEEN GERTRUDE This the very coinage of your brain: |
| This bodiless creation ecstasy |
| Is very cunning in. |
| |
| HAMLET Ecstasy! |
| My pulse, as yours, doth temperately keep time, |
| And makes as healthful music: it is not madness |
| That I have utter'd: bring me to the test, |
| And I the matter will re-word; which madness |
| Would gambol from. Mother, for love of grace, |
| Lay not that mattering unction to your soul, |
| That not your trespass, but my madness speaks: |
| It will but skin and film the ulcerous place, |
| Whilst rank corruption, mining all within, |
| Infects unseen. Confess yourself to heaven; |
| Repent what's past; avoid what is to come; |
| And do not spread the compost on the weeds, |
| To make them ranker. Forgive me this my virtue; |
| For in the fatness of these pursy times |
| Virtue itself of vice must pardon beg, |
| Yea, curb and woo for leave to do him good. |
| |
| QUEEN GERTRUDE O Hamlet, thou hast cleft my heart in twain. |
| |
| HAMLET O, throw away the worser part of it, |
| And live the purer with the other half. |
| Good night: but go not to mine uncle's bed; |
| Assume a virtue, if you have it not. |
| That monster, custom, who all sense doth eat, |
| Of habits devil, is angel yet in this, |
| That to the use of actions fair and good |
| He likewise gives a frock or livery, |
| That aptly is put on. Refrain to-night, |
| And that shall lend a kind of easiness |
| To the next abstinence: the next more easy; |
| For use almost can change the stamp of nature, |
| And either [ ] the devil, or throw him out |
| With wondrous potency. Once more, good night: |
| And when you are desirous to be bless'd, |
| I'll blessing beg of you. For this same lord, |
| |
| [Pointing to POLONIUS] |
| |
| I do repent: but heaven hath pleased it so, |
| To punish me with this and this with me, |
| That I must be their scourge and minister. |
| I will bestow him, and will answer well |
| The death I gave him. So, again, good night. |
| I must be cruel, only to be kind: |
| Thus bad begins and worse remains behind. |
| One word more, good lady. |
| |
| QUEEN GERTRUDE What shall I do? |
| |
| HAMLET Not this, by no means, that I bid you do: |
| Let the bloat king tempt you again to bed; |
| Pinch wanton on your cheek; call you his mouse; |
| And let him, for a pair of reechy kisses, |
| Or paddling in your neck with his damn'd fingers, |
| Make you to ravel all this matter out, |
| That I essentially am not in madness, |
| But mad in craft. 'Twere good you let him know; |
| For who, that's but a queen, fair, sober, wise, |
| Would from a paddock, from a bat, a gib, |
| Such dear concernings hide? who would do so? |
| No, in despite of sense and secrecy, |
| Unpeg the basket on the house's top. |
| Let the birds fly, and, like the famous ape, |
| To try conclusions, in the basket creep, |
| And break your own neck down. |
| |
| QUEEN GERTRUDE Be thou assured, if words be made of breath, |
| And breath of life, I have no life to breathe |
| What thou hast said to me. |
| |
| HAMLET I must to England; you know that? |
| |
| QUEEN GERTRUDE Alack, |
| I had forgot: 'tis so concluded on. |
| |
| HAMLET There's letters seal'd: and my two schoolfellows, |
| Whom I will trust as I will adders fang'd, |
| They bear the mandate; they must sweep my way, |
| And marshal me to knavery. Let it work; |
| For 'tis the sport to have the engineer |
| Hoist with his own petard: and 't shall go hard |
| But I will delve one yard below their mines, |
| And blow them at the moon: O, 'tis most sweet, |
| When in one line two crafts directly meet. |
| This man shall set me packing: |
| I'll lug the guts into the neighbour room. |
| Mother, good night. Indeed this counsellor |
| Is now most still, most secret and most grave, |
| Who was in life a foolish prating knave. |
| Come, sir, to draw toward an end with you. |
| Good night, mother. |
| |
| [Exeunt severally; HAMLET dragging in POLONIUS] |
| |
| |
| |
| |
| HAMLET |
| |
| |
| ACT IV |
| |
| |
| |
| SCENE I A room in the castle. |
| |
| |
| [Enter KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ, |
| and GUILDENSTERN] |
| |
| KING CLAUDIUS There's matter in these sighs, these profound heaves: |
| You must translate: 'tis fit we understand them. |
| Where is your son? |
| |
| QUEEN GERTRUDE Bestow this place on us a little while. |
| |
| [Exeunt ROSENCRANTZ and GUILDENSTERN] |
| |
| Ah, my good lord, what have I seen to-night! |
| |
| KING CLAUDIUS What, Gertrude? How does Hamlet? |
| |
| QUEEN GERTRUDE Mad as the sea and wind, when both contend |
| Which is the mightier: in his lawless fit, |
| Behind the arras hearing something stir, |
| Whips out his rapier, cries, 'A rat, a rat!' |
| And, in this brainish apprehension, kills |
| The unseen good old man. |
| |
| KING CLAUDIUS O heavy deed! |
| It had been so with us, had we been there: |
| His liberty is full of threats to all; |
| To you yourself, to us, to every one. |
| Alas, how shall this bloody deed be answer'd? |
| It will be laid to us, whose providence |
| Should have kept short, restrain'd and out of haunt, |
| This mad young man: but so much was our love, |
| We would not understand what was most fit; |
| But, like the owner of a foul disease, |
| To keep it from divulging, let it feed |
| Even on the pith of Life. Where is he gone? |
| |
| QUEEN GERTRUDE To draw apart the body he hath kill'd: |
| O'er whom his very madness, like some ore |
| Among a mineral of metals base, |
| Shows itself pure; he weeps for what is done. |
| |
| KING CLAUDIUS O Gertrude, come away! |
| The sun no sooner shall the mountains touch, |
| But we will ship him hence: and this vile deed |
| We must, with all our majesty and skill, |
| Both countenance and excuse. Ho, Guildenstern! |
| |
| [Re-enter ROSENCRANTZ and GUILDENSTERN] |
| |
| Friends both, go join you with some further aid: |
| Hamlet in madness hath Polonius slain, |
| And from his mother's closet hath he dragg'd him: |
| Go seek him out; speak fair, and bring the body |
| Into the chapel. I pray you, haste in this. |
| |
| [Exeunt ROSENCRANTZ and GUILDENSTERN] |
| |
| Come, Gertrude, we'll call up our wisest friends; |
| And let them know, both what we mean to do, |
| And what's untimely done [ ] |
| Whose whisper o'er the world's diameter, |
| As level as the cannon to his blank, |
| Transports his poison'd shot, may miss our name, |
| And hit the woundless air. O, come away! |
| My soul is full of discord and dismay. |
| |
| [Exeunt] |
| |
| |
| |
| |
| HAMLET |
| |
| |
| ACT IV |
| |
| |
| |
| SCENE II Another room in the castle. |
| |
| |
| [Enter HAMLET] |
| |
| HAMLET Safely stowed. |
| |
| |
| ROSENCRANTZ: | |
| | [Within] Hamlet! Lord Hamlet! |
| GUILDENSTERN: | |
| |
| |
| HAMLET What noise? who calls on Hamlet? |
| O, here they come. |
| |
| [Enter ROSENCRANTZ and GUILDENSTERN] |
| |
| ROSENCRANTZ What have you done, my lord, with the dead body? |
| |
| HAMLET Compounded it with dust, whereto 'tis kin. |
| |
| ROSENCRANTZ Tell us where 'tis, that we may take it thence |
| And bear it to the chapel. |
| |
| HAMLET Do not believe it. |
| |
| ROSENCRANTZ Believe what? |
| |
| HAMLET That I can keep your counsel and not mine own. |
| Besides, to be demanded of a sponge! what |
| replication should be made by the son of a king? |
| |
| ROSENCRANTZ Take you me for a sponge, my lord? |
| |
| HAMLET Ay, sir, that soaks up the king's countenance, his |
| rewards, his authorities. But such officers do the |
| king best service in the end: he keeps them, like |
| an ape, in the corner of his jaw; first mouthed, to |
| be last swallowed: when he needs what you have |
| gleaned, it is but squeezing you, and, sponge, you |
| shall be dry again. |
| |
| ROSENCRANTZ I understand you not, my lord. |
| |
| HAMLET I am glad of it: a knavish speech sleeps in a |
| foolish ear. |
| |
| ROSENCRANTZ My lord, you must tell us where the body is, and go |
| with us to the king. |
| |
| HAMLET The body is with the king, but the king is not with |
| the body. The king is a thing-- |
| |
| GUILDENSTERN A thing, my lord! |
| |
| HAMLET Of nothing: bring me to him. Hide fox, and all after. |
| |
| [Exeunt] |
| |
| |
| |
| |
| HAMLET |
| |
| |
| ACT IV |
| |
| |
| |
| SCENE III Another room in the castle. |
| |
| |
| [Enter KING CLAUDIUS, attended] |
| |
| KING CLAUDIUS I have sent to seek him, and to find the body. |
| How dangerous is it that this man goes loose! |
| Yet must not we put the strong law on him: |
| He's loved of the distracted multitude, |
| Who like not in their judgment, but their eyes; |
| And where tis so, the offender's scourge is weigh'd, |
| But never the offence. To bear all smooth and even, |
| This sudden sending him away must seem |
| Deliberate pause: diseases desperate grown |
| By desperate appliance are relieved, |
| Or not at all. |
| |
| [Enter ROSENCRANTZ] |
| |
| How now! what hath befall'n? |
| |
| ROSENCRANTZ Where the dead body is bestow'd, my lord, |
| We cannot get from him. |
| |
| KING CLAUDIUS But where is he? |
| |
| ROSENCRANTZ Without, my lord; guarded, to know your pleasure. |
| |
| KING CLAUDIUS Bring him before us. |
| |
| ROSENCRANTZ Ho, Guildenstern! bring in my lord. |
| |
| [Enter HAMLET and GUILDENSTERN] |
| |
| KING CLAUDIUS Now, Hamlet, where's Polonius? |
| |
| HAMLET At supper. |
| |
| KING CLAUDIUS At supper! where? |
| |
| HAMLET Not where he eats, but where he is eaten: a certain |
| convocation of politic worms are e'en at him. Your |
| worm is your only emperor for diet: we fat all |
| creatures else to fat us, and we fat ourselves for |
| maggots: your fat king and your lean beggar is but |
| variable service, two dishes, but to one table: |
| that's the end. |
| |
| KING CLAUDIUS Alas, alas! |
| |
| HAMLET A man may fish with the worm that hath eat of a |
| king, and cat of the fish that hath fed of that worm. |
| |
| KING CLAUDIUS What dost you mean by this? |
| |
| HAMLET Nothing but to show you how a king may go a |
| progress through the guts of a beggar. |
| |
| KING CLAUDIUS Where is Polonius? |
| |
| HAMLET In heaven; send hither to see: if your messenger |
| find him not there, seek him i' the other place |
| yourself. But indeed, if you find him not within |
| this month, you shall nose him as you go up the |
| stairs into the lobby. |
| |
| KING CLAUDIUS Go seek him there. |
| |
| [To some Attendants] |
| |
| HAMLET He will stay till ye come. |
| |
| [Exeunt Attendants] |
| |
| KING CLAUDIUS Hamlet, this deed, for thine especial safety,-- |
| Which we do tender, as we dearly grieve |
| For that which thou hast done,--must send thee hence |
| With fiery quickness: therefore prepare thyself; |
| The bark is ready, and the wind at help, |
| The associates tend, and every thing is bent |
| For England. |
| |
| HAMLET For England! |
| |
| KING CLAUDIUS Ay, Hamlet. |
| |
| HAMLET Good. |
| |
| KING CLAUDIUS So is it, if thou knew'st our purposes. |
| |
| HAMLET I see a cherub that sees them. But, come; for |
| England! Farewell, dear mother. |
| |
| KING CLAUDIUS Thy loving father, Hamlet. |
| |
| HAMLET My mother: father and mother is man and wife; man |
| and wife is one flesh; and so, my mother. Come, for England! |
| |
| [Exit] |
| |
| KING CLAUDIUS Follow him at foot; tempt him with speed aboard; |
| Delay it not; I'll have him hence to-night: |
| Away! for every thing is seal'd and done |
| That else leans on the affair: pray you, make haste. |
| |
| [Exeunt ROSENCRANTZ and GUILDENSTERN] |
| |
| And, England, if my love thou hold'st at aught-- |
| As my great power thereof may give thee sense, |
| Since yet thy cicatrice looks raw and red |
| After the Danish sword, and thy free awe |
| Pays homage to us--thou mayst not coldly set |
| Our sovereign process; which imports at full, |
| By letters congruing to that effect, |
| The present death of Hamlet. Do it, England; |
| For like the hectic in my blood he rages, |
| And thou must cure me: till I know 'tis done, |
| Howe'er my haps, my joys were ne'er begun. |
| |
| [Exit] |
| |
| |
| |
| |
| HAMLET |
| |
| |
| ACT IV |
| |
| |
| |
| SCENE IV A plain in Denmark. |
| |
| |
| [Enter FORTINBRAS, a Captain, and Soldiers, marching] |
| |
| PRINCE FORTINBRAS Go, captain, from me greet the Danish king; |
| Tell him that, by his licence, Fortinbras |
| Craves the conveyance of a promised march |
| Over his kingdom. You know the rendezvous. |
| If that his majesty would aught with us, |
| We shall express our duty in his eye; |
| And let him know so. |
| |
| Captain I will do't, my lord. |
| |
| PRINCE FORTINBRAS Go softly on. |
| |
| [Exeunt FORTINBRAS and Soldiers] |
| |
| [Enter HAMLET, ROSENCRANTZ, GUILDENSTERN, and others] |
| |
| HAMLET Good sir, whose powers are these? |
| |
| Captain They are of Norway, sir. |
| |
| HAMLET How purposed, sir, I pray you? |
| |
| Captain Against some part of Poland. |
| |
| HAMLET Who commands them, sir? |
| |
| Captain The nephews to old Norway, Fortinbras. |
| |
| HAMLET Goes it against the main of Poland, sir, |
| Or for some frontier? |
| |
| Captain Truly to speak, and with no addition, |
| We go to gain a little patch of ground |
| That hath in it no profit but the name. |
| To pay five ducats, five, I would not farm it; |
| Nor will it yield to Norway or the Pole |
| A ranker rate, should it be sold in fee. |
| |
| HAMLET Why, then the Polack never will defend it. |
| |
| Captain Yes, it is already garrison'd. |
| |
| HAMLET Two thousand souls and twenty thousand ducats |
| Will not debate the question of this straw: |
| This is the imposthume of much wealth and peace, |
| That inward breaks, and shows no cause without |
| Why the man dies. I humbly thank you, sir. |
| |
| Captain God be wi' you, sir. |
| |
| [Exit] |
| |
| ROSENCRANTZ Wilt please you go, my lord? |
| |
| HAMLET I'll be with you straight go a little before. |
| |
| [Exeunt all except HAMLET] |
| |
| How all occasions do inform against me, |
| And spur my dull revenge! What is a man, |
| If his chief good and market of his time |
| Be but to sleep and feed? a beast, no more. |
| Sure, he that made us with such large discourse, |
| Looking before and after, gave us not |
| That capability and god-like reason |
| To fust in us unused. Now, whether it be |
| Bestial oblivion, or some craven scruple |
| Of thinking too precisely on the event, |
| A thought which, quarter'd, hath but one part wisdom |
| And ever three parts coward, I do not know |
| Why yet I live to say 'This thing's to do;' |
| Sith I have cause and will and strength and means |
| To do't. Examples gross as earth exhort me: |
| Witness this army of such mass and charge |
| Led by a delicate and tender prince, |
| Whose spirit with divine ambition puff'd |
| Makes mouths at the invisible event, |
| Exposing what is mortal and unsure |
| To all that fortune, death and danger dare, |
| Even for an egg-shell. Rightly to be great |
| Is not to stir without great argument, |
| But greatly to find quarrel in a straw |
| When honour's at the stake. How stand I then, |
| That have a father kill'd, a mother stain'd, |
| Excitements of my reason and my blood, |
| And let all sleep? while, to my shame, I see |
| The imminent death of twenty thousand men, |
| That, for a fantasy and trick of fame, |
| Go to their graves like beds, fight for a plot |
| Whereon the numbers cannot try the cause, |
| Which is not tomb enough and continent |
| To hide the slain? O, from this time forth, |
| My thoughts be bloody, or be nothing worth! |
| |
| [Exit] |
| |
| |
| |
| |
| HAMLET |
| |
| |
| ACT IV |
| |
| |
| SCENE V Elsinore. A room in the castle. |
| |
| |
| [Enter QUEEN GERTRUDE, HORATIO, and a Gentleman] |
| |
| QUEEN GERTRUDE I will not speak with her. |
| |
| Gentleman She is importunate, indeed distract: |
| Her mood will needs be pitied. |
| |
| QUEEN GERTRUDE What would she have? |
| |
| Gentleman She speaks much of her father; says she hears |
| There's tricks i' the world; and hems, and beats her heart; |
| Spurns enviously at straws; speaks things in doubt, |
| That carry but half sense: her speech is nothing, |
| Yet the unshaped use of it doth move |
| The hearers to collection; they aim at it, |
| And botch the words up fit to their own thoughts; |
| Which, as her winks, and nods, and gestures |
| yield them, |
| Indeed would make one think there might be thought, |
| Though nothing sure, yet much unhappily. |
| |
| HORATIO 'Twere good she were spoken with; for she may strew |
| Dangerous conjectures in ill-breeding minds. |
| |
| QUEEN GERTRUDE Let her come in. |
| |
| [Exit HORATIO] |
| |
| To my sick soul, as sin's true nature is, |
| Each toy seems prologue to some great amiss: |
| So full of artless jealousy is guilt, |
| It spills itself in fearing to be spilt. |
| |
| [Re-enter HORATIO, with OPHELIA] |
| |
| OPHELIA Where is the beauteous majesty of Denmark? |
| |
| QUEEN GERTRUDE How now, Ophelia! |
| |
| OPHELIA [Sings] |
| |
| How should I your true love know |
| From another one? |
| By his cockle hat and staff, |
| And his sandal shoon. |
| |
| QUEEN GERTRUDE Alas, sweet lady, what imports this song? |
| |
| OPHELIA Say you? nay, pray you, mark. |
| |
| [Sings] |
| |
| He is dead and gone, lady, |
| He is dead and gone; |
| At his head a grass-green turf, |
| At his heels a stone. |
| |
| QUEEN GERTRUDE Nay, but, Ophelia,-- |
| |
| OPHELIA Pray you, mark. |
| |
| [Sings] |
| |
| White his shroud as the mountain snow,-- |
| |
| [Enter KING CLAUDIUS] |
| |
| QUEEN GERTRUDE Alas, look here, my lord. |
| |
| OPHELIA [Sings] |
| |
| Larded with sweet flowers |
| Which bewept to the grave did go |
| With true-love showers. |
| |
| KING CLAUDIUS How do you, pretty lady? |
| |
| OPHELIA Well, God 'ild you! They say the owl was a baker's |
| daughter. Lord, we know what we are, but know not |
| what we may be. God be at your table! |
| |
| KING CLAUDIUS Conceit upon her father. |
| |
| OPHELIA Pray you, let's have no words of this; but when they |
| ask you what it means, say you this: |
| |
| [Sings] |
| |
| To-morrow is Saint Valentine's day, |
| All in the morning betime, |
| And I a maid at your window, |
| To be your Valentine. |
| Then up he rose, and donn'd his clothes, |
| And dupp'd the chamber-door; |
| Let in the maid, that out a maid |
| Never departed more. |
| |
| KING CLAUDIUS Pretty Ophelia! |
| |
| OPHELIA Indeed, la, without an oath, I'll make an end on't: |
| |
| [Sings] |
| |
| By Gis and by Saint Charity, |
| Alack, and fie for shame! |
| Young men will do't, if they come to't; |
| By cock, they are to blame. |
| Quoth she, before you tumbled me, |
| You promised me to wed. |
| So would I ha' done, by yonder sun, |
| An thou hadst not come to my bed. |
| |
| KING CLAUDIUS How long hath she been thus? |
| |
| OPHELIA I hope all will be well. We must be patient: but I |
| cannot choose but weep, to think they should lay him |
| i' the cold ground. My brother shall know of it: |
| and so I thank you for your good counsel. Come, my |
| coach! Good night, ladies; good night, sweet ladies; |
| good night, good night. |
| |
| [Exit] |
| |
| KING CLAUDIUS Follow her close; give her good watch, |
| I pray you. |
| |
| [Exit HORATIO] |
| |
| O, this is the poison of deep grief; it springs |
| All from her father's death. O Gertrude, Gertrude, |
| When sorrows come, they come not single spies |
| But in battalions. First, her father slain: |
| Next, your son gone; and he most violent author |
| Of his own just remove: the people muddied, |
| Thick and unwholesome in their thoughts and whispers, |
| For good Polonius' death; and we have done but greenly, |
| In hugger-mugger to inter him: poor Ophelia |
| Divided from herself and her fair judgment, |
| Without the which we are pictures, or mere beasts: |
| Last, and as much containing as all these, |
| Her brother is in secret come from France; |
| Feeds on his wonder, keeps himself in clouds, |
| And wants not buzzers to infect his ear |
| With pestilent speeches of his father's death; |
| Wherein necessity, of matter beggar'd, |
| Will nothing stick our person to arraign |
| In ear and ear. O my dear Gertrude, this, |
| Like to a murdering-piece, in many places |
| Gives me superfluous death. |
| |
| [A noise within] |
| |
| QUEEN GERTRUDE Alack, what noise is this? |
| |
| KING CLAUDIUS Where are my Switzers? Let them guard the door. |
| |
| [Enter another Gentleman] |
| |
| What is the matter? |
| |
| Gentleman Save yourself, my lord: |
| The ocean, overpeering of his list, |
| Eats not the flats with more impetuous haste |
| Than young Laertes, in a riotous head, |
| O'erbears your officers. The rabble call him lord; |
| And, as the world were now but to begin, |
| Antiquity forgot, custom not known, |
| The ratifiers and props of every word, |
| They cry 'Choose we: Laertes shall be king:' |
| Caps, hands, and tongues, applaud it to the clouds: |
| 'Laertes shall be king, Laertes king!' |
| |
| QUEEN GERTRUDE How cheerfully on the false trail they cry! |
| O, this is counter, you false Danish dogs! |
| |
| KING CLAUDIUS The doors are broke. |
| |
| [Noise within] |
| |
| [Enter LAERTES, armed; Danes following] |
| |
| LAERTES Where is this king? Sirs, stand you all without. |
| |
| Danes No, let's come in. |
| |
| LAERTES I pray you, give me leave. |
| |
| Danes We will, we will. |
| |
| [They retire without the door] |
| |
| LAERTES I thank you: keep the door. O thou vile king, |
| Give me my father! |
| |
| QUEEN GERTRUDE Calmly, good Laertes. |
| |
| LAERTES That drop of blood that's calm proclaims me bastard, |
| Cries cuckold to my father, brands the harlot |
| Even here, between the chaste unsmirched brow |
| Of my true mother. |
| |
| KING CLAUDIUS What is the cause, Laertes, |
| That thy rebellion looks so giant-like? |
| Let him go, Gertrude; do not fear our person: |
| There's such divinity doth hedge a king, |
| That treason can but peep to what it would, |
| Acts little of his will. Tell me, Laertes, |
| Why thou art thus incensed. Let him go, Gertrude. |
| Speak, man. |
| |
| LAERTES Where is my father? |
| |
| KING CLAUDIUS Dead. |
| |
| QUEEN GERTRUDE But not by him. |
| |
| KING CLAUDIUS Let him demand his fill. |
| |
| LAERTES How came he dead? I'll not be juggled with: |
| To hell, allegiance! vows, to the blackest devil! |
| Conscience and grace, to the profoundest pit! |
| I dare damnation. To this point I stand, |
| That both the worlds I give to negligence, |
| Let come what comes; only I'll be revenged |
| Most thoroughly for my father. |
| |
| KING CLAUDIUS Who shall stay you? |
| |
| LAERTES My will, not all the world: |
| And for my means, I'll husband them so well, |
| They shall go far with little. |
| |
| KING CLAUDIUS Good Laertes, |
| If you desire to know the certainty |
| Of your dear father's death, is't writ in your revenge, |
| That, swoopstake, you will draw both friend and foe, |
| Winner and loser? |
| |
| LAERTES None but his enemies. |
| |
| KING CLAUDIUS Will you know them then? |
| |
| LAERTES To his good friends thus wide I'll ope my arms; |
| And like the kind life-rendering pelican, |
| Repast them with my blood. |
| |
| KING CLAUDIUS Why, now you speak |
| Like a good child and a true gentleman. |
| That I am guiltless of your father's death, |
| And am most sensible in grief for it, |
| It shall as level to your judgment pierce |
| As day does to your eye. |
| |
| Danes [Within] Let her come in. |
| |
| LAERTES How now! what noise is that? |
| |
| [Re-enter OPHELIA] |
| |
| O heat, dry up my brains! tears seven times salt, |
| Burn out the sense and virtue of mine eye! |
| By heaven, thy madness shall be paid by weight, |
| Till our scale turn the beam. O rose of May! |
| Dear maid, kind sister, sweet Ophelia! |
| O heavens! is't possible, a young maid's wits |
| Should be as moral as an old man's life? |
| Nature is fine in love, and where 'tis fine, |
| It sends some precious instance of itself |
| After the thing it loves. |
| |
| OPHELIA [Sings] |
| |
| They bore him barefaced on the bier; |
| Hey non nonny, nonny, hey nonny; |
| And in his grave rain'd many a tear:-- |
| Fare you well, my dove! |
| |
| LAERTES Hadst thou thy wits, and didst persuade revenge, |
| It could not move thus. |
| |
| OPHELIA [Sings] |
| |
| You must sing a-down a-down, |
| An you call him a-down-a. |
| O, how the wheel becomes it! It is the false |
| steward, that stole his master's daughter. |
| |
| LAERTES This nothing's more than matter. |
| |
| OPHELIA There's rosemary, that's for remembrance; pray, |
| love, remember: and there is pansies. that's for thoughts. |
| |
| LAERTES A document in madness, thoughts and remembrance fitted. |
| |
| OPHELIA There's fennel for you, and columbines: there's rue |
| for you; and here's some for me: we may call it |
| herb-grace o' Sundays: O you must wear your rue with |
| a difference. There's a daisy: I would give you |
| some violets, but they withered all when my father |
| died: they say he made a good end,-- |
| |
| [Sings] |
| |
| For bonny sweet Robin is all my joy. |
| |
| LAERTES Thought and affliction, passion, hell itself, |
| She turns to favour and to prettiness. |
| |
| OPHELIA [Sings] |
| |
| And will he not come again? |
| And will he not come again? |
| No, no, he is dead: |
| Go to thy death-bed: |
| He never will come again. |
| |
| His beard was as white as snow, |
| All flaxen was his poll: |
| He is gone, he is gone, |
| And we cast away moan: |
| God ha' mercy on his soul! |
| |
| And of all Christian souls, I pray God. God be wi' ye. |
| |
| [Exit] |
| |
| LAERTES Do you see this, O God? |
| |
| KING CLAUDIUS Laertes, I must commune with your grief, |
| Or you deny me right. Go but apart, |
| Make choice of whom your wisest friends you will. |
| And they shall hear and judge 'twixt you and me: |
| If by direct or by collateral hand |
| They find us touch'd, we will our kingdom give, |
| Our crown, our life, and all that we can ours, |
| To you in satisfaction; but if not, |
| Be you content to lend your patience to us, |
| And we shall jointly labour with your soul |
| To give it due content. |
| |
| LAERTES Let this be so; |
| His means of death, his obscure funeral-- |
| No trophy, sword, nor hatchment o'er his bones, |
| No noble rite nor formal ostentation-- |
| Cry to be heard, as 'twere from heaven to earth, |
| That I must call't in question. |
| |
| KING CLAUDIUS So you shall; |
| And where the offence is let the great axe fall. |
| I pray you, go with me. |
| |
| [Exeunt] |
| |
| |
| |
| |
| HAMLET |
| |
| |
| ACT IV |
| |
| |
| |
| SCENE VI Another room in the castle. |
| |
| |
| [Enter HORATIO and a Servant] |
| |
| HORATIO What are they that would speak with me? |
| |
| Servant Sailors, sir: they say they have letters for you. |
| |
| HORATIO Let them come in. |
| |
| [Exit Servant] |
| |
| I do not know from what part of the world |
| I should be greeted, if not from Lord Hamlet. |
| |
| [Enter Sailors] |
| |
| First Sailor God bless you, sir. |
| |
| HORATIO Let him bless thee too. |
| |
| First Sailor He shall, sir, an't please him. There's a letter for |
| you, sir; it comes from the ambassador that was |
| bound for England; if your name be Horatio, as I am |
| let to know it is. |
| |
| HORATIO [Reads] 'Horatio, when thou shalt have overlooked |
| this, give these fellows some means to the king: |
| they have letters for him. Ere we were two days old |
| at sea, a pirate of very warlike appointment gave us |
| chase. Finding ourselves too slow of sail, we put on |
| a compelled valour, and in the grapple I boarded |
| them: on the instant they got clear of our ship; so |
| I alone became their prisoner. They have dealt with |
| me like thieves of mercy: but they knew what they |
| did; I am to do a good turn for them. Let the king |
| have the letters I have sent; and repair thou to me |
| with as much speed as thou wouldst fly death. I |
| have words to speak in thine ear will make thee |
| dumb; yet are they much too light for the bore of |
| the matter. These good fellows will bring thee |
| where I am. Rosencrantz and Guildenstern hold their |
| course for England: of them I have much to tell |
| thee. Farewell. |
| 'He that thou knowest thine, HAMLET.' |
| Come, I will make you way for these your letters; |
| And do't the speedier, that you may direct me |
| To him from whom you brought them. |
| |
| [Exeunt] |
| |
| |
| |
| |
| HAMLET |
| |
| |
| ACT IV |
| |
| |
| SCENE VII Another room in the castle. |
| |
| |
| [Enter KING CLAUDIUS and LAERTES] |
| |
| KING CLAUDIUS Now must your conscience my acquaintance seal, |
| And you must put me in your heart for friend, |
| Sith you have heard, and with a knowing ear, |
| That he which hath your noble father slain |
| Pursued my life. |
| |
| LAERTES It well appears: but tell me |
| Why you proceeded not against these feats, |
| So crimeful and so capital in nature, |
| As by your safety, wisdom, all things else, |
| You mainly were stirr'd up. |
| |
| KING CLAUDIUS O, for two special reasons; |
| Which may to you, perhaps, seem much unsinew'd, |
| But yet to me they are strong. The queen his mother |
| Lives almost by his looks; and for myself-- |
| My virtue or my plague, be it either which-- |
| She's so conjunctive to my life and soul, |
| That, as the star moves not but in his sphere, |
| I could not but by her. The other motive, |
| Why to a public count I might not go, |
| Is the great love the general gender bear him; |
| Who, dipping all his faults in their affection, |
| Would, like the spring that turneth wood to stone, |
| Convert his gyves to graces; so that my arrows, |
| Too slightly timber'd for so loud a wind, |
| Would have reverted to my bow again, |
| And not where I had aim'd them. |
| |
| LAERTES And so have I a noble father lost; |
| A sister driven into desperate terms, |
| Whose worth, if praises may go back again, |
| Stood challenger on mount of all the age |
| For her perfections: but my revenge will come. |
| |
| KING CLAUDIUS Break not your sleeps for that: you must not think |
| That we are made of stuff so flat and dull |
| That we can let our beard be shook with danger |
| And think it pastime. You shortly shall hear more: |
| I loved your father, and we love ourself; |
| And that, I hope, will teach you to imagine-- |
| |
| [Enter a Messenger] |
| |
| How now! what news? |
| |
| Messenger Letters, my lord, from Hamlet: |
| This to your majesty; this to the queen. |
| |
| KING CLAUDIUS From Hamlet! who brought them? |
| |
| Messenger Sailors, my lord, they say; I saw them not: |
| They were given me by Claudio; he received them |
| Of him that brought them. |
| |
| KING CLAUDIUS Laertes, you shall hear them. Leave us. |
| |
| [Exit Messenger] |
| |
| [Reads] |
| |
| 'High and mighty, You shall know I am set naked on |
| your kingdom. To-morrow shall I beg leave to see |
| your kingly eyes: when I shall, first asking your |
| pardon thereunto, recount the occasion of my sudden |
| and more strange return. 'HAMLET.' |
| What should this mean? Are all the rest come back? |
| Or is it some abuse, and no such thing? |
| |
| LAERTES Know you the hand? |
| |
| KING CLAUDIUS 'Tis Hamlets character. 'Naked! |
| And in a postscript here, he says 'alone.' |
| Can you advise me? |
| |
| LAERTES I'm lost in it, my lord. But let him come; |
| It warms the very sickness in my heart, |
| That I shall live and tell him to his teeth, |
| 'Thus didest thou.' |
| |
| KING CLAUDIUS If it be so, Laertes-- |
| As how should it be so? how otherwise?-- |
| Will you be ruled by me? |
| |
| LAERTES Ay, my lord; |
| So you will not o'errule me to a peace. |
| |
| KING CLAUDIUS To thine own peace. If he be now return'd, |
| As checking at his voyage, and that he means |
| No more to undertake it, I will work him |
| To an exploit, now ripe in my device, |
| Under the which he shall not choose but fall: |
| And for his death no wind of blame shall breathe, |
| But even his mother shall uncharge the practise |
| And call it accident. |
| |
| LAERTES My lord, I will be ruled; |
| The rather, if you could devise it so |
| That I might be the organ. |
| |
| KING CLAUDIUS It falls right. |
| You have been talk'd of since your travel much, |
| And that in Hamlet's hearing, for a quality |
| Wherein, they say, you shine: your sum of parts |
| Did not together pluck such envy from him |
| As did that one, and that, in my regard, |
| Of the unworthiest siege. |
| |
| LAERTES What part is that, my lord? |
| |
| KING CLAUDIUS A very riband in the cap of youth, |
| Yet needful too; for youth no less becomes |
| The light and careless livery that it wears |
| Than settled age his sables and his weeds, |
| Importing health and graveness. Two months since, |
| Here was a gentleman of Normandy:-- |
| I've seen myself, and served against, the French, |
| And they can well on horseback: but this gallant |
| Had witchcraft in't; he grew unto his seat; |
| And to such wondrous doing brought his horse, |
| As he had been incorpsed and demi-natured |
| With the brave beast: so far he topp'd my thought, |
| That I, in forgery of shapes and tricks, |
| Come short of what he did. |
| |
| LAERTES A Norman was't? |
| |
| KING CLAUDIUS A Norman. |
| |
| LAERTES Upon my life, Lamond. |
| |
| KING CLAUDIUS The very same. |
| |
| LAERTES I know him well: he is the brooch indeed |
| And gem of all the nation. |
| |
| KING CLAUDIUS He made confession of you, |
| And gave you such a masterly report |
| For art and exercise in your defence |
| And for your rapier most especially, |
| That he cried out, 'twould be a sight indeed, |
| If one could match you: the scrimers of their nation, |
| He swore, had had neither motion, guard, nor eye, |
| If you opposed them. Sir, this report of his |
| Did Hamlet so envenom with his envy |
| That he could nothing do but wish and beg |
| Your sudden coming o'er, to play with him. |
| Now, out of this,-- |
| |
| LAERTES What out of this, my lord? |
| |
| KING CLAUDIUS Laertes, was your father dear to you? |
| Or are you like the painting of a sorrow, |
| A face without a heart? |
| |
| LAERTES Why ask you this? |
| |
| KING CLAUDIUS Not that I think you did not love your father; |
| But that I know love is begun by time; |
| And that I see, in passages of proof, |
| Time qualifies the spark and fire of it. |
| There lives within the very flame of love |
| A kind of wick or snuff that will abate it; |
| And nothing is at a like goodness still; |
| For goodness, growing to a plurisy, |
| Dies in his own too much: that we would do |
| We should do when we would; for this 'would' changes |
| And hath abatements and delays as many |
| As there are tongues, are hands, are accidents; |
| And then this 'should' is like a spendthrift sigh, |
| That hurts by easing. But, to the quick o' the ulcer:-- |
| Hamlet comes back: what would you undertake, |
| To show yourself your father's son in deed |
| More than in words? |
| |
| LAERTES To cut his throat i' the church. |
| |
| KING CLAUDIUS No place, indeed, should murder sanctuarize; |
| Revenge should have no bounds. But, good Laertes, |
| Will you do this, keep close within your chamber. |
| Hamlet return'd shall know you are come home: |
| We'll put on those shall praise your excellence |
| And set a double varnish on the fame |
| The Frenchman gave you, bring you in fine together |
| And wager on your heads: he, being remiss, |
| Most generous and free from all contriving, |
| Will not peruse the foils; so that, with ease, |
| Or with a little shuffling, you may choose |
| A sword unbated, and in a pass of practise |
| Requite him for your father. |
| |
| LAERTES I will do't: |
| And, for that purpose, I'll anoint my sword. |
| I bought an unction of a mountebank, |
| So mortal that, but dip a knife in it, |
| Where it draws blood no cataplasm so rare, |
| Collected from all simples that have virtue |
| Under the moon, can save the thing from death |
| That is but scratch'd withal: I'll touch my point |
| With this contagion, that, if I gall him slightly, |
| It may be death. |
| |
| KING CLAUDIUS Let's further think of this; |
| Weigh what convenience both of time and means |
| May fit us to our shape: if this should fail, |
| And that our drift look through our bad performance, |
| 'Twere better not assay'd: therefore this project |
| Should have a back or second, that might hold, |
| If this should blast in proof. Soft! let me see: |
| We'll make a solemn wager on your cunnings: I ha't. |
| When in your motion you are hot and dry-- |
| As make your bouts more violent to that end-- |
| And that he calls for drink, I'll have prepared him |
| A chalice for the nonce, whereon but sipping, |
| If he by chance escape your venom'd stuck, |
| Our purpose may hold there. |
| |
| [Enter QUEEN GERTRUDE] |
| |
| How now, sweet queen! |
| |
| QUEEN GERTRUDE One woe doth tread upon another's heel, |
| So fast they follow; your sister's drown'd, Laertes. |
| |
| LAERTES Drown'd! O, where? |
| |
| QUEEN GERTRUDE There is a willow grows aslant a brook, |
| That shows his hoar leaves in the glassy stream; |
| There with fantastic garlands did she come |
| Of crow-flowers, nettles, daisies, and long purples |
| That liberal shepherds give a grosser name, |
| But our cold maids do dead men's fingers call them: |
| There, on the pendent boughs her coronet weeds |
| Clambering to hang, an envious sliver broke; |
| When down her weedy trophies and herself |
| Fell in the weeping brook. Her clothes spread wide; |
| And, mermaid-like, awhile they bore her up: |
| Which time she chanted snatches of old tunes; |
| As one incapable of her own distress, |
| Or like a creature native and indued |
| Unto that element: but long it could not be |
| Till that her garments, heavy with their drink, |
| Pull'd the poor wretch from her melodious lay |
| To muddy death. |
| |
| LAERTES Alas, then, she is drown'd? |
| |
| QUEEN GERTRUDE Drown'd, drown'd. |
| |
| LAERTES Too much of water hast thou, poor Ophelia, |
| And therefore I forbid my tears: but yet |
| It is our trick; nature her custom holds, |
| Let shame say what it will: when these are gone, |
| The woman will be out. Adieu, my lord: |
| I have a speech of fire, that fain would blaze, |
| But that this folly douts it. |
| |
| [Exit] |
| |
| KING CLAUDIUS Let's follow, Gertrude: |
| How much I had to do to calm his rage! |
| Now fear I this will give it start again; |
| Therefore let's follow. |
| |
| [Exeunt] |
| |
| |
| |
| |
| HAMLET |
| |
| |
| ACT V |
| |
| |
| |
| SCENE I A churchyard. |
| |
| |
| [Enter two Clowns, with spades, &c] |
| |
| First Clown Is she to be buried in Christian burial that |
| wilfully seeks her own salvation? |
| |
| Second Clown I tell thee she is: and therefore make her grave |
| straight: the crowner hath sat on her, and finds it |
| Christian burial. |
| |
| First Clown How can that be, unless she drowned herself in her |
| own defence? |
| |
| Second Clown Why, 'tis found so. |
| |
| First Clown It must be 'se offendendo;' it cannot be else. For |
| here lies the point: if I drown myself wittingly, |
| it argues an act: and an act hath three branches: it |
| is, to act, to do, to perform: argal, she drowned |
| herself wittingly. |
| |
| Second Clown Nay, but hear you, goodman delver,-- |
| |
| First Clown Give me leave. Here lies the water; good: here |
| stands the man; good; if the man go to this water, |
| and drown himself, it is, will he, nill he, he |
| goes,--mark you that; but if the water come to him |
| and drown him, he drowns not himself: argal, he |
| that is not guilty of his own death shortens not his own life. |
| |
| Second Clown But is this law? |
| |
| First Clown Ay, marry, is't; crowner's quest law. |
| |
| Second Clown Will you ha' the truth on't? If this had not been |
| a gentlewoman, she should have been buried out o' |
| Christian burial. |
| |
| First Clown Why, there thou say'st: and the more pity that |
| great folk should have countenance in this world to |
| drown or hang themselves, more than their even |
| Christian. Come, my spade. There is no ancient |
| gentleman but gardeners, ditchers, and grave-makers: |
| they hold up Adam's profession. |
| |
| Second Clown Was he a gentleman? |
| |
| First Clown He was the first that ever bore arms. |
| |
| Second Clown Why, he had none. |
| |
| First Clown What, art a heathen? How dost thou understand the |
| Scripture? The Scripture says 'Adam digged:' |
| could he dig without arms? I'll put another |
| question to thee: if thou answerest me not to the |
| purpose, confess thyself-- |
| |
| Second Clown Go to. |
| |
| First Clown What is he that builds stronger than either the |
| mason, the shipwright, or the carpenter? |
| |
| Second Clown The gallows-maker; for that frame outlives a |
| thousand tenants. |
| |
| First Clown I like thy wit well, in good faith: the gallows |
| does well; but how does it well? it does well to |
| those that do in: now thou dost ill to say the |
| gallows is built stronger than the church: argal, |
| the gallows may do well to thee. To't again, come. |
| |
| Second Clown 'Who builds stronger than a mason, a shipwright, or |
| a carpenter?' |
| |
| First Clown Ay, tell me that, and unyoke. |
| |
| Second Clown Marry, now I can tell. |
| |
| First Clown To't. |
| |
| Second Clown Mass, I cannot tell. |
| |
| [Enter HAMLET and HORATIO, at a distance] |
| |
| First Clown Cudgel thy brains no more about it, for your dull |
| ass will not mend his pace with beating; and, when |
| you are asked this question next, say 'a |
| grave-maker: 'the houses that he makes last till |
| doomsday. Go, get thee to Yaughan: fetch me a |
| stoup of liquor. |
| |
| [Exit Second Clown] |
| |
| [He digs and sings] |
| |
| In youth, when I did love, did love, |
| Methought it was very sweet, |
| To contract, O, the time, for, ah, my behove, |
| O, methought, there was nothing meet. |
| |
| HAMLET Has this fellow no feeling of his business, that he |
| sings at grave-making? |
| |
| HORATIO Custom hath made it in him a property of easiness. |
| |
| HAMLET 'Tis e'en so: the hand of little employment hath |
| the daintier sense. |
| |
| First Clown [Sings] |
| |
| But age, with his stealing steps, |
| Hath claw'd me in his clutch, |
| And hath shipped me intil the land, |
| As if I had never been such. |
| |
| [Throws up a skull] |
| |
| HAMLET That skull had a tongue in it, and could sing once: |
| how the knave jowls it to the ground, as if it were |
| Cain's jaw-bone, that did the first murder! It |
| might be the pate of a politician, which this ass |
| now o'er-reaches; one that would circumvent God, |
| might it not? |
| |
| HORATIO It might, my lord. |
| |
| HAMLET Or of a courtier; which could say 'Good morrow, |
| sweet lord! How dost thou, good lord?' This might |
| be my lord such-a-one, that praised my lord |
| such-a-one's horse, when he meant to beg it; might it not? |
| |
| HORATIO Ay, my lord. |
| |
| HAMLET Why, e'en so: and now my Lady Worm's; chapless, and |
| knocked about the mazzard with a sexton's spade: |
| here's fine revolution, an we had the trick to |
| see't. Did these bones cost no more the breeding, |
| but to play at loggats with 'em? mine ache to think on't. |
| |
| First Clown: [Sings] |
| |
| A pick-axe, and a spade, a spade, |
| For and a shrouding sheet: |
| O, a pit of clay for to be made |
| For such a guest is meet. |
| |
| [Throws up another skull] |
| |
| HAMLET There's another: why may not that be the skull of a |
| lawyer? Where be his quiddities now, his quillets, |
| his cases, his tenures, and his tricks? why does he |
| suffer this rude knave now to knock him about the |
| sconce with a dirty shovel, and will not tell him of |
| his action of battery? Hum! This fellow might be |
| in's time a great buyer of land, with his statutes, |
| his recognizances, his fines, his double vouchers, |
| his recoveries: is this the fine of his fines, and |
| the recovery of his recoveries, to have his fine |
| pate full of fine dirt? will his vouchers vouch him |
| no more of his purchases, and double ones too, than |
| the length and breadth of a pair of indentures? The |
| very conveyances of his lands will hardly lie in |
| this box; and must the inheritor himself have no more, ha? |
| |
| HORATIO Not a jot more, my lord. |
| |
| HAMLET Is not parchment made of sheepskins? |
| |
| HORATIO Ay, my lord, and of calf-skins too. |
| |
| HAMLET They are sheep and calves which seek out assurance |
| in that. I will speak to this fellow. Whose |
| grave's this, sirrah? |
| |
| First Clown Mine, sir. |
| |
| [Sings] |
| |
| O, a pit of clay for to be made |
| For such a guest is meet. |
| |
| HAMLET I think it be thine, indeed; for thou liest in't. |
| |
| First Clown You lie out on't, sir, and therefore it is not |
| yours: for my part, I do not lie in't, and yet it is mine. |
| |
| HAMLET 'Thou dost lie in't, to be in't and say it is thine: |
| 'tis for the dead, not for the quick; therefore thou liest. |
| |
| First Clown 'Tis a quick lie, sir; 'twill away gain, from me to |
| you. |
| |
| HAMLET What man dost thou dig it for? |
| |
| First Clown For no man, sir. |
| |
| HAMLET What woman, then? |
| |
| First Clown For none, neither. |
| |
| HAMLET Who is to be buried in't? |
| |
| First Clown One that was a woman, sir; but, rest her soul, she's dead. |
| |
| HAMLET How absolute the knave is! we must speak by the |
| card, or equivocation will undo us. By the Lord, |
| Horatio, these three years I have taken a note of |
| it; the age is grown so picked that the toe of the |
| peasant comes so near the heel of the courtier, he |
| gaffs his kibe. How long hast thou been a |
| grave-maker? |
| |
| First Clown Of all the days i' the year, I came to't that day |
| that our last king Hamlet overcame Fortinbras. |
| |
| HAMLET How long is that since? |
| |
| First Clown Cannot you tell that? every fool can tell that: it |
| was the very day that young Hamlet was born; he that |
| is mad, and sent into England. |
| |
| HAMLET Ay, marry, why was he sent into England? |
| |
| First Clown Why, because he was mad: he shall recover his wits |
| there; or, if he do not, it's no great matter there. |
| |
| HAMLET Why? |
| |
| First Clown 'Twill, a not be seen in him there; there the men |
| are as mad as he. |
| |
| HAMLET How came he mad? |
| |
| First Clown Very strangely, they say. |
| |
| HAMLET How strangely? |
| |
| First Clown Faith, e'en with losing his wits. |
| |
| HAMLET Upon what ground? |
| |
| First Clown Why, here in Denmark: I have been sexton here, man |
| and boy, thirty years. |
| |
| HAMLET How long will a man lie i' the earth ere he rot? |
| |
| First Clown I' faith, if he be not rotten before he die--as we |
| have many pocky corses now-a-days, that will scarce |
| hold the laying in--he will last you some eight year |
| or nine year: a tanner will last you nine year. |
| |
| HAMLET Why he more than another? |
| |
| First Clown Why, sir, his hide is so tanned with his trade, that |
| he will keep out water a great while; and your water |
| is a sore decayer of your whoreson dead body. |
| Here's a skull now; this skull has lain in the earth |
| three and twenty years. |
| |
| HAMLET Whose was it? |
| |
| First Clown A whoreson mad fellow's it was: whose do you think it was? |
| |
| HAMLET Nay, I know not. |
| |
| First Clown A pestilence on him for a mad rogue! a' poured a |
| flagon of Rhenish on my head once. This same skull, |
| sir, was Yorick's skull, the king's jester. |
| |
| HAMLET This? |
| |
| First Clown E'en that. |
| |
| HAMLET Let me see. |
| |
| [Takes the skull] |
| |
| Alas, poor Yorick! I knew him, Horatio: a fellow |
| of infinite jest, of most excellent fancy: he hath |
| borne me on his back a thousand times; and now, how |
| abhorred in my imagination it is! my gorge rims at |
| it. Here hung those lips that I have kissed I know |
| not how oft. Where be your gibes now? your |
| gambols? your songs? your flashes of merriment, |
| that were wont to set the table on a roar? Not one |
| now, to mock your own grinning? quite chap-fallen? |
| Now get you to my lady's chamber, and tell her, let |
| her paint an inch thick, to this favour she must |
| come; make her laugh at that. Prithee, Horatio, tell |
| me one thing. |
| |
| HORATIO What's that, my lord? |
| |
| HAMLET Dost thou think Alexander looked o' this fashion i' |
| the earth? |
| |
| HORATIO E'en so. |
| |
| HAMLET And smelt so? pah! |
| |
| [Puts down the skull] |
| |
| HORATIO E'en so, my lord. |
| |
| HAMLET To what base uses we may return, Horatio! Why may |
| not imagination trace the noble dust of Alexander, |
| till he find it stopping a bung-hole? |
| |
| HORATIO 'Twere to consider too curiously, to consider so. |
| |
| HAMLET No, faith, not a jot; but to follow him thither with |
| modesty enough, and likelihood to lead it: as |
| thus: Alexander died, Alexander was buried, |
| Alexander returneth into dust; the dust is earth; of |
| earth we make loam; and why of that loam, whereto he |
| was converted, might they not stop a beer-barrel? |
| Imperious Caesar, dead and turn'd to clay, |
| Might stop a hole to keep the wind away: |
| O, that that earth, which kept the world in awe, |
| Should patch a wall to expel the winter flaw! |
| But soft! but soft! aside: here comes the king. |
| |
| [Enter Priest, &c. in procession; the Corpse of |
| OPHELIA, LAERTES and Mourners following; KING |
| CLAUDIUS, QUEEN GERTRUDE, their trains, &c] |
| |
| The queen, the courtiers: who is this they follow? |
| And with such maimed rites? This doth betoken |
| The corse they follow did with desperate hand |
| Fordo its own life: 'twas of some estate. |
| Couch we awhile, and mark. |
| |
| [Retiring with HORATIO] |
| |
| LAERTES What ceremony else? |
| |
| HAMLET That is Laertes, |
| A very noble youth: mark. |
| |
| LAERTES What ceremony else? |
| |
| First Priest Her obsequies have been as far enlarged |
| As we have warrantise: her death was doubtful; |
| And, but that great command o'ersways the order, |
| She should in ground unsanctified have lodged |
| Till the last trumpet: for charitable prayers, |
| Shards, flints and pebbles should be thrown on her; |
| Yet here she is allow'd her virgin crants, |
| Her maiden strewments and the bringing home |
| Of bell and burial. |
| |
| LAERTES Must there no more be done? |
| |
| First Priest No more be done: |
| We should profane the service of the dead |
| To sing a requiem and such rest to her |
| As to peace-parted souls. |
| |
| LAERTES Lay her i' the earth: |
| And from her fair and unpolluted flesh |
| May violets spring! I tell thee, churlish priest, |
| A ministering angel shall my sister be, |
| When thou liest howling. |
| |
| HAMLET What, the fair Ophelia! |
| |
| QUEEN GERTRUDE Sweets to the sweet: farewell! |
| |
| [Scattering flowers] |
| |
| I hoped thou shouldst have been my Hamlet's wife; |
| I thought thy bride-bed to have deck'd, sweet maid, |
| And not have strew'd thy grave. |
| |
| LAERTES O, treble woe |
| Fall ten times treble on that cursed head, |
| Whose wicked deed thy most ingenious sense |
| Deprived thee of! Hold off the earth awhile, |
| Till I have caught her once more in mine arms: |
| |
| [Leaps into the grave] |
| |
| Now pile your dust upon the quick and dead, |
| Till of this flat a mountain you have made, |
| To o'ertop old Pelion, or the skyish head |
| Of blue Olympus. |
| |
| HAMLET [Advancing] What is he whose grief |
| Bears such an emphasis? whose phrase of sorrow |
| Conjures the wandering stars, and makes them stand |
| Like wonder-wounded hearers? This is I, |
| Hamlet the Dane. |
| |
| [Leaps into the grave] |
| |
| LAERTES The devil take thy soul! |
| |
| [Grappling with him] |
| |
| HAMLET Thou pray'st not well. |
| I prithee, take thy fingers from my throat; |
| For, though I am not splenitive and rash, |
| Yet have I something in me dangerous, |
| Which let thy wiseness fear: hold off thy hand. |
| |
| KING CLAUDIUS Pluck them asunder. |
| |
| QUEEN GERTRUDE Hamlet, Hamlet! |
| |
| All Gentlemen,-- |
| |
| HORATIO Good my lord, be quiet. |
| |
| [The Attendants part them, and they come out of the grave] |
| |
| HAMLET Why I will fight with him upon this theme |
| Until my eyelids will no longer wag. |
| |
| QUEEN GERTRUDE O my son, what theme? |
| |
| HAMLET I loved Ophelia: forty thousand brothers |
| Could not, with all their quantity of love, |
| Make up my sum. What wilt thou do for her? |
| |
| KING CLAUDIUS O, he is mad, Laertes. |
| |
| QUEEN GERTRUDE For love of God, forbear him. |
| |
| HAMLET 'Swounds, show me what thou'lt do: |
| Woo't weep? woo't fight? woo't fast? woo't tear thyself? |
| Woo't drink up eisel? eat a crocodile? |
| I'll do't. Dost thou come here to whine? |
| To outface me with leaping in her grave? |
| Be buried quick with her, and so will I: |
| And, if thou prate of mountains, let them throw |
| Millions of acres on us, till our ground, |
| Singeing his pate against the burning zone, |
| Make Ossa like a wart! Nay, an thou'lt mouth, |
| I'll rant as well as thou. |
| |
| QUEEN GERTRUDE This is mere madness: |
| And thus awhile the fit will work on him; |
| Anon, as patient as the female dove, |
| When that her golden couplets are disclosed, |
| His silence will sit drooping. |
| |
| HAMLET Hear you, sir; |
| What is the reason that you use me thus? |
| I loved you ever: but it is no matter; |
| Let Hercules himself do what he may, |
| The cat will mew and dog will have his day. |
| |
| [Exit] |
| |
| KING CLAUDIUS I pray you, good Horatio, wait upon him. |
| |
| [Exit HORATIO] |
| |
| [To LAERTES] |
| |
| Strengthen your patience in our last night's speech; |
| We'll put the matter to the present push. |
| Good Gertrude, set some watch over your son. |
| This grave shall have a living monument: |
| An hour of quiet shortly shall we see; |
| Till then, in patience our proceeding be. |
| |
| [Exeunt] |
| |
| |
| |
| HAMLET |
| |
| |
| ACT V |
| |
| |
| |
| SCENE II A hall in the castle. |
| |
| |
| [Enter HAMLET and HORATIO] |
| |
| HAMLET So much for this, sir: now shall you see the other; |
| You do remember all the circumstance? |
| |
| HORATIO Remember it, my lord? |
| |
| HAMLET Sir, in my heart there was a kind of fighting, |
| That would not let me sleep: methought I lay |
| Worse than the mutines in the bilboes. Rashly, |
| And praised be rashness for it, let us know, |
| Our indiscretion sometimes serves us well, |
| When our deep plots do pall: and that should teach us |
| There's a divinity that shapes our ends, |
| Rough-hew them how we will,-- |
| |
| HORATIO That is most certain. |
| |
| HAMLET Up from my cabin, |
| My sea-gown scarf'd about me, in the dark |
| Groped I to find out them; had my desire. |
| Finger'd their packet, and in fine withdrew |
| To mine own room again; making so bold, |
| My fears forgetting manners, to unseal |
| Their grand commission; where I found, Horatio,-- |
| O royal knavery!--an exact command, |
| Larded with many several sorts of reasons |
| Importing Denmark's health and England's too, |
| With, ho! such bugs and goblins in my life, |
| That, on the supervise, no leisure bated, |
| No, not to stay the grinding of the axe, |
| My head should be struck off. |
| |
| HORATIO Is't possible? |
| |
| HAMLET Here's the commission: read it at more leisure. |
| But wilt thou hear me how I did proceed? |
| |
| HORATIO I beseech you. |
| |
| HAMLET Being thus be-netted round with villanies,-- |
| Ere I could make a prologue to my brains, |
| They had begun the play--I sat me down, |
| Devised a new commission, wrote it fair: |
| I once did hold it, as our statists do, |
| A baseness to write fair and labour'd much |
| How to forget that learning, but, sir, now |
| It did me yeoman's service: wilt thou know |
| The effect of what I wrote? |
| |
| HORATIO Ay, good my lord. |
| |
| HAMLET An earnest conjuration from the king, |
| As England was his faithful tributary, |
| As love between them like the palm might flourish, |
| As peace should stiff her wheaten garland wear |
| And stand a comma 'tween their amities, |
| And many such-like 'As'es of great charge, |
| That, on the view and knowing of these contents, |
| Without debatement further, more or less, |
| He should the bearers put to sudden death, |
| Not shriving-time allow'd. |
| |
| HORATIO How was this seal'd? |
| |
| HAMLET Why, even in that was heaven ordinant. |
| I had my father's signet in my purse, |
| Which was the model of that Danish seal; |
| Folded the writ up in form of the other, |
| Subscribed it, gave't the impression, placed it safely, |
| The changeling never known. Now, the next day |
| Was our sea-fight; and what to this was sequent |
| Thou know'st already. |
| |
| HORATIO So Guildenstern and Rosencrantz go to't. |
| |
| HAMLET Why, man, they did make love to this employment; |
| They are not near my conscience; their defeat |
| Does by their own insinuation grow: |
| 'Tis dangerous when the baser nature comes |
| Between the pass and fell incensed points |
| Of mighty opposites. |
| |
| HORATIO Why, what a king is this! |
| |
| HAMLET Does it not, think'st thee, stand me now upon-- |
| He that hath kill'd my king and whored my mother, |
| Popp'd in between the election and my hopes, |
| Thrown out his angle for my proper life, |
| And with such cozenage--is't not perfect conscience, |
| To quit him with this arm? and is't not to be damn'd, |
| To let this canker of our nature come |
| In further evil? |
| |
| HORATIO It must be shortly known to him from England |
| What is the issue of the business there. |
| |
| HAMLET It will be short: the interim is mine; |
| And a man's life's no more than to say 'One.' |
| But I am very sorry, good Horatio, |
| That to Laertes I forgot myself; |
| For, by the image of my cause, I see |
| The portraiture of his: I'll court his favours. |
| But, sure, the bravery of his grief did put me |
| Into a towering passion. |
| |
| HORATIO Peace! who comes here? |
| |
| [Enter OSRIC] |
| |
| OSRIC Your lordship is right welcome back to Denmark. |
| |
| HAMLET I humbly thank you, sir. Dost know this water-fly? |
| |
| HORATIO No, my good lord. |
| |
| HAMLET Thy state is the more gracious; for 'tis a vice to |
| know him. He hath much land, and fertile: let a |
| beast be lord of beasts, and his crib shall stand at |
| the king's mess: 'tis a chough; but, as I say, |
| spacious in the possession of dirt. |
| |
| OSRIC Sweet lord, if your lordship were at leisure, I |
| should impart a thing to you from his majesty. |
| |
| HAMLET I will receive it, sir, with all diligence of |
| spirit. Put your bonnet to his right use; 'tis for the head. |
| |
| OSRIC I thank your lordship, it is very hot. |
| |
| HAMLET No, believe me, 'tis very cold; the wind is |
| northerly. |
| |
| OSRIC It is indifferent cold, my lord, indeed. |
| |
| HAMLET But yet methinks it is very sultry and hot for my |
| complexion. |
| |
| OSRIC Exceedingly, my lord; it is very sultry,--as |
| 'twere,--I cannot tell how. But, my lord, his |
| majesty bade me signify to you that he has laid a |
| great wager on your head: sir, this is the matter,-- |
| |
| HAMLET I beseech you, remember-- |
| |
| [HAMLET moves him to put on his hat] |
| |
| OSRIC Nay, good my lord; for mine ease, in good faith. |
| Sir, here is newly come to court Laertes; believe |
| me, an absolute gentleman, full of most excellent |
| differences, of very soft society and great showing: |
| indeed, to speak feelingly of him, he is the card or |
| calendar of gentry, for you shall find in him the |
| continent of what part a gentleman would see. |
| |
| HAMLET Sir, his definement suffers no perdition in you; |
| though, I know, to divide him inventorially would |
| dizzy the arithmetic of memory, and yet but yaw |
| neither, in respect of his quick sail. But, in the |
| verity of extolment, I take him to be a soul of |
| great article; and his infusion of such dearth and |
| rareness, as, to make true diction of him, his |
| semblable is his mirror; and who else would trace |
| him, his umbrage, nothing more. |
| |
| OSRIC Your lordship speaks most infallibly of him. |
| |
| HAMLET The concernancy, sir? why do we wrap the gentleman |
| in our more rawer breath? |
| |
| OSRIC Sir? |
| |
| HORATIO Is't not possible to understand in another tongue? |
| You will do't, sir, really. |
| |
| HAMLET What imports the nomination of this gentleman? |
| |
| OSRIC Of Laertes? |
| |
| HORATIO His purse is empty already; all's golden words are spent. |
| |
| HAMLET Of him, sir. |
| |
| OSRIC I know you are not ignorant-- |
| |
| HAMLET I would you did, sir; yet, in faith, if you did, |
| it would not much approve me. Well, sir? |
| |
| OSRIC You are not ignorant of what excellence Laertes is-- |
| |
| HAMLET I dare not confess that, lest I should compare with |
| him in excellence; but, to know a man well, were to |
| know himself. |
| |
| OSRIC I mean, sir, for his weapon; but in the imputation |
| laid on him by them, in his meed he's unfellowed. |
| |
| HAMLET What's his weapon? |
| |
| OSRIC Rapier and dagger. |
| |
| HAMLET That's two of his weapons: but, well. |
| |
| OSRIC The king, sir, hath wagered with him six Barbary |
| horses: against the which he has imponed, as I take |
| it, six French rapiers and poniards, with their |
| assigns, as girdle, hangers, and so: three of the |
| carriages, in faith, are very dear to fancy, very |
| responsive to the hilts, most delicate carriages, |
| and of very liberal conceit. |
| |
| HAMLET What call you the carriages? |
| |
| HORATIO I knew you must be edified by the margent ere you had done. |
| |
| OSRIC The carriages, sir, are the hangers. |
| |
| HAMLET The phrase would be more german to the matter, if we |
| could carry cannon by our sides: I would it might |
| be hangers till then. But, on: six Barbary horses |
| against six French swords, their assigns, and three |
| liberal-conceited carriages; that's the French bet |
| against the Danish. Why is this 'imponed,' as you call it? |
| |
| OSRIC The king, sir, hath laid, that in a dozen passes |
| between yourself and him, he shall not exceed you |
| three hits: he hath laid on twelve for nine; and it |
| would come to immediate trial, if your lordship |
| would vouchsafe the answer. |
| |
| HAMLET How if I answer 'no'? |
| |
| OSRIC I mean, my lord, the opposition of your person in trial. |
| |
| HAMLET Sir, I will walk here in the hall: if it please his |
| majesty, 'tis the breathing time of day with me; let |
| the foils be brought, the gentleman willing, and the |
| king hold his purpose, I will win for him an I can; |
| if not, I will gain nothing but my shame and the odd hits. |
| |
| OSRIC Shall I re-deliver you e'en so? |
| |
| HAMLET To this effect, sir; after what flourish your nature will. |
| |
| OSRIC I commend my duty to your lordship. |
| |
| HAMLET Yours, yours. |
| |
| [Exit OSRIC] |
| |
| He does well to commend it himself; there are no |
| tongues else for's turn. |
| |
| HORATIO This lapwing runs away with the shell on his head. |
| |
| HAMLET He did comply with his dug, before he sucked it. |
| Thus has he--and many more of the same bevy that I |
| know the dressy age dotes on--only got the tune of |
| the time and outward habit of encounter; a kind of |
| yesty collection, which carries them through and |
| through the most fond and winnowed opinions; and do |
| but blow them to their trial, the bubbles are out. |
| |
| [Enter a Lord] |
| |
| Lord My lord, his majesty commended him to you by young |
| Osric, who brings back to him that you attend him in |
| the hall: he sends to know if your pleasure hold to |
| play with Laertes, or that you will take longer time. |
| |
| HAMLET I am constant to my purpose; they follow the king's |
| pleasure: if his fitness speaks, mine is ready; now |
| or whensoever, provided I be so able as now. |
| |
| Lord The king and queen and all are coming down. |
| |
| HAMLET In happy time. |
| |
| Lord The queen desires you to use some gentle |
| entertainment to Laertes before you fall to play. |
| |
| HAMLET She well instructs me. |
| |
| [Exit Lord] |
| |
| HORATIO You will lose this wager, my lord. |
| |
| HAMLET I do not think so: since he went into France, I |
| have been in continual practise: I shall win at the |
| odds. But thou wouldst not think how ill all's here |
| about my heart: but it is no matter. |
| |
| HORATIO Nay, good my lord,-- |
| |
| HAMLET It is but foolery; but it is such a kind of |
| gain-giving, as would perhaps trouble a woman. |
| |
| HORATIO If your mind dislike any thing, obey it: I will |
| forestall their repair hither, and say you are not |
| fit. |
| |
| HAMLET Not a whit, we defy augury: there's a special |
| providence in the fall of a sparrow. If it be now, |
| 'tis not to come; if it be not to come, it will be |
| now; if it be not now, yet it will come: the |
| readiness is all: since no man has aught of what he |
| leaves, what is't to leave betimes? |
| |
| [Enter KING CLAUDIUS, QUEEN GERTRUDE, LAERTES, |
| Lords, OSRIC, and Attendants with foils, &c] |
| |
| KING CLAUDIUS Come, Hamlet, come, and take this hand from me. |
| |
| [KING CLAUDIUS puts LAERTES' hand into HAMLET's] |
| |
| HAMLET Give me your pardon, sir: I've done you wrong; |
| But pardon't, as you are a gentleman. |
| This presence knows, |
| And you must needs have heard, how I am punish'd |
| With sore distraction. What I have done, |
| That might your nature, honour and exception |
| Roughly awake, I here proclaim was madness. |
| Was't Hamlet wrong'd Laertes? Never Hamlet: |
| If Hamlet from himself be ta'en away, |
| And when he's not himself does wrong Laertes, |
| Then Hamlet does it not, Hamlet denies it. |
| Who does it, then? His madness: if't be so, |
| Hamlet is of the faction that is wrong'd; |
| His madness is poor Hamlet's enemy. |
| Sir, in this audience, |
| Let my disclaiming from a purposed evil |
| Free me so far in your most generous thoughts, |
| That I have shot mine arrow o'er the house, |
| And hurt my brother. |
| |
| LAERTES I am satisfied in nature, |
| Whose motive, in this case, should stir me most |
| To my revenge: but in my terms of honour |
| I stand aloof; and will no reconcilement, |
| Till by some elder masters, of known honour, |
| I have a voice and precedent of peace, |
| To keep my name ungored. But till that time, |
| I do receive your offer'd love like love, |
| And will not wrong it. |
| |
| HAMLET I embrace it freely; |
| And will this brother's wager frankly play. |
| Give us the foils. Come on. |
| |
| LAERTES Come, one for me. |
| |
| HAMLET I'll be your foil, Laertes: in mine ignorance |
| Your skill shall, like a star i' the darkest night, |
| Stick fiery off indeed. |
| |
| LAERTES You mock me, sir. |
| |
| HAMLET No, by this hand. |
| |
| KING CLAUDIUS Give them the foils, young Osric. Cousin Hamlet, |
| You know the wager? |
| |
| HAMLET Very well, my lord |
| Your grace hath laid the odds o' the weaker side. |
| |
| KING CLAUDIUS I do not fear it; I have seen you both: |
| But since he is better'd, we have therefore odds. |
| |
| LAERTES This is too heavy, let me see another. |
| |
| HAMLET This likes me well. These foils have all a length? |
| |
| [They prepare to play] |
| |
| OSRIC Ay, my good lord. |
| |
| KING CLAUDIUS Set me the stoops of wine upon that table. |
| If Hamlet give the first or second hit, |
| Or quit in answer of the third exchange, |
| Let all the battlements their ordnance fire: |
| The king shall drink to Hamlet's better breath; |
| And in the cup an union shall he throw, |
| Richer than that which four successive kings |
| In Denmark's crown have worn. Give me the cups; |
| And let the kettle to the trumpet speak, |
| The trumpet to the cannoneer without, |
| The cannons to the heavens, the heavens to earth, |
| 'Now the king dunks to Hamlet.' Come, begin: |
| And you, the judges, bear a wary eye. |
| |
| HAMLET Come on, sir. |
| |
| LAERTES Come, my lord. |
| |
| [They play] |
| |
| HAMLET One. |
| |
| LAERTES No. |
| |
| HAMLET Judgment. |
| |
| OSRIC A hit, a very palpable hit. |
| |
| LAERTES Well; again. |
| |
| KING CLAUDIUS Stay; give me drink. Hamlet, this pearl is thine; |
| Here's to thy health. |
| |
| [Trumpets sound, and cannon shot off within] |
| |
| Give him the cup. |
| |
| HAMLET I'll play this bout first; set it by awhile. Come. |
| |
| [They play] |
| |
| Another hit; what say you? |
| |
| LAERTES A touch, a touch, I do confess. |
| |
| KING CLAUDIUS Our son shall win. |
| |
| QUEEN GERTRUDE He's fat, and scant of breath. |
| Here, Hamlet, take my napkin, rub thy brows; |
| The queen carouses to thy fortune, Hamlet. |
| |
| HAMLET Good madam! |
| |
| KING CLAUDIUS Gertrude, do not drink. |
| |
| QUEEN GERTRUDE I will, my lord; I pray you, pardon me. |
| |
| KING CLAUDIUS [Aside] It is the poison'd cup: it is too late. |
| |
| HAMLET I dare not drink yet, madam; by and by. |
| |
| QUEEN GERTRUDE Come, let me wipe thy face. |
| |
| LAERTES My lord, I'll hit him now. |
| |
| KING CLAUDIUS I do not think't. |
| |
| LAERTES [Aside] And yet 'tis almost 'gainst my conscience. |
| |
| HAMLET Come, for the third, Laertes: you but dally; |
| I pray you, pass with your best violence; |
| I am afeard you make a wanton of me. |
| |
| LAERTES Say you so? come on. |
| |
| [They play] |
| |
| OSRIC Nothing, neither way. |
| |
| LAERTES Have at you now! |
| |
| [LAERTES wounds HAMLET; then in scuffling, they |
| change rapiers, and HAMLET wounds LAERTES] |
| |
| KING CLAUDIUS Part them; they are incensed. |
| |
| HAMLET Nay, come, again. |
| |
| [QUEEN GERTRUDE falls] |
| |
| OSRIC Look to the queen there, ho! |
| |
| HORATIO They bleed on both sides. How is it, my lord? |
| |
| OSRIC How is't, Laertes? |
| |
| LAERTES Why, as a woodcock to mine own springe, Osric; |
| I am justly kill'd with mine own treachery. |
| |
| HAMLET How does the queen? |
| |
| KING CLAUDIUS She swounds to see them bleed. |
| |
| QUEEN GERTRUDE No, no, the drink, the drink,--O my dear Hamlet,-- |
| The drink, the drink! I am poison'd. |
| |
| [Dies] |
| |
| HAMLET O villany! Ho! let the door be lock'd: |
| Treachery! Seek it out. |
| |
| LAERTES It is here, Hamlet: Hamlet, thou art slain; |
| No medicine in the world can do thee good; |
| In thee there is not half an hour of life; |
| The treacherous instrument is in thy hand, |
| Unbated and envenom'd: the foul practise |
| Hath turn'd itself on me lo, here I lie, |
| Never to rise again: thy mother's poison'd: |
| I can no more: the king, the king's to blame. |
| |
| HAMLET The point!--envenom'd too! |
| Then, venom, to thy work. |
| |
| [Stabs KING CLAUDIUS] |
| |
| All Treason! treason! |
| |
| KING CLAUDIUS O, yet defend me, friends; I am but hurt. |
| |
| HAMLET Here, thou incestuous, murderous, damned Dane, |
| Drink off this potion. Is thy union here? |
| Follow my mother. |
| |
| [KING CLAUDIUS dies] |
| |
| LAERTES He is justly served; |
| It is a poison temper'd by himself. |
| Exchange forgiveness with me, noble Hamlet: |
| Mine and my father's death come not upon thee, |
| Nor thine on me. |
| |
| [Dies] |
| |
| HAMLET Heaven make thee free of it! I follow thee. |
| I am dead, Horatio. Wretched queen, adieu! |
| You that look pale and tremble at this chance, |
| That are but mutes or audience to this act, |
| Had I but time--as this fell sergeant, death, |
| Is strict in his arrest--O, I could tell you-- |
| But let it be. Horatio, I am dead; |
| Thou livest; report me and my cause aright |
| To the unsatisfied. |
| |
| HORATIO Never believe it: |
| I am more an antique Roman than a Dane: |
| Here's yet some liquor left. |
| |
| HAMLET As thou'rt a man, |
| Give me the cup: let go; by heaven, I'll have't. |
| O good Horatio, what a wounded name, |
| Things standing thus unknown, shall live behind me! |
| If thou didst ever hold me in thy heart |
| Absent thee from felicity awhile, |
| And in this harsh world draw thy breath in pain, |
| To tell my story. |
| |
| [March afar off, and shot within] |
| |
| What warlike noise is this? |
| |
| OSRIC Young Fortinbras, with conquest come from Poland, |
| To the ambassadors of England gives |
| This warlike volley. |
| |
| HAMLET O, I die, Horatio; |
| The potent poison quite o'er-crows my spirit: |
| I cannot live to hear the news from England; |
| But I do prophesy the election lights |
| On Fortinbras: he has my dying voice; |
| So tell him, with the occurrents, more and less, |
| Which have solicited. The rest is silence. |
| |
| [Dies] |
| |
| HORATIO Now cracks a noble heart. Good night sweet prince: |
| And flights of angels sing thee to thy rest! |
| Why does the drum come hither? |
| |
| [March within] |
| |
| [Enter FORTINBRAS, the English Ambassadors, |
| and others] |
| |
| PRINCE FORTINBRAS Where is this sight? |
| |
| HORATIO What is it ye would see? |
| If aught of woe or wonder, cease your search. |
| |
| PRINCE FORTINBRAS This quarry cries on havoc. O proud death, |
| What feast is toward in thine eternal cell, |
| That thou so many princes at a shot |
| So bloodily hast struck? |
| |
| First Ambassador The sight is dismal; |
| And our affairs from England come too late: |
| The ears are senseless that should give us hearing, |
| To tell him his commandment is fulfill'd, |
| That Rosencrantz and Guildenstern are dead: |
| Where should we have our thanks? |
| |
| HORATIO Not from his mouth, |
| Had it the ability of life to thank you: |
| He never gave commandment for their death. |
| But since, so jump upon this bloody question, |
| You from the Polack wars, and you from England, |
| Are here arrived give order that these bodies |
| High on a stage be placed to the view; |
| And let me speak to the yet unknowing world |
| How these things came about: so shall you hear |
| Of carnal, bloody, and unnatural acts, |
| Of accidental judgments, casual slaughters, |
| Of deaths put on by cunning and forced cause, |
| And, in this upshot, purposes mistook |
| Fall'n on the inventors' reads: all this can I |
| Truly deliver. |
| |
| PRINCE FORTINBRAS Let us haste to hear it, |
| And call the noblest to the audience. |
| For me, with sorrow I embrace my fortune: |
| I have some rights of memory in this kingdom, |
| Which now to claim my vantage doth invite me. |
| |
| HORATIO Of that I shall have also cause to speak, |
| And from his mouth whose voice will draw on more; |
| But let this same be presently perform'd, |
| Even while men's minds are wild; lest more mischance |
| On plots and errors, happen. |
| |
| PRINCE FORTINBRAS Let four captains |
| Bear Hamlet, like a soldier, to the stage; |
| For he was likely, had he been put on, |
| To have proved most royally: and, for his passage, |
| The soldiers' music and the rites of war |
| Speak loudly for him. |
| Take up the bodies: such a sight as this |
| Becomes the field, but here shows much amiss. |
| Go, bid the soldiers shoot. |
| |
| [A dead march. Exeunt, bearing off the dead |
| bodies; after which a peal of ordnance is shot off] |